Teaching spinning at Sätergläntan

A wooden sign with the text Sätergläntan

This past week I have been teaching spinning at Sätergläntan – a five-day course in supported spindle spinning. Seven spinners have learned basic and intermediate techniques and developed new skills and perspectives on spinning.

Sätergläntan – a nordic center for craft education

Sätergläntan is a crafting institute that offers courses in different crafting techniques. The center is situated in the beautiful county of Dalarna, which has a very rich cultural and crafting heritage. Students at Sätergläntan can take one, two or three year courses in weaving, sewing, woodwork or forging. Sätergläntan also offers five-day courses in different crafting techniques.

A red house and a green field
Sätergläntan main building

Every corner of Sätergläntan is bursting with craft and creativity. From the creative minds of students and teachers to the littlest things like beautifully carved door knobs or embroidered flowers on armchairs. Inspiration is everywhere.

Teaching supported spindle spinning: Basics

We started the course in supported spindle spinning with getting to know the spindle and used yarn to learn the motions step by step. We also talked about the super powers of supported spindle spinning, spindle anatomy and differences in models and design. On day two we used the park and draft method and finally the students started spinning continuously.

Close-up of a person spinning on a supported spindle.
This student was basically a beginner spinner and the yarn on the spindle is her very first yarn on a supported spindle. A very smooth and well-spun first yarn! Spindle from Malcolm Fielding, spindle in the background from Texas Jeans,

Almost all of the students were experienced spinners, but most of them had never touched a supported spindle before. There was so much experience in the room and we had lots of very rewarding discussions about technique, wool preparation and the anatomy of the spindles.

Swedish spindles from Björn Peck

In earlier courses, I have had spindles for the students to borrow for the duration of the course. When the courses were over, I could only recommend them to buy their own spindles  from spindle makers from the U.S. or Australia or in some cases the U.K. That meant that they would need to wait for at least a couple of weeks before they could practice what they had learned on the course. By that time they would probably have forgotten a lot of what they had learned. And it bothered me a lot.

This time, I brought Swedish spindles for sale! I have a cooperation with wood turner Björn Peck from Stockholm. He has made beautiful and very well functioning supported spindles and bowls in local Swedish woods after my instructions. I am very happy and immensely proud of this cooperation.

When I teach, I am very strict and force my students to try all of the spindles from different makers. I don’t tell them who made what spindle until they have knowledge about what to look for in a spindle. Before I reveal the makers I ask the students which spindle they liked the most. Since I have had Björn’s spindles in my stash, a vast majority of the students have opted for his spindles over all the other brands.

I don’t sell the spindles outside of my spinning courses and Björn doesn’t have them on his web site. Yet.  If you are interested in buying them, he can open up a web shop. Just let me know.

Spindles and spinning bowls.
Eager students comparing spindles and bowls before making a decision on what to buy. Spindles and bowls in maple, apple, walnut, bird cherry and laburnum from Björn Peck Woodworking.

Intermediate

Day three we started the intermediate section with plying on our supported spindles. We looked at different methods of getting the singles off the spindles and arranging them for plying. Also, we made lazy kates from paper bags and shoe boxes, plied from toilet rolls, center-pull balls and tennis balls. We 2-plied, Andean plied and plied on the fly. Several of the students had been looking forward to learning how to ply on the fly on the supported spindle, and they all learned the technique and seemed to enjoy it very much.

Close-up of a person spinning outdoors on a supported spindle.
Students are making progress! Spindle and bowl from Björn Peck woodworking. China bowl is an Asian rice bowl.

We also pretended we were spinning seated on a rock in the forest (just like I like to do in my videos) and made skeins with arms and legs and yarn balls with our thumbs as nostepinnes. There is not much room to bring niddy-noddies or other tools to the rock in the forest, so learning how to use your body to take care of the yarn is very convenient.

Analysis

On day four we started digging deeper in analysis. So far, the students had applied their previous spinning knowledge and skills to this new tool and technique. Now we turned it all around and looked at what supported spindle spinning can do for our spinning with other tools.

Close-up of a person spinning on a supported spindle.
Deep concentration and lots of interesting theories in the analysis section

Spinning on a supported spindle gives us the opportunity to control the yarn in a way I don’t see in other spinning tools. This makes it possible to spin with a very high quality.

When you spin on a supported spindle you have control with your hands on both fiber end and yarn end. You hold the fiber with the thumb and index finger of the fiber hand and the yarn with the same fingers of your spindle hand.

Supported spindle spinning gives you the opportunity to have control of both the fiber end and the yarn end with your hands. Spindle and lap bowl from Forsnäs Hemman (private).

With most other spinning tools you have control of only the fiber end. Even if you can have both your hands on the yarn and fiber on a wheel, your hands never control the tension. In supported spindle spinning your hands have total control of the tension of the yarn in both ends. This is a super power we need to take advantage of! By having this amount of control we can fine tune the yarn and master it in more detail than with other spinning tools. For this reason, I usually experiment and try out fibers and yarn on a supported spindle before I scale the production up on a wheel. Now, that’s a super power! You can see an example of this in my video Slow fashion 2 – from sheep to shawl.

Mindfulness

Another super power of spinning in general, and supported spindle spinning in particular, is the mindfulness it brings to the spinner (and to the people around them). Spinning on a supported spindle gives me the same sense of calm and peace that I get from meditation. I use the creative parts of my brain when I spin, but spinning also opens up my creative thinking. If I feel I’m in a jam, I take a break, spin for a while and  – voilá – my creative thinking is back on track. We talked about this in one of the last sessions of the course. We also did sort of a spinning meditation. I had never tried it before, but I think the students enjoyed it. In fact, one of them solved a problem during the spinning meditation that she had been struggling with all week.

Wool tasting

Finally, on day five we did some wool tasting! I came up with the idea earlier this year. Compare a wool tasting to a wine or chocolate tasting where you get to try different brands or products and compare them. In the wool tasting the students got five different fibers to prepare, spin and compare.

The fiber samples and charts for the wool tasting

They each got a chart where they noted characteristics of the fiber, what they wanted to do with it, how they prepared and spun it and how the result came out.

Close-up of a person spinning on a supported spindle.
Lots of activity in the wool tasting. Spindle and bowl from Björn Peck Woodworking.

They got ten minutes with each fiber. The spinners quickly entered the crafting bubble and the spinning energy was intense in the room. Everybody was deeply concentrated on the making.

Close-up of a person carding brown wool
Carding long Rya lamb locks

They got the opportunity to use all the new skills they had learned during the week and filled in their wool tasting charts with great enthusiasm.

A filled-in chart
A finished wool tasting chart

And the fibers in the wool tasting? Well, it was actually not just wool. We kicked off with Gute wool, turned sharply to heavenly soft alpaca, went straight ahead to mulberry silk, surprised with Leicester longwool with nepps and finished off with long lamb locks of Rya.

Yarn samples
The wool tasting results from one of the wool tasters. From above: Gute wool, alpaca, mulberry silk, Leicester wool with lost nepps and rya wool.

All in all it was a successful course where the students made great progress. I learned at least as much as they did and I got lots of new pedagogical tools for my teaching tool box.

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

Processing cotton

As I wrote in an earlier post, I was given newly harvested cotton from a fellow spinner in Stockholm. I have never handled cotton for spinning before. This was a wonderful opportunity for me to investigate a fiber that is new to me and that I have avoided for environmental reasons.

This is part 2 of my cotton blog series. The first post was about my thoughts of the fashion industry in general and cotton in particular.

Ginning

After the blossom has withered, the seed develops in the cotton capsule (boll). Fibers are attached to the seeds to make it possible for the seeds to be swept away by the wind and start a new plant. Compare it to  dandelion seeds. They wait for a gust of wind to catch them and transport them to a new home where they can start a new plant.

Each cotton boll has from 10 to a gazillion seeds, cozily wrapped in soft cotton fibers. Deseeding, or ginning the cotton is a time consuming process when you do it by hand. On the plus side, ginning by hand yields more clean cotton fiber than ginning mechanically. The fiber (lint) is also less compressed with hand ginning than with mechanical ginning.

When I researched cotton processing I stumbled upon this beautiful and very smart and efficient way of ginning cotton with a flat stone and a metal rod. I tried to do it with what I had at home – a wooden rolling pin and an equally wooden cutting board. I realized quite quickly that it wouldn’t work at all and I was frankly quite embarrassed by my naïveté. Instead I stuck to my original plan and ginned by hand.

The lint is quite strongly attached to the seeds and ginning by hand is a challenge. It took me quite a while to finish the whole 150 grams of cotton. 75 g of it ended up as seeds and the remaining 55 g was spinnable cotton lint.

A bowl of cotton
Cotton!

Willowing

When I read up on willowing wool for a previous video and blog post, I learned that cotton also has a willowing tradition. So naturally I wanted to try willowing cotton as well.

Willowing means to open up the fiber by whipping it with willow sticks. Cotton is prone to compress itself if you handle it manually. There is another way to open up cotton bolls that I haven’t tried yet. You can open up your cotton with a bow-like tool. You place the bow close to a pile of cotton and strike the bow repeatedly. The string snaps the cotton, which opens up. Quite neat if you happen to have a proper bow. I have yet to try this.

I must say I wasn’t as impressed by willowing cotton as I was by willowing wool. Perhaps I did it wrong. I did willow on quite a soft surface. Or perhaps cotton don’t need as much willowing as wool. Either way, the cotton opened up in the beginning, but after a while nothing really happened. I have seen videos where people willow cotton with a lot smaller sticks, more like twigs, and keeping two twigs in one hand for willowing. Another thing to try.

Walter, the neighbor’s cat watched and hung around. After so many videos where I have looked for a cat to make an appearance on my set, I finally got a cat extra! I think he did well and he is welcome back.

The sweet thing about the cat appearance is that spinning and purring is the same word in Swedish: Jag spinner (I spin). Katten spinner (the cat spins).

Josefin Waltin sitting on the ground, looking at a big and furry cat
A dear moment between two spinners.

Carding

I used my regular cards. They are quite fine and work well for cotton. I have read that you need cotton cards for carding cotton, and I am sure the result will bet better with cotton cards. But wool cards are still better than no cards at all.

I use short and very light strokes for the short cotton fibers. Basically, I use the same technique as for wool carding, and finish by rolling the carded fiber into a rolag. I could of course make a pretty cotton puni as well, but I honestly didn’t think about it at the time.

Make sure you don’t make lots of rolags and then store them compressed. Cotton is not elastic and won’t spring back into shape after being compressed. Any kind of fiber preparation is best fresh, and that certainly applies to cotton.

Josefin Waltin carding
Cotton carding in the September sun

The vest I am wearing in the video is the Ivy League vest by Eunny Jang. The yarn is my own handspun (the ones that are not naturally colored are my own hand dyed), mostly of rare and endangered Norwegian sheep breeds.

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

Cotton blog series

A hand holding a boll of cotton

I’m starting a cotton blog series. There will be upcoming posts with cotton preparation and spinning, but in this first post I want to air my thoughts about this fiber.

Fast fashion

I try not to buy cotton clothes. If you have seen my videos Slow fashion – from sheep to sweater and Slow fashion 2 – from sheep to shawl you probably realize that I try to live a sustainable life. I have also tried to show this in my latest documentary video I choose to stay on the ground.

Cotton farming is to a large extent governed by the fashion industry. Anyone who has been in a fashion store realizes that the range of clothes is changed at least four times every year. A large part of these clothes are made of cotton. Therefore, cotton takes up an enormous part of the farmland in the world, land that could have been used for food production. Cotton farming also uses vast amounts of water and pesticides. This in turn affects the nearby flora and fauna and, of course, the people working on the farm. Even if there is organic cotton available, it is still grown as a monoculture which will have consequences for the biodiversity in the area.

Spinning cotton

I have never spun cotton before. Cotton farming depends on a warm climate and I doubt that any of the cotton that is sold to spinners has been farmed in Europe, let alone here in Sweden. Buying cotton from another continent and having it flown back to Sweden just for my pleasure has not appealed to me.

Last year I tried growing my own cotton plants. It all went very well at the beginning. I cultivated five plants indoors and placed them outdoors by midsummer when there was no more risk of night frost. I was delighted to see the pretty flowers and I waited eagerly for the magic to happen in the bolls. However, last summer was a cold and wet one. All the bolls fell off, and one by one the plants died. I didn’t try again this year.

A white and pink cotton flower
A cotton flower from my own plant in 2017

This blog series could have ended here.

Instead, this is where it starts.

Just a couple of weeks ago I received a bag of cotton from a fellow spinner. The cotton had been cultivated right here in Stockholm! She told me that I could share the cotton with fellow spinners. I didn’t. Instead I will share my thoughts and reflections of preparing and spinning locally cultivated cotton.

A pile of cotton bolls
Locally cultivated cotton.

So, with all this said, let the cotton blog series begin! In upcoming posts I will publish videos and show you how I prepare cotton for spinning and three different ways to spin cotton.

Spoiler alert: One of the videos will contain a guest starring cat!

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

Horse buggy cover

I have written in earlier posts about my miniature-scale flax patch and how I grow, process and spin my own flax. This post is about flax processing at a whole different scale.

This is the sixth and last post in my flax series. Earlier posts have covered flax processing in general, the 2018 harvest in my experimental flax patchspinning flax on a spindle,  flax processing and retting. Last year I wrote about the first harvests in my experimental flax patch and my first attempt at spinning flax on a wheel.

A horse buggy cover

This summer we rented a cottage in the Swedish countryside. The landlords are well aware of my textile interest. One day they came to the cottage and said that they had something to show me. I followed them into their kitchen and saw a giant piece of textile. It was a horse buggy cover. They had received it from a relative who was dying and who knew the cover would be well taken care of.

A piece of textile with stripes
The horse buggy cover

The cover was woven from handspun flax from the relative’s in-law’s ancestors. I don’t have a picture of the whole cover, but picture this: A woven blanket the size to fit a two-seat horse buggy for the riders to sit on and perhaps also be covered by in cold weather, like a blanket.

The cover is very densely woven in twill. It is constructed as a pillowcase, so that it can be filled with wool for the winter. The yarn is very fine and evenly spun.

Close-up of a striped textile
Evenly spun and densely woven hand processed flax

When we looked at the inside of the cover, we saw the difference in colour. The outside of the cover had been significantly bleached while the inside had kept its blue colour.

A textile
Looking at the inside reveals the unbleached dye.

The mysteries

How much flax?

So many questions arise when I look at this textile.  Say the cover is at least about 150×200 cm, perhaps even more. And double it for the pillowcase construction. How much flax would you need to grow to weave something this size?

How many farms or harvests?

Did the people who made this cover have enough land of their own to sow all this flax? Were there more farms involved to grow the flax? Or did one family save flax for several year’s growth to process enough flax for the weave?

Who was the spinner?

Who were the people who spun and wove this cover? Was it only one spinner and weaver or were there more people involved?

When was it made?

I have no information of when the cover was made, and we looked for some clues to the time period it could have been made. We looked at the seams and they seemed to be machine sewn, so the cover was probably made in the 20th century.

For what occasion was it made

Was this the regular horse buggy cover that people in general made for themselves for everyday use or was it a fancy cover, or perhaps a community horse buggy cover used for special community occasions?

A little help from a friend

I talked to my friend Maria Neijman of Historical textiles and asked her if she could tell me anything more about the cover based on these photograph. She told me that the weaving technique seems to be warp-faced broken twill to make the cloth dense and durable. I asked if she could tell me anything about the dying. She said that the dark blue yarn in the stripes probably was dyed with indigo. The background colour was more difficult. She said that since the dye had bleached so badly, it may have been dyed with aniline, a synthetic dye.

Some questions answered and many still unanswered. But at the same time it is nice to leave the blanket with its mysteries. Just being able to look at it and feel all the labour and love put into it makes my spinning heart skip a beat.

°°°°°°°°°°°°°°°°

This was the last post in my flax series. I hope you enjoyed it as much as I enjoyed writing it.

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

Swedish fleece championships 2018

I wrote earlier about the Swedish spinning championships 2018. This post is about the Swedish fleece championships 2018.

A new dawn for Swedish wool?

On the one hand, it is sad that so much of Swedish wool goes to waste. Over 80 % of Swedish wool is wasted (here is a post about what I do with my wool waste). Partly because of the lack of profit for the sheep farmers and because of lack of an infrastructure for a fleece market.

But the knowledge, skills and love put in every single fleece at this event is truly astonishing and I see a strong will to cherish Swedish wool.

The competing fleeces

A table full of fleeces
The fleece table of the Swedish fleece championships 2018. Just look at that black rya at the bottom left!

Around 20 fleeces had entered the championships and with a wide variety of breeds, colours and mixed breeds. A silky rya fleece, black as the night, a fawn Swedish finull with unbelievably long staple, ridiculously soft Jämtland fleeces and so much more.

I spent a long time walking lap after lap around the fleece table just soaking it all in with all my senses (well not really all senses) – smelling the lovely sheep smell, looking at the different colours and structures, listening to the sound of my imaginary spindle spinning all the fleeces into their best yarns. And, above all, feeling the soft, springy, sturdy, silky, squishy, bouncy, creamy and beautiful fleeces with my happy hands.

A table full of fleeces
Jämtland fleeces at the end of the table.

An old friend

The light grey Jämtland in the picture above was ar real favorite for both visitors and jury – it received a silver medal and was sold for 140 € at the auction to two happy spinners who sisterly shared their loot. I have made its acquaintance before, though. The fleece is from the same sheep that provided me with the sweater I knit in my Slow fashion – from sheep to sweater video. The shepherdess Birgitta Ericsson got four awards for her fleeces – two medals, the people’s choice award and the best of all prize.

Finewool frenzies

I have a soft spot for Swedish finewool. The first fleece I ever bought and spun was a finewool fleece. Of course there were quite a few finewool fleeces at the championships.

A white finewool fleece
A beautiful and crimpy Swedish finewool fleece

I really loved the white Finewool fleece above. Long and crispy staples with a silky touch. This fleece got a gold medal. I can get high quality finewool fleeces at home, though, so I concentrated on other breeds at this event. But I can look and drool, can’t I?

A fawn finewool fleece
Finewool with an exceptional staple length

Another finewool fleece and silver medalist I just couldn’t take my eyes (and hands) off was this dreamy fawn one above. Look at that staple length! It must be nearly 15 cm, which is very unusual for this breed.

My precious

I did end up buying two fleeces at the auction. I had my eyes set on a few, but I could only get two home on the train (and into my fleece storage in the sofa bed).  My initial plan was to buy two white fleeces. I find it much easier to see white wool when I spin and I realize that this also goes for my videos and when I am teaching. White wool shows better on screen and will also be easier for my students to see.

The first fleece I bought was a white finull/rya mix breed with long and soft staples. Last year I also bought a finull/rya mix breed at the auction, and it was from the same shepherdess. She knows what she’s doing!

Finally, it was the amazing Åsen/Härjedal mix breed (25%/75%) in colours from chocolatey brown through rose grey to creamy white. The staples were amazing with their matte and sturdy looking cut end and wavy golden tip ends. And look at those sweet lamb curls! Just dreamy. I do realize that this fleece is not white. But can you blame me for wanting this beauty?

Ok, it’s time for a Swedish lesson. “Vill ha” is the translation to want. “Behöver” is the translation to need. Some genius came up with the fusion “villhöver”, which would translate into something like “I want it so much that I think I really, really need it”. I villhöver this fleece. End of story.

I just spent a couple of hours sorting the chocolate creamy fleece and I was constantly amazed by the colours and variations within the fleece and within the staples. The shepherdess didn’t really want to sell it, but she did part with it for me anyway. I hope she thinks I am a worthy spinner for her baby. The sheep’s name is Chanel.

Wool staples of different natural colours arranged in a Sul pattern.
Colour variations in one single fleece

To summarize, I had a few favourites and they all got medals. I guess I have some sort of feeling for what’s in a good fleece.

Spinning class

I was also at the championships as a spinning teacher. For the third year running I taught a class in supported spindle spinning at the championships. I had four eager students, some of whom had taken the class before. Two of them brought their own spindles, which they had bought from me two years ago. It felt good to see some of my first spindles again! The students were very happy with the course and they have all made great progress.

I love teaching. All my classes are for intermediate to advanced spinners and it is such a treat to just geek down in a subject with fellow geeks and really talented spinners. I learn something new every time and collect new pedagogical tools for my tool box. We dive head first into technique and function and my heart explodes with spinning joy.

All in all, it was a wonderful weekend and I can’t wait for the 2019 championships.

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

Swedish spinning championships 2018

Last weekend I attended the 2018 fleece and spinning championships in Dala-Floda. I was there as a visitor, spinning teacher and participant in the Swedish spinning championships 2018. I have entered the championships several times before, and in 2017 I won a bronze medal in the advanced level.

My yarns din’t get to enter the competition, though, since the yarns I spun got lost in the mail and I still don’t know where they are. Still, I am very proud of the yarns I spun and I will share the process with you here.

Spinning championship levels

There were two levels for the spinning championships, intermediate level and advanced level. For both levels the participants got wool and instructions for the construction of the yarns.

Intermediate level

In the intermediate competition the spinner had to spin a 3-ply yarn. We received industrially carded grey batt and the yarn was supposed to fit 2–2,5 mm needles. I am not used to either industrially carded fiber or fiber without lanolin. The spinning was really frustrating! Since the 3-ply yarn was supposed to fit small circumference needles, the singles had to be really thin. I tried to spin in some sort of English long draw, but the yarn kept breaking. It was not the most relaxing spinning I have had.

A skein of grey yarn
Finished 3-ply yarn. 147 m, 43 g, 3410 m/kg. Fingering or light fingering weight.

Spinning this yarn 3-ply and so thin took a long time and a lot of frustration. In fact, I longed for the spinning to be over so that I could go on to the advanced level yarn.

A row of grey handspun yarns
Intermediate level yarns for the spinning championships.

Advanced level

For the advanced competition we received a periwinkle carded batt and dyed locks in dark and light pink of what looked like Swedish finewool. The instructions was to spin any kind of yarn with a combination of the batt and locks.

An obvious choice with a carded batt and untreated locks would be a tailspun yarn. But to me, the dye work in these fibers suggested something else. I wanted to emphasize the contrast between the fluffy batt and the silky locks. I also wanted to show the beautiful two-colour dye work in the locks.

Carded periwinkle wool and pink wool locks
The fiber for the advanced level yarn: Carded periwinkle wool and dyed wool locks in different shades of pink.

I browsed through The spinner’s book of yarn designs and found the perfect yarn to show off the fiber I had received. I only had to manage to spin it…

The yarn I wanted to spin was a cocoon yarn. It is a singles yarn with spool-shaped cocoons every now and then.

This is how I did it:

  1. I spun the batt in a thick single. After an arm’s length or so I broke the yarn so that I had a couple of inches of unspun fluff at the end. I divided up this fluffy end and
  2. inserted a combed lock perpendicular to the single, cut end first. Then I treadled and let the lock roll on to the single in a cocoon shape.
  3. I fixed the cocoon by exhaling warm air and rolling them and thus felting a little.
  4. For extra security, I needle felted the cocoon slightly.
  5. After the cocoon was finished, I let the single untwist a bit before I continued.
  6. I attached the batt to the remaining end on the other side of the cocoon and continued spinning the single.

Here is a short video I made of the cocoon yarn. I did not have the time or the energy to make a pretty video outdoors, so you will have to settle for our ungroomed living room.

After soaking, I still thought there was a bit too much twist in the cocoon yarn, so I ran it through the wheel in a counter-clockwise direction to relax it a bit.A hand holding a periwinkle yarn with pink cocoonsBaby cocoons on their way to the big championships adventure

As a final step, I went through the whole skein and did a quality check of all the cocoons. The first ones were less than perfect in their shape and density. Also, the cocoons closest to the bobbin were collapsed under the pressure of the outermost layers of yarn and not so much cocoon-shaped anymore. I rolled the misshaped ones between my palms to remind them of their original beauty.

A skein of periwinkle yarn with pink cocoons
The competing yarn for the advanced level in the 2018 Swedish spinning championships is finished!

All the parts of the spinning process took a long time. I think I spent a good part of the evenings of almost two weeks to spin the advanced level yarn. But it was worth it. I am not an art yarn spinner by nature and I have learned so much in this process!

I wasn’t the only one who played with coils/cocoons/beehives in the advanced level. It was so inspiring to see all the creativity in the advanced level yarns.

A row of pink and periwinkle art yarns
Advanced level yarns for the championships. The rightmost yarn is actually mine. I had some fluff left and speed spun a mini skein the day before I left for the championships. It was too little to enter, though.

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

Flax retting

Flax retting on the ground

While I have been processing the retted flax from the 2017 harvest, I continue to handle the the 2018 harvest. In this post I invite you to a very unconventional rippling, windy winnowing and a real retting adventure!

This is part five in a blog series about flax. The previous posts are about flax processing in general, the 2018 harvest in my experimental flax patchspinning flax on a spindle and flax processing. Last year I wrote about the first harvests in my experimental flax patch and my first attempt at spinning flax on a wheel.

Rippling

After the flax has dried completely I need to ripple it before I can ret it. This means that I remove the seed capsules from the stalks. The seeds will make a total tangle of the flax if they remain on the stalks and I need the seeds for next year’s cultivation.

Usually, you would use a ripple for rippling flax. A ripple looks like a giant comb. You pull the strick of dried flax through the tines and the seed capsules fall off the stalks at the other end. Easy peasy. If you happen to have a ripple. Which I don’t. I did see one at a flea market in Austria, though. I have never seen a flax ripple that big! The shop was closed, so I could only see it from the outside.

A rusty flax ripple in a shop window
Giant Austrian flax ripple

So, instead of a flax ripple, I do the MacGyvery thing and use a pillow case and a rolling pin! I put one strick at a time in the pillow case, put the pillow case on a table and start rolling on the pillow case with the rolling pin. The seed capsules break and stay in the pillow case and I can remove the strick of flax seedless.

A person rolling with a rolling pin over two bundles of flax in a pillowcase
Rippling without a ripple. Photo by Isak Waltin

This is where the neighbours walk past asking polite and curious questions.

Retting

When the flax is deseeded it is time to ret it. The retting process separates the flax fibers from the cellulose core with the help of humidity and mould. You can use running water, dew or snow – water retting, dew retting or snow retting. These methods take different amounts of time and result in different colours in the finished flax.

While we do have a creek nearby, I have never tried water retting. The creek is usually dry after the snow has melted and I can’t really count on it for flax purposes. I know some people use an inflatable kiddie pool, but I haven’t tried that yet. Snow can be very unstable too, so my best shot is dew retting.

As many of you may know, the summer here in Sweden has been exceptionally dry, so I was prepared to help the dew along with my watering pot. It rained the first nights after I had laid out the flax, though, and there has been lots of morning dew.

I spread the flax in a thin layer in rows. I make sure the roots are in the same direction in every row.

The neighbours are still curious and polite at this stage.

Turning and checking

Now I need to watch the retting carefully. Dew retting can take anything from 15 to over 30 days, depending on the rain and dew. I turn the flax once a week and check the process.

After one week I can see that the retting process has started, you can see that it has got dark spots. There is no sign of the fibers separating from the core.

A hand holding a flax straw. Flax on the ground in the background
Day 8 of retting. The retting process has started. You can see the dark spots on the straw. The flax fibers have not separated from the cellulose core.

Another week later the flax is darker but there is still no sign of the fiber separating.

A hand holding a flax straw. Flax on the ground in the background
Day 14 of retting. The retting process continues and the flax is still darker. However, the flax fibers have still not separated from the cellulose core.

On day 19 something has started to happen! After wiggling the stalk in different directions, the fibers actually separate from the cellulose core! It is still too early to break the retting, but I have to check every day now.

A hand holding a flax straw. Flax in the background.
Day 19 of retting. The flax is still darker and the fibers are starting to separate from the cellulose core.

Finally, on day 21, the retting is finished. Just as on day 19, the fibers separate from the cellulose core, but with significantly more ease. As soon as I wiggle the straw, the fibers separate fro the cellulose and I can pull the fibers off in their entire length.

A hand holding a flax straw, flax in the background.
On day 21 the retting is finished. The fibers separate easily and in their entire length from the cellulose core.

I roll up the flax in bundles and dry them standing up in a conical shape.

A bundle of flax standing in a conical shape on the ground
The retted flax needs to dry before I store it.

When the flax has dried it will keep for decades. Rodents stay away from it, since it has retted. I will keep mine indoors over the winter and process it outdoors next summer.

Winnowing

While the flax has been retting, the seeds that were saved in the pillowcase have dried in a bowl in the window. There is a mixture of seed, capsules and vegetable fragments from the stalks. I want to keep the seeds. Had I been a chicken owner, the girls would have got the winnowed capsules for breakfast.

I wait for a windy day to winnow them. I pour the seeds between two bowls in the wind.

Hands pouring seeds from one bowl to another.
Winnowing the flax seeds. Photo by Nora Waltin

The light seed capsules blow away in the wind while the seeds fall down into the lower bowl. I pour back and forth until most of the capsule parts are gone. This particular day, the wind had a very hard time deciding which way to blow. I danced around, trying to find the direction of the wind and ending up with most of the stuff in my hair and on my clothes.

I am very disappointed in my neighbours who weren’t even around to be curious and polite.

Hands holding bowls, pouring seeds from one bowl to another.
The wind takes the dried and light capsules to new adventures. The heavy seeds fall securely into the lower bowl. Photo by Nora Waltin

I end up with a promise of a successful flax season 2019.

A bowl of flax seeds.
Winnowed flax seeds

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

At the flea market

As many of you know, I live in Stockholm. There are lots of antique stores, but no good flea markets. By good I mean flea markets where I can find textiles and textile tools. These kind of flea markets do exist, you just need to go to the countryside to find them. For the last five years we have rented a cabin at a sheep farm in the beginning of August. Not far from the farm there is a three storey flea market in an old spinning mill. Couldn’t be better.

The market is open every Sunday all year round. Of course we made a day of it! So far I am disappointed in the range of textile tools, but there is one table at the flea market I can spend the whole day at.

The textile table

The sellers keep their table for as long as they rent them, so I know exactly where to go. My first stop is always the textile table. A woman collects textiles from around the countryside, not seldom from estates. Picture an old lady who once cherished her linen closet and filled it with hand woven gems. Picture the next generation unaware of the treasure hidden behind a squeaky cabinet door. The local super heroine, the Textile Lady, comes to the rescue and saves all the textiles from oblivion.

A table full of folded textiles.
The textile table at the flea market. Filled with old textiles that someone has cherished, another thrown away and a third has saved from extinction.

The table is filled with sheets, towels, table cloths and lots of haberdashery (oh, how I love this word!). Bobbin lace, name bands, needles and every colour of buttons you can imagine.

Hooks, pins and sewing thread.
Flea market treasures – hooks, pins and sewing thread.

The old packages are just exquisite. The pin box above right says “First class brass pins, solid heads”. Isn’t it to die for?

Boxes of lace and name bands.
Lace and name bands for every occasion.

I stayed for a long while at the lace box, just taking in all the lace beauty and the  hours upon hours of (women’s) work invested in them.

I bought three embroidery hoops from the haberdashery corner (I just had to write this sweet word again!). The two bigger ones look like most embroidery hoops I have seen (see also featured image). But the smallest one is just so exquisitely made! The locking mechanism seems different and the inner hoop has a band meticulously wrapped around it. When I look at the label and the logo I’m thinking the 1020’s.

Save the sheets!

My heart aches for all the sheets, towels and table cloths at the flea market and I want to rescue them all. I can’t, but we always end up buying more than we intended to. There is a lot of women’s history in these textiles, but also a story of industrialism and contemporary consumption patterns.

When my parents got married in 1965 they got lots of household textiles for their new home – sheets, kitchen towels, table cloths etc. They still sleep on those sheets and dry their hands on those linen towels. If I should buy new sheets today, they would be threadbare in under a year. The pressure to buy more and new clothes every turn of the season has led to a pressure on the cotton industry. The cotton fibers are shorter to make way for more harvests. The yarn is more loosely spun and the sheets are woven at a wider sett to save fiber.

We bought four old sheets at the market. Last year we bought six. These are wonderfully thick and strong, some of them hand woven. They will probably last longer than a lifetime.

Four folded sheets with lace borders
Old sheets, a treasure

Look at the sheet below with the beautiful monogram. This sheet was made with love and pride. Probably also various amounts of blood, sweat and tears. However, the loom was too narrow to weave a whole sheet’s width. Thus, the sheet was woven in two lengths and joined in the middle. If you look closely, you can see a very fine seam between the letters in the monogram and above the crocheted lace. Just look at that join! Imagine the hours it took to sew it in bad lighting and sore eyes in a tiny country cottage. I sleep on these sheets with joy and the knowledge that someone has put their skill, love and hours and hours of work into my sleep comfort.

A sheet with a lace border and monogram. A tiny seam between the letters.
Can you see the join of the two sheet halves?

The sheets cost €4 each.

Upcycling

While the Textile Lady has heroically saved the textiles, we bought the workings of another textile heroine. Someone had bought four hand woven fancy kitchen towels and joined them together with a crocheted lace ribbon. Such a smart and thrifty way to upcycle old textiles.

A table cloth made of four kitchen towels joined together with lace ribbons
Kitchen towels made into a table cloth

In my textile rescuing frenzy, I bought five hand woven kitchen towels. Some of them were beautifully monogrammed.

Five white towels, two monogrammed in red
Handwoven kitchen towels

I put them away in the linen cabinet, but the other day I took them out again. My plan was to sew drawstring spindle bags. When I looked closer at them, I saw that they were woven in twill with a linen warp and cotton weft.

Close-up of a white twill textile
Twill towels in linen warp and cotton weft.

If you look closely, you can see it. The horizontal weft is matte while the vertical warp is shiny. I pulled out a warp thread and my theory was confirmed – long and shiny fibers. And then I realized that the linen thread was most likely handspun. You can see in the close-up above that the thread is not industrially even. You can also see some remaining cellulose from the flax processing.

I bought the five towels for €15. Talk about unappreciated women’s labour. Now, however, they are greatly appreciated, by me. And I have turned them into beautiful drawstring bags, ready to host spindles and new yarn for future textiles. The circle is complete.

Enamel necessities

The last thing we bought was an enamel washbasin. Actually, it was my husband who found it. ” I figured you would need this to wash yarn in!”. Indeed I did. This is a very typical kitchen utensil from the beginning of the last century by Kockums enamelware.  They were very popular in the 1920’s and 1930’s but they stopped making them in the 1960’s. I have bought several Kockums utensils from Swedish e-bay – colanders, 5 and 10 deciliter measures and funnels. My favorites are the milk fetcher and the cream fetcher. The fetchers are lidded buckets to fetch the milk (2 l) and cream (5 dl) from the milk store in. We use the milk fetcher for compost and the cream fetcher for tea.

Anyway, the washbasin is doing its job very well and when I don’t use it for soaking yarn in it is the proud home of my cards and combs. We also bought a potty for my husband’s niece who was born two months ago.

A washbasin and potty in enameled tin
Enamel basin for various handspun related purposes

What about the textile tools?

Well, I looked for textile tools and found none. You might expect the odd scutching knife, flax hackle or weasel, but nothing. A couple of modern umbrella swifts and a the ugliest sewing table you have ever seen. Well, we’ll come again next year. Maybe we will save some more textiles or spot a whole range of flax processing tools, who knows!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

Flax processing

A struck of processed flax

Last weekend I attended the Wool and flax days at Skansen open-air museum in Stockholm. Dressed in all wool and linen, I brought my own retted flax from the 2017 harvest. My plan was to process my own flax with their tools and guidance. My friend Anna was kind enough to shoot the whole thing.

This is part four in a blog series about flax. The previous posts are about flax processing in general, the 2018 harvest in my experimental flax patch and spinning flax on a spindle. Last year I wrote about the first harvests in my experimental flax patch and my first attempt at spinning flax on a wheel.

Skansen open-air museum

Skansen is the oldest open-air museum in the world. Old houses and buildings from all over Sweden have been brought to Skansen for display. Skansen employees are dressed in period costumes and tell the visitors all about the buildings, tools and ways of living.

I spent an hour of the beautiful August afternoon at Älvrosgården, a farm from the beginning of the 19th century. For this event flax processing tools had been brought out on the yard to show how a strick of dry and dull flax stems can be turned into gold.

Tools for processing flax were often a bridal gift. A married woman needed to be able to process the family’s flax to make clothing and domestic textiles. You can often see names and wedding dates on old distaffs, hackles and scutching knives.

I showed the staff my modest flax harvest and asked if I could process it with their tools. They were delighted and very kind and showed me the ropes.

Breaking

The flax fiber is placed on the outside of a cellulose core. To separate the flax from the core you need to break the core. This is done in the flax break. In this stage you see how the cellulose cores crumble to bits while the long flax fibers stay intact. The Swedish word for this stage is bråka. Quite similar to the English word.

A person breaking flax
I’m breaking the flax to break the cellulose core that is surrounded by the flax fibers. Photo by Anna Herting

Pulling

This is a tool I have never seen or heard of before. It is called a “draga”, which is an old word for something that pulls. Which makes sense – you pull the broken flax through the “puller” to remove the coarsest bits of cellulose. Quite effective! Has any of you seen this type of tool before?

A person pulling flax through a puller
I’m pulling the flax through the “puller” as a step between breaking and scutching. Photo by Anna Herting

Scutching

The next step is the scutching, Skäktning in Swedish. You use a wooden tool similar to a knife to remove the bits and pieces of broken cellulose from the flax fibers. The more bits you are able to remove, the better prepared the flax will be for the final step.

A person scutching flax
I’m scutching the flax to remove the small pieces of cellulose that were broken in the breaking step. Photo by Anna Herting

Hackling

Hackling the flax is usually done in several steps. In this case, two steps. You pull the scutched flax through vicious tines to remove short and brittle fibers and the last pieces of cellulose. In this step you also arrange the fibers parallel. After having hackled a while I learned how to lift the strick of flax over the hackles instead of swinging it. When swinging, the flax turns in the air and doesn’t lie straight over the tines.

A person hackling flax
First hackling step. Flax samples on the table with different retting methods. Photo by Anna Herting

On the table you can see samples of flax that has been retted with different methods – dew retting, water retting and snow retting.

A person hackling flax
Second hackling step. Photo by Anna Herting

The first step of the hackling process is through a rough hackle and the second step through a finer hackle. This stage is performed at your own risk. I managed to go through it with only one pierced finger. These are the only flax processing tools I actually have at home.

Close-up of a person hackling flax.
I ended up with only one hackling wound! Photo by Anna Herting

The coarser bits that end up in the hackles, the tow, is saved and spun into a coarser yarn or used as insulation in the buildings. The pieces of cellulose core that is scattered on the ground are treats for the chickens. So while this is a time and labour demanding process, nothing goes to waste.

Admiring

The flax turned into such a beautiful bundle of gold. I am still amazed at what I have managed to make, from just a handful of flax seeds. I got new seeds for this season from Ann-Marie, a retired flax farmer and spinner. This flax is actually spinable! And I just found out that Ann-Marie is selling out the last of her seeds and she is sending me some for next season!

My beautiful strick of flax from the 2017 harvest in my experimental flax patch.

The fibers are long, lustrous and plentiful. And I must have done something right with the retting too. I am happy as a clam about my beautiful flax.

Four strikes of processed flax
Results from my experimental flax so far. From the left: 2014, 2015, 2016 and 2017.

You can see the difference to the earlier years. The 2014 harvest was the thickness of a rat’s tail. 2015 was at least three rat’s tails!  In 2016 I failed with the retting, you can still see lots of pieces of cellulose. Finally, the newly processed flax from the 2017 harvest is long, beautiful and silky. And just outside our house, the 2018 harvest is retting on the lawn.

I’ll be back next year

I passed my flax processing exam. The Skansen staff was so kind and helpful and welcomed me back to process my next harvest. A big thank you to the Skansen staff at Älvrosgården for their kindness and guidance, to Anna for shooting and to Ann-Marie for the seeds.

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

I choose to stay on the ground

Josefin Waltin spinning on a chair on a meadow. Text says I choose to stay on the ground

This is not a spinning video. Rather,  is a craftivism project about climate change. In the video I use spinning as a means to reflect over climate change and my own carbon footprint. This is I choose to stay on the ground.

Reduce, reuse recycle and respect

I try to live my life in a way that is as resourceful as possible. Reduce, reuse, recycle and respect are words that influence everything I do. Bike riding, car pooling, growing our own vegetables, eating less meat, cutting down on plastic etc. These are all things that have become a way of living. It doesn’t feel like a sacrifice and I wouldn’t want to go back to the way we lived our lives before.

My husband and I have also decided not to fly. We take the train to visit my family in Austria. Choosing to stay on the ground is an important step we have taken to reduce our family’s carbon footprint.

Spinning and climate change?

Where does spinning fit in and what does it have to do with climate change, you may ask. Well, there are several ways I find that spinning plays a part in my effort to reduce my carbon emissions. First of all, making garments and textiles from wool that I have bought locally and spun myself is an important part of reducing my carbon footprint. This is an important part of my videos, especially the documentary videos like Slow fashion and Slow fashion 2. Spinning your own yarn is in itself sustainable, especially when you use (local) wool that is such a versatile material.

Secondly,  the act of spinning also generates feelings of love, mindfulness and kindness. I try to express this in last year’s documentary video For the love of spinning. I like to think that I spread these feelings in my videos. I get lots of comments from my followers about how the videos have helped them find peace and a sense of grounding.

Thirdly, spinning – or any other craft – lets me reflect on a deeper level over what I do and what I experience while I am crafting. These reflections in turn influence what I do and the decisions I make. To remind me of these reflections I have the yarn, with all the gentle thoughts spun right into it.

A craftivist approach

I’m not telling you all this to be a miss goody two-shoes. Climate change is too important to me to care about the appearance of things. The climate can’t wait, we have to make drastic changes in our daily lives, now.

I choose to stay on the ground combines my concern for climate change with the power of spinning, or crafting in general. I have been investigating craftivism and read an excellent book, How to be a craftivist: The art of gentle protest, by Sarah Corbett. The book is a kind of manifesto for a kind of activism that is beautiful, kind and fair in a world we want to make just that – beautiful, kind and fair.

Josefin Waltin reading a book, How to be a craftiest by Sarah Corbett
Reading up on craftivism on the train through Denmark

I do have quite a large group of followers and I’m taking advantage of that when I’m releasing his video. This means that I use you all for spreading a video that has an urgent message.

A call to action

The video is divided into two parts. The first part is my own experience from a three day train journey through Europe to visit family in Austria. I spin and reflect over climate change and why I choose to stay on the ground. The second part is a call to action. I invite you, the viewer, to take part in this craftivist project. I have chosen five questions about climate change that I would like you to reflect over while you craft in public transportation. I also ask you to share your thoughts (and the video!) under the hashtag #crafterthoughts and #ichoosetostayontheground.

Making the video

The scene is a three day train journey from Stockholm, Sweden to Salzburg, Austria. I shot about 150 small clips from the train and narrowed them down to  fit in a five minute video.

Josefin Waltin spinning on a city square.
Evening spin in Copenhagen, Denmark

The train ride obviously took a lot of time. Frustrating sometimes, yes, but mostly surprisingly pleasant. We sat together for three days, talking, playing games, reading, napping. Some of us were spinning. Just being in each other’s presence brought us closer together on both physical and mental levels. It felt so good to just be together.

There are no actual shots of my husband and children in the video, but if you look closely, you can see clues of their participation. In the beginning for example you can see them on the station with our suitcases. Also, you can see them on a hiking trip when we have arrived in Austria. And, of course, Dan has helped me with some of the video shooting.

Tools I use in the video:

With that said, go and share that video. And happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!