Textile heritage

Flemish tapestry weave with a woman spinning on a spinning wheel.

Sometimes I envy spinners who have a textile heritage. Their mothers taught them how to spin, they spin on their grandmother’s spinning wheel, they learned because everybody did it, that kind of heritage. I have no textile heritage. In this post I will reflect over where our spinning genes come from.

Family

I have no spinners in my family. My mother used to sew a lot when I grew up and I inherited that from her, but I know of no one in the family who has had any kind of interest in spinning. My mother may have taught me how to knit (because that is what you did in the -80’s), but I wouldn’t call her a knitter.

Josefin Waltin knitting a pastel purple sweater in a garden chair 1985.
A 12 year old Josefin knitting. The year was 1985 and I was sitting in my aunt’s summer house garden in Austria.

Somepeople are fortunate enough to have a well defined textile heritage. They can point out a person in their life who taught them how to spin or who has in some other way been important to them when they learned how to spin. I have no inherited tools with a personal history, no treasured family textiles, no tales to tell of old hands showing the motions.

Tradition

Some cultures have a strong textile heritage. Perhaps especially cultures where sheep are an important part of the agriculture and the landscape. With the sheep comes crafting that becomes an important part of people’s cultural and personal history. Textile crafting is a natural part of the culture and anyone who doesn’t craft is the odd person.

Shetland textile heritage

In 2015 I visited Shetland with my wool traveling club for Shetland wool week. Sheep are everywhere in Shetland. I think there are about 10 times more sheep than two-legged inhabitants. The treeless landscape is shaped by the sheep and the infrastructure needs to accommodate for sheep and pastures. Shetland looks like a sheep planet with tiny villages scattered in the landscape for people visiting.

Sheep grazing by the Bressay lighthouse, Shetland. East coast of Mainland Shetland in the background.

It was of course a wonderful week that none of us will ever forget. But the one thing that made the biggest impression on me was the textile heritage. Every Shetlander knows their textile heritage. And I do mean everyone. Their mothers and grandmothers have knitted when walking and shepherding and whenever their hands were not occupied with something else. Because they had to. Knitted items were sold and used as an important means for trading.

Every Shetlander knows what a hap stretcher, jumper board or a knitting belt is. There is a beautiful flora of special knitting terminology with influences from the Norse language and Scots. Hentilagets=Tufts of wool found in the pastures. Sprettin=ripping back (Sprätta in Swedish means ripping up a sewn seam). Makkin=knitting.

A person standing behind a stretched Shetland Hap
The Moder Dy hap. Photo by Dan Waltin

The textile heritage is tightly woven into everyone’s cultural and personal history. Since oil happened in Shetland, women haven’t needed to knit to provide for their families anymore, but the heritage is still very strong.

Navajo spinning and weaving

After having read a review of the book Spider woman’s children in the latest issue of Spin-off magazine, I knew I needed to buy the book. I ordered it, and when it arrived it proved to be a beautiful book that warmly told the stories of Navajo women (and a few men) who spin yarn from the Churro sheep.

Spider woman's children by Lynda Teller Pete and Barbara Teller Ornelas
Spider woman’s children by Lynda Teller Pete and Barbara Teller Ornelas

The wool is spun on Navajo spindles and the yarn is used to weave traditional Navajo tapestry rugs. The tradition is passed down from mother to daughter (or son), as are the textile tools and specific patterns or styles. It is a strong matriarchal culture with a true and genuine respect for the craft and the crafter. Many Navajo have spent a lot of time at trading posts where they have sold their rugs. The rugs are well sought after today and sell for thousands of dollars on auctions.

Master Artist workshop: Navajo weaving

Spinning, knitting and weaving in the Andes

This week I bought the video Andean spinning from Interweave. It features the talented Nilda Callañaupa Alveraz in a gentle conversation with Linda Ligon. Nilda shows how the women of the Andes spin sheep’s wool, alpaca and llama on bottom whorl spindles, pushkas. They spin constantly, and usually very thin yarn for weaving. Hands are never idle and there is always some textile crafting going on. The women spin, ply, dye and weave together and create a textile treasure to take great pride in. Men spin bulkier yarn and often in llama wool for weaving potato sacks. Imagine that, storing your potatoes in handspun, hand woven llama sacks. What a potato feast!

Nilda Callañaupa Alveraz tells Linda Ligon about Andean spinning. Short clip from the downloadable video Andean spinning.

They spin the wool on simple hand-carved and very lightweight bottom whorl spindles. Just a stick and a whorl. No hook, you just secure the yarn with a couple of half-hitches and you are good to go. They don’t prepare the wool with any tools other than your hands. They just separate the fibers with their hands and turn them into clouds that they drafts from.

Another video that shows Andean spinning from unprocessed wool.

The process is mesmerizing and my heart was singing when I watched the video. The simplest of tools make the most beautiful, yet sturdy and useful textiles. I instantly felt a need for a pushka spindle. Even as we speak, two pushkas are on the way to me. I intend to get myself a fleece that I can tease and draft directly from without tools. I don’t know what breed they use, but since the Spanish brought the sheep, chances are that there is at least some amount of merino in today’s sheep grazing the Andean slopes. I’m thinking some Jämtland wool or Norwegian crossbred, NKS, will do the trick.

Abby Franquemont who grew up in the Andes as a daughter of anthropologists learned the technique from an early age (but shockingly late in the eyes of the locals). She is currently back in Cusco, Peru, and sends daily sweets in the shape of videos from her visit. It makes me want to go to Peru right now and spin with them. Anyone know of a decent train line from Europe to South America?

A Swedish textile community

There are places in Sweden with a cultural textile heritage. The county of Dalarna for example is a region where twined knitting has been the dominant textile technique for centuries. Women were knitting whenever their hands were free to knit. Idle hands were a sin. Many people in this region today can show a treasured vadmal jacket with twined knitted sleeves, safely stored in the attic. And they treasure it.

Future textile heritage

Next generation

My children don’t know how to spin and they don’t share my passion for textiles. But they do have a passive knowledge of spinning and wool. They can tell the difference between a Texel sheep and a Finewool sheep. Probably Rya and Gotland too. They know the names of quite a few of the spindle types I have and they enjoy the sound of the spinning wheel. How many city kids have this knowledge today? Every time I see a sign of this passive knowledge my heart smiles. I know that I have passed a treasured knowledge to them, even if they don’t share my passion.

Urban spinning

Recently I got a new supported spindle and bowl. The bowl had a metal piece underneath to fit a magnet so that the bowl doesn’t slide off my lap when I spin. The other day I went to the hardware store to get a strong magnet. I had brought the bowl to check if the magnet would be strong enough. When I waited in line I imagined what I would answer if the sales person would ask what the bowl was used for. I imagined answering “the line is too long for me to tell you what the bowl is used for”. I was a bit disappointed when he didn’t ask me. Not even after testing the function with my handspun hat between the magnet and the bowl! But he did get me a decent magnet.

Supported spindle and bowl by Björn Peck
Supported spindle and bowl by Björn Peck. Few people outside the spinning community know what they are used for, let alone why I would want a magnet for it.

In a culture with a strong textile heritage this situation wouldn’t have occurred. The hardware store would have exposed the magnets in the shop with a sign saying “Get your spindle bowl magnets for safe commuter spinning here!”. Wouldn’t that be something?

Metro crafting

I wouldn’t say that Stockholm has a textile heritage, at least not one that I know of. I don’t often see textile crafting in Stockholm. Whenever I see a person trying to untangle their earphones on the metro my heart jumps because I instantly think they are knitting. But they are not. The irony of this is that they wouldn’t have had to untangle their earphones in the first place had they only had the knowledge to knit them in!

No untangling necessary with knit-in headphones.
No untangling necessary with knit-in earphones. Picture from 2012. Photo by Dan Waltin.

The few times I don’t get around by bike I spin or knit on the metro. First and foremost because I want to, but also to make textile crafting visible. I want people to know that spinning exist. I want people to reflect over what it is that I do, perhaps dig out threads of memories of knitting grandmothers, weaving aunts or just old hands showing how it’s done. Some people are brave enough to ask me what I’m doing, or just seek eye contact and smile. Once I was standing in the metro, nalbinding away. A man in his 60’s was watching what I was doing. After a while he smiled at me and asked “Isn’t that that nalbinding?” I was so shocked I nearly forgot to get off at the next stop. Never have I experienced anyone outside the textile community recognizing nalbinding, let alone a man.

A pair of striped socks in backlight
Nalbinding socks. Photo by Dan Waltin

I treasure moments like these. They give me hope that I can be a part of passing at least a passive knowledge of textile tradition on.

Online heritage

Most of my you who follow me on my blog and YouTube channel are spinners. A few just appreciate the serenity of my videos and another group is fascinated by the textile techniques without an intention of crafting themselves. Recently one of my videos was spread in a non-spinning context. In one week the amount of viewers grew from 600 to 21000 (!) and is now up in around 36000 views. Spinners are my target group, but seeing so many other people appreciating my textile heritage makes my toes dance of joy.

Making my own history

I may not have a textile heritage. But I have made my own. The positive side of not having a textile heritage is that I don’t have a given thread to follow. I’m not expected to follow a pre-destined tradition. I make my own thread and my own discoveries based on my curiosity and love for the craft. That is a heritage I am proud of.

What is your textile heritage?


The featured image I chose for this post is a Flemish tapestry weave made by my sister-in-law’s grandmother Birgit. Birgit was a weaver and left tons of hand woven pieces when she passed away. My sister-in-law does have a textile heritage is by her grandmother and mother, but she is not a textile crafter herself. When she was sorting out her grandmother Birgit’s belongings she thought of me and gave me a whole bag with beautiful handwoven kitchen towels and a few tapestry weaves. This way I can say that I have adopted my sister-in-law’s textile heritage.


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a five minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!

Process

Handspun yarn from Gotland wool

I am a process spinner and I spin because I love the process of spinning. The rhythm, the motions, the feeling of the fiber in my hands and the crafting bubble I enter when I spin – all of these aspects are part of my love of spinning. I do spin for the project too, but I don’t make shortcuts to get faster to the project. In this post I will try to break down the process and investigate what it is that makes me feel so good when I spin.

For some cimematic inspiration connected to the theme of this post, watch my video For the love of spinning.

Rhythm

There is a rhythm in spinning, regardless of what tool I am using. I treadle with my feet, feed the yarn into the orifice and move my hands. Or I set a spindle in motion, draft the fiber and roll the yarn onto the shaft. You can see the rhythm in the preparation too – loading combs or cards, processing the fiber and arranging the fiber in spinnable chunks. From the first step to the last and back again. There is a rhythm and a predictability – if everything goes as it should, I know what is coming next.

I find a sort of security in the rhythm. I can focus on the steps in the process and and be here and now. Stress stays outside of the bubble and allows me to breathe and think more freely.

I have been under a lot of pressure lately with course launch, article and pattern deadlines and new courses to prepare for. But through this I have had one spinning project that was just for me. There was no deadline or pressure with that particular fleece and I made room for spinning for a little while every day. It helped me find peace when in the crafting bubble and balance when outside of it.

The rhythm of spinning helps me find the here and now
The rhythm of spinning helps me find the here and now

Dance

Sometimes I see spinning as a dance. The fibers and tools are the dancers and I am the choreographer (the fiber is also the artistic director). My hands follow each other, back and forth, towards and away from each other, leaving the fiber in a new shape. Fiber hand drafting the fiber for the spinning hand. Spinning hand introducing twist to the fiber and smoothing the newborn yarn, guiding it onto the bobbin or shaft. My eyes follow my hands, watching the fiber, assessing the result and planning the next step.

The combs or cards follow each other, allowing the length of the fiber to gently dictate the choreography. I make dramatic moves for combing long locks and gentle motions, gently caressing the fibers for carding short fibers. I listen to the music of my tools for guidance in the rhythm.

The moves in the dance are linear and simultaneous, gentle and bold, planned and spontaneous. Often in basic step but every now and then a new figure is introduced.

The dance works with the rhythm and helps me find my pace. I get lost in the moment while at the same time focusing deeply on my work.

Spinning on a supported spindle takes and makes focus. Photo by Dan Waltin
The rhythm and dance of spinning helps me find focus. Photo by Dan Waltin

Sometimes I feel disconnected from the spinning. Something is out of step and I can’t find my way in the spinning. Then I look for the dance and find it. I am the choreographer again and the steps fall into place.

How do you dance your spinning?

Memory

When I spin (or knit or weave or nalbind or… well, you get the picture), I spin the context into the yarn. If I listen to a podcast when I spin I can hear its echo the next time I spin that yarn. If I knit at a fika break at work I remember the conversations the next time I pick up the knitting. Spinning on the train can save the view from the landscape in the yarn. The sensation of the crafting enhances the auditive or visual memory of what happen when I craft.

If I have been happy, sad or emotional when spinning, my feelings are gently stored in a protective shield of wool. It feels safe, like my yarn protects my most secret thoughts and emotions. I can look at the yarn and reconnect with particular moments and contexts.

A collection of finished yarns from a fleece allows me to remember and cherish all the things going on in my life when it was created. Good things, bad, happy and sad. They are all there and part of me.

Handspun yarn from Gotland wool
I could tell you that this is Gotland wool spun worsted from hand combed top, but it is so much more than that. Countless emotions, memories and places have been gently spun into the yarn.

Creativity

Spinning is a creative activity. I need to be creative. My whole being needs to express itself creatively. When I spin I feel more balanced, I can ground myself and be at peace. When I am in the creative bubble all the white noise around me fizzles out and allows me to see the world more clearly.

I can also use spinning to ignite creative thinking. Sometimes I may be struggling to find words for a blog post or an article. I stop what I am doing and start spinning instead. After a while of spinning the doors to my creative thinking open and I can take a fresh creative breath again. The connection between the brain hemispheres is strengthened and I can think more efficiently.

Touch

One of my favourite parts of the spinning process is feeling the wool in my hands. The notion that every single fiber has gone through my fingers hundreds of times through sorting, picking, washing, preparing, spinning, plying and knitting warms my heart.

Touching wool gives me a sense of security. It will do me no harm. I will receive the gift of warmth, safety and kindness. It is like I was meant to feel the wool. I think we as humans need to feel natural materials.

Oxytocin

Recently I read a book about love, Kärlek. The author and therapist Eva Sanner writes about touch as an important part of a relationship. Touch releases the hormone oxytocin, which makes us calm and content. It has importance for bonding between partners and between mother and child during nursing. The release of oxytocin also strengthens our immune system.

Go cuddle your sheep, it is good for your immune system. Photo by Anna Herting.

One of the most effective ways to release oxytocin is through massage. When pace and pressure are right, it can give a lot of pleasure for both the giver and receiver of massage.

A spinning hormone?

The book also mentions the release of oxytocin when we pet our pets. Scientific studies show that people with pets have better health than people living alone and that oxytocin can very well be the cause of that. The author writes that we have lots of oxytocin receptors in our hands. When we stroke our pets we take pleasure in it, just like the masseur. At the same time our immune system is strengthened.

This made me stop and think. If oxytocin is released when we stroke our pets, could spinning also lead to the release of oxytocin? The warm wool – not on the hoof anymore but more often than not smelling faintly of sheep – goes through our hands in all the steps of the process. During spinning we handle the wool between our fingertips, one of the most sensitive parts of our bodies. Is the release of oxytocin during spinning part of the feeling of serenity when we spin?

I got so excited about this thought that I emailed the author. I described the spinning process and asked her if she thought that oxytocin was released when we spin. She replied after just a couple of hours and said that it was a very interesting concept. She thought it was very possible that oxytocin could be released during spinning.

Spinning Shetland wool on a spinning wheel
Can spinning wool actually be good for our immune system?

My next thought was, comparing to pace and pressure in massage, is the pace and pressure in the spinning when it feels the best the moment when the most oxytocin is released? Do we have a personal spinning pace that is the most beneficial for us?

The thought of oxytocin as a spinning hormone and beneficial for our immune system gives me goosebumps. And a warm and wooly heart.

Do share your thoughts about this!

Happy spinning indeed!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!

Community

"Every revolution of the wheel spins peace, goodwill and love". Mahatma Gandhi

Community: A group of people living in the same place or having a particular characteristic in common (Oxford dictionaries)

A particular characteristic in common. Communities thrive all over the world and all over the Internet, full of creativity and passion for the particular characteristic. There is something extraordinary about the spinning community, though. I have never seen such a beautiful fellowship of people who are so eager to help and support each other. I have never seen an unkind word directed to another spinner in the spinning community. Everybody is eager to help, from beginner to expert and from all fields of the spinning spectrum. There is a true foundation of, well, actually peace, love and understanding.

Peace

Spinning doesn’t agree with unkindness. Spinning is by nature a peaceful act. With our hands we fuse fibers together in the cooperative motion of creating yarn. The hands work together to get the fibers to work together and align themselves in the draft. They may be sleek and consistent or bumpy and wild, but they are nonetheless yarn. It is like we spin our own community of fibers. We spin togetherness.

"Every revolution of the wheel spins peace, goodwill and love". Mahatma Gandhi
“Every revolution of the wheel spins peace, goodwill and love”. Mahatma Gandhi. Embroidered quote on my shopping trolley.

The spinning community is for me a safe place. I know I can ask any question and get a thoughtful answer. I embrace the new knowledge and I feel humble towards the spinner who taught me something new and valuable. The act of helping a fellow spinner, new or experienced, is and act of peace. When I help another spinner I know my reward will be more peace in the world. The more I learn about spinning the more I respect the people who make up this community. And I know that the learning and inspiration never end.

Love

In the spinning community we share our knowledge. Because knowledge of spinning is also knowledge of what spinning gives us in return. I know about the transition in my body when I sit down and spin after a busy day. I know about the feeling of flow and weightlessness when I get into the creative bubble. And I know that I can give that feeling to another spinner when I help them develop or solve a problem.

Spinning has been a cultural heritage since someone took some cellulose fiber, tied it around a rock, set it in motion and realized what it could result in. Too many crafting techniques have been lost and forgotten, even in the spinning world. I feel a responsibility to help saving endangered textile techniques. That is the reason why I wanted to learn techniques like nalbinding and twined knitting. They had almost been forgotten.

Recently one of my videos was spread in a non-spinning context. In less than two weeks it grew from 600 to over 25000 (!) views and people commented on the cultural heritage of spinning. There is obviously a surge for old techniques and natural materials. We need to cherish these old techniques, develop them and make them a thriving and natural part of our contemporary life.

Understanding

There are so many kind souls out there, sharing their knowledge, understanding the love of the craft. We share something unique. We share the understanding of what spinning gives us and the world. As spinners you know what I need without me having to necessarily tell you. And every now and then I know what you need. It is a mutual understanding of what spinning gives us.

Barbro who unprovoked gave me her long and loving list of spinning literature. Anna who offered to send me copies of rare spinning books. Kate who seems to know what the spinning part of my mind is trying to figure out and always asks the right questions at the right time. Gunilla who is the fastest book sender in the world. Jenny who cheers me on and referred me to another fiber enthusiast. Kirsten who offered to send me fiber that was new to me. Björn who makes the best supported spindles. All my Teachable colleagues who cheered me on after my course launch. Fran, Grace, Babs, Rebecca and all my students and followers who reach out and help me become a better spinner and teacher.

All these people are to varying degrees a part of the spinning and fiber world and understand the beauty of it.

Yesterday was International Women’s Day. So many women have worked so hard with textile crafts to provide warmth and shelter for their families, and so often unpaid (for an elaboration of the value of textile crafts, see my previous post on calculations). We can give something back to them by celebrating, treasuring and developing textile techniques.

To all women who have worked hard to provide for their families
To all women who have worked hard to provide for their families

Sharing

I have so many ideas I want to share with you. Because when I share, you share and when you share I share. With that we all grow as spinners and people and once again 1 + 1 = 3. The sum of the parts is greater than the whole.

Webinars

When I launched my new online course a week ago I hosted a live webinar on spindle ergonomics. I was very nervous the whole day and totally drained afterwards, but the webinar turned out a success. So many of you cheered me on before, during and after the webinar and you seem to have genuinely enjoyed it. The best comment came from my 16-year-old son, though: “Mum, it actually sounded like a real live stream!”.

It felt so good to be there live with you. Editing is a powerful tool – I can edit away any flaws in videos, courses and blog posts, but it was also a liberating feeling to be totally unedited with you. A webinar is also as close as I can get to meeting you in person.

I plan to make more webinars and I have lots of ideas. It is a medium I believe in and that I think would work very well in the spinning community. I learn a lot from making them and I hope you learn something new too by participating in them. Together we can create a forum that will work and contribute to the community. If there is a special topic you would like me to address in a webinar, just let me know. You can contact me via any of the links below or via email if you are on my email list.


Thank you for all the peace, love and understanding that make up this beautiful spinning community.

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!

Course launch Day!

Today is Course Launch Day! The cart is now open and you can enroll in the Course Spin on a supported spindle! Pick your pricing tier and enroll now! The prices are limited to the first five days. After Wednesday I will raise the prices. So for a lower price, the time to enroll is now.

Pricing plans for the online course Spin on a supported spindle
The pricing plans (no link, you need to go to the course page to enroll)

This is how you do it:

  1. Click this link to get to the course page.
  2. Click on the big red enroll button
  3. Choose your pricing plan.
  4. Enter your payment information and you are on your way!

Make sure to check your spam filter for lost emails!

In every part of the course you have the opportunity to ask me questions in the comments section. I’ll try to answer as quickly as possible.

For more information about the course, look in last week’s blog post.

A big thank you to everyone who has supported me on my blogYouTube channelInstagramFacebook and Patreon. You help me become a better spinner, teacher and course creator.

I’ll see you in the course!

Happy spinning.

Josefin

P.S. Don’t forget the live webinar tonight at 5 pm CET (world clock here)!

motionmailapp.com

You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!

A new online course

A new online course: Spin on a supported spindle

I have been hinting about a new online course for a while and now it is finally happening! This Saturday, March 2nd, I will launch the online course Spin on a supported spindle – a comprehensive step-by-step guide to spinning on a supported spindle with confidence. Read about the course here and register for the live webinar!

Spinning on a supported spindle, a new online course

Spinning on a supported spindle is something that lies very close to my heart. Supported spindle spinning may be my most favorite spinning technique and also the technique I have been teaching for the last 2,5 years. Through my classes I have seen the most common mistakes and beginner’s struggles. In the online course I try to address these issues to give you as many tools as possible to learn how to spin continuously and effortlessly.

The superpowers of supported spindle spinning

This technique has so many superpowers and I will go through each one in the course. With supported spindle spinning you can

  • spin in different places than other spinning techniques
  • experiment
  • spin in crowded places
  • focus on quality
  • spin very short fibers
  • find inner balance
  • spin faster than with other spindle techniques
  • produce a yarn that is extremely thin
  • spin with more ease and less strain than many other techniques

Meditative

One of the most compelling traits of supported spindle spinning is that it is meditative. That is true for many spinning techniques, but there is something extra special about the rhythm of supported spindle spinning. If I feel stressed I often take a supported spindle and spin for a while. It lets my brain rest and find balance.

Spinning on a supported spindle is truly meditative
Spinning on a supported spindle is truly meditative

Quality

Another one of the most powerful features of supported spindle spinning is that you can focus on the quality in a way that no other spinning technique allows. With supported spindle spinning you have a 100 % control over drafting and tension. Your hands control both fiber and yarn and at a distance from your eyes that allows you to carefully watch and feel what is happening in the drafting zone. This means that you are able to study the behaviour of the wool closely achieve the result you want right there, between your hands.

Less strain

Many people say that supported spindle spinning puts less strain on arms and shoulders than other types of spinning. When you spin on a supported spindle you move your arms minimally. That means that arms and shoulders can rest in the motion and your fingers will do the work with the help of low friction against a smooth bowl surface.

I had one student who had constant pains after a car accident. Some spinning techniques were difficult for her to do for longer periods of time due to the pain. But after the course she said that she could spin on a supported spindle for hours. It really warmed my heart to hear and I was truly happy for her.

Course design

In the course I will walk you through supported spindle spinning step by step. Everything in the course is video-based so that you can see what I do. There are 4 sections and 11 theoretical and practical lessons. All the lessons are captioned and there are informative titles for important keywords and concepts. I have also included a glossary pdf so the you can look up important terms during the course.

Course outline

In the course we will look at

  • Getting to know your spindle: We get acquainted with the spindle and look at why we spin on a supported spindle
  • Yarn exercises: With step-by-step exercises with yarn we isolate the movements and learn movements, hand positions and yarn angles without having to manage fiber and drafting at the same time. We also look at spindle anatomy and differences in models and design.
  • Managing fiber and technique: We spin with fiber and practice park and draft at our own pace. We also dive a bit deeper in technique.
  • Spinning continuously: We let go of the last preparational exercises and learn how to spin continuously.
outline of the course Spin on a supported spindle
The outline of the course

Material requirements

To be able to take the course you need just a few things:

  • A supported spindle. If you don’t have one you can take my free course How to pick a supported spindle and bowl to find out which model that will work best for you.
  • A spindle bowl. This could be a special spinning bowl or a household bowl with a smooth surface.
  • A piece of yarn for the yarn exercises.
  • Fiber to spin with. Pick a fiber that you are comfortable with.

Who can take the course?

To make the most of this course you will need to know how to spin on a suspended (drop) spindle and be comfortable with spinning on a suspended spindle. You need to know how wool and fiber behave and how a spindle behaves. You can still take the course if you don’t know this. However, I think you will get the most out of the course if you do know how to spin on a suspended spindle and that you are comfortable with spinning on a suspended spindle.


When you have finished the course you will know

  • why we spin on a supported spindle
  • the basic movements and techniques of spinning with a supported spindle 
  • why we do what we do in supported spindle spinning

With practice you will learn how to spin continuously with a supported spindle.

The course will be available in my online school this Saturday March the 2nd.

Live webinar: Spindle ergonomics

This Saturday, March 2nd at 5 pm CET, I will host a live webinar. I will talk about spindle ergonomics and how we can adjust our spinning to avoid pain and strain. I will also talk about the online course.

This is a chance for me to meet you (in the chat at least, I won’t be able to see you) and for you to see me live and unedited. I am terrified about this but also very excited. And I know you will be kind webinar participants and not eat me alive.

The webinar has already taken place

Happy spinning!

You can follow me on several social media:


  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!

Credibility

Yummy yarn in backlight

It is easy to write stuff online and make it look good. You just write, press enter and it’s there for anyone to read. It is like we think that the publishing in itself gives the content credibility. But that is not how things work and I work very hard to be credible in what I publish.

In this post I reflect over credibility and my responsibility as a blogger and spinner.

Responsibility

Publishing with just the press of a button is a freedom that wasn’t available two decades ago. With that freedom comes responsibility, as a reader and as a writer. I talk to my children about this all the time. Where did you get this information? Is it credible? What do other sources say?

Responsible blogging

As a blogger with lots of followers (yay!) I have a big responsibility when I create my content. Even more so now that I have a business and an online school. I need to have my facts ready. If I don’t, I need to say so and back it up with any other evidence I can find, argue for my case and make the process transparent for my readers.

Mostly I end up showing you all the steps of the process. That is, my process. I can only vouch for how I do things – I am very good at showing you successful projects, all edited and polished. I will step outside of my comfort zone and show you some not so successful projects as well, I promise.

Transparency

Feeling a responsibility to share my process has helped me a great deal in my development as a spinner and teacher. Not only do I learn by crafting my thoughts in writing, I also learn by testing, sampling and swatching in a way I definitely din’t before. The simple reason is that I didn’t use to test, sample and swatch. I went through the whole process, but didn’t really reflect over why I did things and why I chose one way over the other.

Handspun yarn, Gotland wool
A sweet ball of handspun yarn from Swedish Gotland wool

It is only for the past six months that I have truly investigated the wool’s properties and abilities in search for the superpowers of a fleece and take advantage of them. At first, to be really thorough and present all my choices along the way. But now I can’t un-know the benefits of testing, sampling and swatching and I do it by default. And it is a beautiful thing.

A learning adventure

I learn so much from these adventures of investigation! By reflecting and analyzing I get to know the wool and its properties even more. The connection between the parts of the process becomes so much clearer. I learn when things don’t work the way I had planned and I learn to be more creative in my search for the best way to spin a fleece.

In everything I do related to spinning, I think about how and why. And the blog is always present – I think about how I can make high quality content for you out of what I learn when I spin.

I thank you for that. If I hadn’t felt the responsibility to be transparent in my process I wouldn’t have learned all this. And I hope you learn as much as I do.


There are a lot of spinning things going on at the moment outside of the blog and I will try to keep a low profile here in the upcoming weeks. But you will definitely see more of me! Thank you for all the support, questions, inspiration and spinning love.

Happy spinning!

Josefin Waltin
Me, thinking about spinning. Photo by Dan Waltin.

You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!


To do-list

Trying to sort out thoughts, ideas, musts, need tos and want tos.

There is a lot going on now. I need to make a to do-list and try to sort out my thoughts, ideas, musts and want tos.

Trying to sort out thoughts, ideas, musts, need tos and want tos.
Trying to sort out thoughts, ideas, musts, need tos and want tos.

Design from fleece to garment blog series

There was a lot of attention on my latest post on calculations. So many people seem to have heard that question before, “will you knit me a sweater? I’ll pay for the material cost.” Apparently, it is an important discussion – about the value of women’s work, the appreciation and recognition of hand crafted items and the history of textile production. The post has been shared over a thousand times and it has been read by ever 3500 people in all continents in just a few days. That is amazing and totally overwhelming.

 The response from followers to the Design from fleece to garment blog series was overwhelming
The response from followers to the Design from fleece to garment blog series was overwhelming

Overwhelmed

That’s how I feel right now, overwhelmed. I am thrilled that so many people read the post. I am so happy that so many people recognized the frustration of investing so much time and love into a craft that few people understand the skills behind. But I’m also exhausted by the attention. Overwhelming does that to a highly sensitive person.

A lot of people liked the sweater too (and the whole blog series). And world of wool linked to the sweater in their newsletter, fancy that! Many people asked for a pattern for the sweater and I will make one. Soon. When I have had some time to breathe.

Online courses

Over 200 people have taken the free course in How to pick a supported spindle and bowl! I have got so many lovely reviews. People really like the structure of the course. The most interesting concept in the course has been the shape of the upper spinning tip and its impact of ergonomics.

I should launch my new course soon. Just need to check a few technical stuff first. I wonder if anyone would come if I did a live webinar. I should ask my followers. Hosting a live webinar would most definitely be really scary, but I think it will be good for me. Not everything can be edited and well polished.

Thoughts about the upcoming online course launch and future online course topics
Thoughts about the upcoming online course launch and future online course topics

Oh, and I need to ask the students of the free course to check their spam filters. Perhaps my emails have got caught there.

I wonder what course I will make next. Perhaps my followers have suggestions and requests? Navajo spindle spinning, supported spindle spinning, consistency, fiber preparation? Yeah, that would be the best thing, to ask them. After all, it is for my followers I make the courses, they should know what courses they want. Perhaps they want the opportunity to get a private video coaching session? That would be so cool!

Secret articles

It feels good that secret article 1 is finished. It will be published soon, that’s so cool! Gotta get to work on secret article 2 too, and especially secret pattern x, that will be a challenge. I need to plan the photo shoots too. I’ll put the pattern, the article and the photo shoots on top of the to do-list. Secret pattern y can wait a while. I don’t think it will be a very complicated one to write, though.

Lots of secret stuff going on!
Lots of secret stuff going on!

Planning the video season

Video shooting season starts soon. Well, depending on when spring will really come. We’re still in mid-winter. But I do have some material from last summer that I haven’t released. I should edit them before I start shooting new videos. And there is that secret video project coming up in May, together with my spinning friends A and M. That will be a lot of fun!

Planning the video season
Planning the video season

Courses in spring and summer

I have two in-person courses to plan too. The supported spindle course series in Stockholm in March and the five-day course at Sätergläntan in July! I like the concept – a spindle a day. Just got to figure out how to bring all the different spindle types for all the students on the train.

Planning the spring and summer spinning courses
Planning the spring and summer spinning courses

I really need to spin. Need as in my mind needs the serenity and time to recharge. And to get in a mode of creative thinking. Yeah, that’s what I’ll do right now, by the fireplace.

Do I have to go to work on Monday? If it is too slippery to take the bike I can knit on the metro! And knitting at coffee breaks is always a conversation starter.

Knitting for a secret pattern
Knitting for secret pattern y

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!

Calculations

In many spinning or knitting projects people have asked me how much time I have spent spinning, how much raw fleece it takes to spin a certain amount of yarn, how much a skein would cost etc. I have often wondered this myself. In this post I will take you through all the calculations of my recently finished fleece-to-garment project.

This is the fourth post in a blog series. The first post was about how to find the superpowers of a fleece and in the second post I talked about consistency. The third post was about design from fleece to garment. Through the blog series I use the wool from one sheep as a case study.

Wool preparation

I started with two fleeces from the same sheep, one spring shearing and one autumn shearing. I had given parts of both to a friend, so none of them were complete fleeces. But an estimation is that I had around 1,2 kg of raw fiber before I started the project.

To make this yarn happen I went through the following preparations steps:

  • I blended the two fleeces together in a big basket
  • To tease the wool I used combs and added the sari silk at this stage
  • I carded the teased fluff into rolags with my hand cards. Every rolag was carded 6×3 strokes
Close-up of a grey sweater with embroidered flowers.
Photo by Dan Waltin

Spinning

  • I spun the yarn with English longdraw. For each draw I treadled 4 + 10 treadles. Darn it, I didn’t count how many long draws I did for each rolag. But there was a lot of treadling!
  • Every single took 16 rolags. The yarn was 3-plied, which equals 16×3=48 rolags for every skein
  • When the last singles had been plied I had 12 skeins of roughly 60 g each.
  • The total weight of the skeins was 700 g. Total length: 1270 m. 700 g of yarn from 1200 g of wool makes a yield of around 58% of the weight of the fleeces. My average yield is around 55 %.
  • 12 3-plied skeins with 48 rolags in each skein makes 576 rolags, carded with a total of 10368 strokes. Roughly.

Knitting

It took 8 skeins to knit the sweater – 830 m and 440 g. Still, it is light as a cloud and feels like a second skin. Or my very own fleece.

Josefin Waltin wearing a dark grey sweater with embroidered flowers
Photo by Dan Waltin

Time investment

For time calculations I tried to make an estimation of each part of the process from fluff to stuff. For example, I knit for 20 minutes and weighed how much I had knit during that time and multiplied it by 3 to get the knitted weight per hour.

Per skein

  • Teasing/combing 20 g of wool: 20 minutes x 3 = 1 hour
  • Carding 20 g of fiber: 20 minutes x 3 = 1 hour
  • Spinning 20 g of fiber: 40 minutes x 3 = 2 hours
  • Plying 3×20 g of singles: 30 minutes
  • Plus sorting and washing for a total of around 4 hours

Total time for 12 skeins: 60 hours (40 for the 8 skeins for the sweater), 5 hours per skein

Oh, and the embroidery yarn. Let’s add another 4 hours for that.

Knitting time

Knitting per hour: 21,6 g. Total weight of the sweater was 440 g, so an estimated total time for knitting is roughly 20 hours. Plus embroidery 2 hours. Ball winding by hand, 2 hours. Add to that designing, swatching, frogging, pattern calculations, blocking etc, an extra 10 h. That’s roughly 80 hours for one sweater.

Cost

“I know you love knitting, how much for a sweater? I can pay for the material cost!” How many of you have heard that before? My usual answer is, “Tell me a decent hourly rate and I’ll tell you how many hours it took to knit it.” You know where I’m heading, don’t you?

Pia’s calculations

A few years ago Pia Kammeborn, Queen of Kammebornia, calculated the cost of a pair of mittens. The post is written in Swedish but the gist of it is: It takes her around 20 hours to knit a pair of half mitts. Textile crafts (or women’s craft) have never really been paid fairly, so Pia’s calculations are based on an average hourly rate for typical male crafts. With an hourly rate of 600 Swedish kronor/ 60 €/ $67, which is what a craftsman in a typical male craft like plumbing or carpentry would earn, Pia’s mittens would cost around 12000 Swedish kronor/ 1200€/ $1320.

“I know you love renovating kitchens, will you do mine? I can pay for the material cost!”. Nobody ever said that. Does that mean men’s work is worth more than women’s? Well, that’s just wrong.

A man and a woman putting together a wooden floor
Back in 2011, Dan and I renovated our bedroom. We considered asking Dan’s father (who built his own house) to help us, but instead we did it ourselves. Together. We still asked Dan’s father to help out, but as a baby sitter. Photo by Dan Waltin.

My calculations

Back to my sweater. We landed in 80 hours totally from fleece to garment. With the same calculations as in Pia’s example that would land in roughly 48000 Swedish kronor/ 4800 €/ $5280. Or, if you are short on cash, a skein for 3000 Swedish kronor/ 300 €/ $332.

Material cost?

Two of the fleeces were championship winners and I bought them at the auction following the competition. I paid around 800 Swedish kronor/80 €/ $88 for all three fleeces, so an estimation for the cost of the material for the sweater is around 500 Swedish kronor/50 €/ $55. That’s less than the rate per hour in the calculations in Pia’s example above.

Less than 300 Swedish kronor/30 €/ $33 for one fleece is way too cheap, considering the all the work invested by the sheep owner. But that is another story and for a shepherdess to tell.

The crocodile in the river

So basically I’m walking around at work with a sweater worth 48000 kronor! But I can’t be the first person to having done that. Or, well, 48500 to be more exact if you include the material cost, but that’s just a fart in the universe in this example.

Josefin Waltin walking in the snow, wearing a dark grey sweater with embroidered flowers.
Photo by Dan Waltin

I’m just waiting for someone to ask me what I will charge for a sweater. I’ll take the bait without hesitation, like a crocodile in the river, unannounced – BAM! – 48000 kronor.

A baby crocodile

I can say that I would charge 48000 Swedish kronor for a sweater. I know nobody would buy it, though and I won’t sell it. My husband tried to convince me to sell a pair of nalbinding mittens on e-bay for 20000 Swedish kronor just to make a point. But I would never knit or spin for money. These things are my babies.

I know many people need to sell their handspuns and hand knits. And I know the discussion about pricing handspuns – and fleeces – pops up every now and then in the spinning forums. Even if nobody will buy handmade textiles with the calculations above it is an important discussion.

As a hand spinner and/or hand knitter you can always charge at least a little more than you think. Like a baby crocodile. Chances are, the more people pay, the more they will appreciate the time, skill and love invested in handmade textiles.


This was the last post in this blog series. As always, I have learned a lot from writing the posts and reflecting over what I am doing and why. I hope you learned something too.

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!

Winners in the giveaway

The spindle case giveaway is over and we have three winners! My husband pulled three names out of a bowl and they are:

Donna

Tine

Barbara

Congratulations all three and thank you to everyone who participated.

Happy spinning!

Design from fleece to garment

Close-up of a grey sweater with white embroidered flowers

Through my years as a spinner I have made lots of projects where I spin for a garment. This time I take the process further and make my own garment design, based on the superpowers of the fleece. In this post I look at design from fleece to garment.

This is the third post in a blog series. The first post was about how to find the superpowers of a fleece and in the second post I talked about consistency. In the remaining post I take you through some calculations. Through the blog series I use the wool from one sheep as a case study.

Design: Margau beta

When I designed the yarn in this case study I worked with the superpowers of the fleece. I wanted to take advantage of the characteristics of the wool in the finished yarn. By listening to the wool and let it tell me how it wanted to be prepared and spun I could allow it to become its best yarn. I wanted the same for the design of a garment – to let the yarn be the star of the garment. So I designed for the yarn. Meet the Margau beta design.

Josefin Waltin walking in the snow. She is wearing a dark grey knitted sweater with white flowers embroidered on the side.
Meet the Margau Beta design. Photo by Dan Waltin

Texture

I wanted a simple pattern with both knit and purl elements. An advanced pattern like cables or lace would take the focus from the yarn too much. At first I was playing with the idea of stockinette stitch with panels of garter stitch. This idea didn’t work very well, since garter stitch fills out the thickness of the fabric and takes from the length. Stockinette and garter in the same row would therefore result in a bubbly structure, which I didn’t want. Instead I came up with simple panels of stockinette and reversed stockinette. The smooth stockinette shows off the shine in the yarn and the reverse stockinette reveals the roundedness of the 3-ply and the colored specks from the sari silk.

Model

I love the look of a raglan yoke. It looks very flattering and knitting in the round suits me as a process knitter. Top-down knitting is what first comes to mind for me, but I wanted to try bottom up this time. I knit the sweater seamlessly with a no-ease fit and waist shaping. Neckband and cuffs in garter stitch.

Design details

The main part of the body of the sweater is knit in stockinette. At the front and on the sleeves there are panels of reverse stockinette stitch. The waist shaping is all made in reverse stockinette side panels. The panels pass the sleeve in the front and back and go between the raglan yoke shapings.

Close-up of a dark- grey knitted sweater with embroidered flowers.
The side panels pass on both sides of the sleeves and between the raglan shapings. Photo by Dan Waltin

Embroidered flowers

I decided I wanted som assymetrical bling on one of the side panels. I spun a yarn from another finull/rya mix breed, also a winner (silver medal) at the Swedish fleece championships and also from shepherdess Margau Wohlfart-Leijdström. She knows what she is doing! This finull/rya mixbreed, however is more rya-like in its character. The staples are long, shiny and quite straight, but also soft (lamb).

A white fleece.
Long, soft and shiny staples of a finull/rya mixbreed.

The fleece was the perfect candidate for an embroidery yarn, and extra special since it was from the same flock as the main fleeces. I combed the staples and spun with short forward draw into a 2-ply worsted yarn.

I had plans to dye it in a light turquoise and a medium turquoise, but the colors turned out all wrong for this project (dyeing is not one of my superpowers). Beautiful colours, but just not for this sweater. I ended up using the natural white only.

Handspun yarn
2-ply embroidery yarn.

The embroidery pattern is simple flowers in chain stitch. I placed them randomly on the left side panel and let them continue on the left front raglan panel and end mid-neckline.

Close-up of a grey sweater with white embroidered flowers
Flowers climbing up the side panels. Photo by Dan Waltin

I have never embroidered on a knitted garment before and I was very careful not to stretch the embroidery yarn. The chain stitch is in itself has some ease. I didn’t stretch the chains since I wanted the rounded shape of a flower petal. that way it works quite well even on a garment with no ease.

Thoughts for a future pattern

I call the design Margau beta. Margau is the name of the shepherdess. I added Beta because it is not a finished pattern. and I haven’t made a pattern to publish for this sweater. Knitting this sweater was a test to see if I could design one at all. However, I do want to try to make a pattern of the design eventually if people are interested. From the experiences of designing and knitting Margau beta I have some alterations to make:

  • I will try to design the second design top-down. I think it will make the yoke fitting easier.
  • The neckline needs to be a bit more rounded and I will experiment more with short rows.
  • I do like wide raglan panels, but I think they will benefit from being a little slimmer. That will probably make the transition between front and back look better.
  • The front panel can also be a bit slimmer. That will probably make the yoke area look better.
  • To make a better balance and fit, I may put a panel at the back too (in this design the back is all stockinette).
  • The sleeves are a bit too tight and will benefit from a little more ease.
  • I am playing with the idea of making some sort of pattern in the side panels, perhaps also in the front panel. To fit a pattern, the side panels need to be a bit wider at the waist.

I just need to spin some more yarn first.

A sweater to wear with pride and love. Photo by Dan Waltin

I am very happy about this design and I wear the sweater with love and pride.

Coming up: The last post in this blog series is about calculations. I will summarize the work with this fleece with some interesting stats!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!