Join me in a pattern process – an adventurous and emotional journey from the sparkling idea for a new design through all the bumps and challenges in the process to a finished pattern and beyond.
You know when a baby idea gently but convincingly softly whispers in your mind: Feed me. Feeed me! The whisper gets louder, more vivid, and more impossible to reject. The idea is there to stay, to poke you in the eye until you do feed it.
This happened to me a couple of years ago. Well, several times, but this post is about a particular baby idea. I saw something that ignited the baby idea. Something I had seen before, but obviously and flatly ignored.
Once I have adopted the baby idea inspiration is everywhere. What about this structure, shape, can we please include these features, pretty please? And tassels, let’s have tassels! Says the baby idea, a bit more confident and, frankly, bossy now.
The ideas bounce around in my head 24/7 like a pinball game on the border between inspirational and overwhelming. When I come to my senses I manage to place a filter of structure and reason over the pinball ideas and sort out my favourites to knead some more.
So, now I have the basic building blocks of my pattern idea. In this phase I get to play with details, whole, structure and technique until I come closer to a yarn and garment design that are feasible as a knitting project. I really enjoy this part of the pattern process since it is unpretentious. It doesn’t demand or criticize. It simply allows me to refine and boil down my ideas into something unique, yet manageable.
This is the pure and innocent phases at which I have no idea of the agonizing, doubting and sweating phases that are to come.
The pattern process for projects with handspun yarn is a bit different than projects using commercial yarn. First of all, I need to create the yarn I need for my project, which makes the process a bit longer and more adventurous. Second of all, I can’t expect a group of test knitters to go through a whole wool process to spin for and finally knit a garment I have chosen for them. And finding and testing a commercial yarn that looks and works kind of like my handspun just to have a commercial yarn reference doesn’t serve me.
I still want to design, though, so I have decided to set my own rules for designing for handspun. Without commercial yarn and without test knitters.
I spin to show the most prominent characteristics of the fiber. At the same time, I have a project idea that lies in the other end of the pattern process journey. For the project to happen I need to create a yarn that does make the fiber justice and that works in the project.
In the swatching phase of my pattern process I do my best to match the yarn with the needles and the fabric structure. With the fiber as my most important foundation I need to find a way to create a yarn that mirrors the characteristics of the fiber while at the same time working with the structure I have in mind for the fabric.
To this comes the delicate balance between swatching enough for a desired result and not using up too much of the fiber I have before I have even started the sharp version. Usually the fiber for my idea comes from one unique fleece. When it is gone I have no more.
Ok, so the yarn is too thick/thin/loose/tight, the fabric too dense/loose/completely off, the idea totally unrealistic and my mood too cranky. This is when I need to be kind to myself and take myself back to the power of that first sparkle. Working through challenges will make my idea stronger and better. I need to go through a number of wrong doors to make sure I know which are the right doors. Agony is part of the pattern process and will take me further along the journey. Embrace the wrong doors.
Once I feel some sort of harmony in yarn, technique and details I put them all together and start knitting. Hopefully I have swatched enough to avoid having to frog too much of my precious handspun yarn.
For this particular project I actually completed a full-scale prototype with yarn spun from a different fleece before I dived into the sharp version of the project.
8 Thinking (I’ll remember)
Ooh, this was a good solution! I’ll keep knitting for a while to see what it looks like. I don’t have to take notes, I’ll remember how I did it. The naiveté of a budding designer is endearing.
9 Wishing (I had been more thorough)
Ok, what was I thinking? It was ages ago, there is no way I can remember what I did!
10 Doubting (If this was such a good idea after all)
Why did I suggest writing a pattern for this? I’m clearly not mature enough to understand the scope of a pattern process. Who am I to make a pattern?
The symptoms of Imposter syndrome can be very cruel at this stage. Even if I have taken notes of all the stitches there is so much more than that to a pattern. You know all those practical how-to tips that make a pattern intelligible and smooth to follow. I feel an extra responsibility here since the people who do decide to knit my project will have spent time spinning for this particular design. The pattern and the description need to allow them to work confidently through the pattern.
Oh, a new fleece, let’s explore!
Look, a kitten, let’s play!
Come on couch, lets nap!
And all of the above. Procrastinating is a skill I have exercised to near perfection. Sometimes I wonder if I’m a project hoarder. Mid-project I get an idea for another design and my mind drifts away in the luring and glittering mist of a new baby idea.
12 Dragging (my feet)
I need to get this pattern organized. Now. The longer I wait the more I will have forgotten. Perhaps if I sneak up on myself I won’t even notice I have started organizing? Yeah, let’s do that!
(feel free to loop 8–12 any desired amount of times)
Designing is one thing. It will provide me with a garment that fits me. A pattern on the other hand needs all the numbers and information for others to be able to understand and create the garment. Every letter I write in that pattern description needs to be enough and necessary for the knitter to recreate my project.
Ok. Let’s do this. These are the things I need to produce, structure, calculate, proof-read and re-proof-read.
- An introduction, where I present the background to my project, its features, the wool, yarn and inspiration. This is where I do my best to sell my project.
- Numbers – spinning angle, grist, yarn weight, twist, wool weight, yarn length, gauge, sizes, size alterations, needles, notions, measurements, most of which I don’t consider early in the process when it would have been very becoming to have taken some simple but utterly useful notes.
- Illustrations, simple graphics to show the shape, size and numbers of the project. Basic skills in anatomy sketching would have been charming here.
- Charts. Just simple graphics with rows and columns filled with pretty symbols and colours. And, of course, the same information in written text. How hard can that be?
- Terminology and abbreviations. A pattern needs to be condensed in order to allow the recipient to make sense of the content and not get lost in the forest of words. To condense a pattern you need to use established abbreviations. You need to provide the key to the abbreviations and also an explanation of the key. It’s like transporting balloons – you can either transport them all blown up. This will take up a lot of space. Or, you can transport the empty balloons together with a pump that will provide the air needed for all the balloons. Or something like that, you get the gist.
- Photos that show the design of the garment, the knitting structure, fit, length, details and whole. Preferably in a pretty setting and on a reasonably good hair day. I’m so grateful for my husband Dan’s photo skills and artistic eye.
- And oh, the actual pattern. A series of very condensed abbreviations in row upon row, unraveling the secrets of the design to those who have the key. The pattern is focused on the details. At this stage I need to have convinced the knitter of the whole picture to stay with me and that it will be all worth it (see the introduction point above). To proof read the pattern part is a nightmare. A comma in the wrong place can be disastrous. Thank the goddesses for tech editors.
14 Breathing (in a square)
Gathering all the parts for the pattern can be very energy consuming. Do I have all the parts the editor needs? Am I using the right software? Did I follow the templates? Did I do that umpteenth proof reading?
I’m not on top of this. I am very thankful for Kate Atherley’s book The beginner’s guide to writing knitting patterns (she also has an online course for this). It covers a lot ad keeps me a little more at ease in this part of the pattern process. But still. I’m definitely not on top of this.
Oh, let’s throw in some more procrastinating (11) here while we’re at it.
15 Submitting (slightly panicked)
I’m doing this. Now. I’m sending the 3 MB email (photos, blood, sweat and tears excluded) with the seven attachments.
In a second.
In just another second.
(feel free to go back to 14 Breathing in a square here)
16 Obsessing (about a millisecond after submitting)
Did they get it? Can they read it? Do they like it? Will they be able to publish it? Will I be able to publish a pattern ever again?
An email lands in my inbox a couple of days later. “I was able to download and open all of the attachments. Your piece is absolutely fabulous!”
Did you hear that noise? It was my deep sigh of relief.
The obsessing phase can be active even in later phases. This blog post and the mindmap below for example may very likely be part of the obsessing phase.
Next stop on the obsessing train: The tech editor’s verdict. Choo choo!
(make your own loop cocktail of one or more of the points above. My recommendations are 9, 10, 13 and 14)
After having submitted the pattern it feels a bit empty. I miss my project. It has been a part of me for so long. Suddenly the work is done and I don’t know what to do with myself. The finished project is there, looking at me with big eyes. But I can’t show it off until the publication is out, which will be in another six months or so.
Coming into and out of emotional stages always takes time for me. It is like my body and my mind aren’t in sync. But after a while, when my body has settled my mind will be able to rest in a more balanced state. Slowly, I get more susceptible to new inspiration.
One morning, when enough time has passed for me to have completely forgotten all the blood, sweat and tears I have shed through the previous pattern process, I wake up with a faint but very vivid baby idea. It whispers softly in my ear: Feed me. Feeeed mee! And so I begin a new pattern process journey (see 1 sparkling above). How hard can it be? Well, it’ll be a bumpy ride. But always worth it.
Thank you K and the gang for believing in me.
Feel free to use the mindmap chart below for your own pattern process. Perhaps you have titles or doodles of your own to add.
Have a look at my previous patterns:
- Heartwarming mitts, Spin-Off magazine, fall 2019.
- Selma Margau sweater, Spin-Off magazine, summer 2020.
- Wool journey wrist warmers, Knit (spin) Sweden!
And if you haven’t already, do listen to the latest episode of the Fiber Nation podcast, “I’m sorry Dave, I can’t knit that” about AI knitwear design. It’s hilarious.
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