A sore thumb

This week a journal entry, writer’s block, migraine and a sore thumb led me to bold decisions, new perspectives and beautiful insights.

A sore thumb

I have been spinning my Icelandic fleece quite frequently lately. The other day I felt some soreness in my left thumb. Minuscule, really. A flap of skin was loose on my finger print and I realized that to keep spinning that wool – in the grease, I might add – while the skin was sore and reddened wouldn’t be the best idea. I got a bit sad. After all, I had worked out a process for this wool that worked very well and I had reached a soft flow in my spinning. A migraine restricted most other activities than slow and mindful crafting for the next few days.

Writer’s block

At the same time I was looking for something to write for this week’s blog post. I usually work with a blog post during most days of the week. On Saturday morning I finally publish it. A void crystallizes itself and on some level I miss what I have just written, just as I miss a spinning project when the basket is empty. The process I have been working on and growing in suddenly becomes a product with the press of a button.

Sans a lot

My hands and my mind still need to write, but it does take some effort and recharging to come up with an idea for a new post. So, I was sans spinning and sans blog idea. Also sans capacity to do much else than activities that didn’t require moving my head.

Morning journaling is a treasured moment for me.

I do free write every morning in my dawn journal and exercise my writing muscles daily. The other day I was scribbling away as the day broke, about crafting and creativity. I reflected over how creativity creates more creativity as I am in the moment, calming bouncy ideas that want my attention, making them less elusive and more mellow. How I am in the creating and the creating is in me.

Enter: Idea (with tart tone)

Half an hour or so later an idea knocked gingerly on the inside of my skull, hoping to get out in the air. It said (with a slightly tart tone, I might add): “Why don’t you change hands? Like you always tell your students to do? That way you get to spin without making the sore thumb worse and you will have something to blog about.” Well, that’s a thought. It will also enable me to spin through the migraine and experience what I torment my students with when I ask them to change hands. The idea was just the kind of idea that I had been writing about that same morning, an idea that had matured in my mind through spinning.

This is actually my favourite kind of blog writing process. I spin a bit, get an idea during the spinning process and write it down. As the idea gets clad in linguistic splendour – preferably with sparkles – I understand more and try my new baby reflection at the wheel or spindle. I realize more and need to put that into writing too. The process of theory and practice in spinning is something I treasure.

Changing hands for ergonomics

When it comes to spindles – supported, suspended, floor supported and in-hand – I have no problem changing hands. I always choose the hand that is most effective for the spinning direction I have chosen (read about spinning direction and ergonomics here and watch a free webinar in spindle spinning here). Ever since I realized its implications for spinning I have practiced this and feel rich with the opportunities it gives me.

This summer I practiced changing hands when I spun flax on my spinning wheel with a makeshift parasol stand floor distaff that I placed alternately to the left and right of me for a more ergonomic and balanced working position. All this has been first and foremost to work with my body and avoid strain in hands, arms and shoulders. I have also raved to my students about the benefits of understanding the work of both hands through both hands. But when it comes to my own default wheel spinning I have never seen any ergonomic benefit of changing hands and therefore never practiced it. Until now.

Hand habits

So what do the hands really do? Well, the two hands have two primary tasks in spinning:

  • One hand, the spindle hand or spinning hand in spindle spinning or the front hand or spinning hand in wheel spinning, controls the spinning. This hand is closest to the drafting triangle and the point of twist insertion, where fibers become yarn. This hand is at the center of the action, where the actual spinning occurs.
  • The other hand, the fiber hand in spindle spinning or back hand or fiber hand in wheel spinning, controls the fiber. This hand holds the fiber and makes sure the right amount of fiber feeds along to the spinning hand without holding the fiber too loosely or too tightly.

In my experience most focus is on the spinning hand, the hand that controls the fiber. The fiber hand just follows along and is in my experience not often debated. It is when we change hands that we realize that the fiber hand has an equally important task. So, to a student who says they are verrry right or left handed and couldn’t possibly change hands I say: Deal with it. Or something a lot nicer. My point is, both hands have important tasks that require fine motor movements. Hand dominance has nothing to do with it.

A rocky boat

In changing hands I will rock the boat and sail out on deep waters. But in the end I will get to the other shore. As I fumblingly place the fiber in the left hand and prepare my right hand for spinning for the first time it feels awkward and clumsy. And, frankly, quite intimidating.

My brain knows what should happen, but sort of doesn’t. Come to think of it, it’s like a migraine aura. I have my field of view in front of me but I can’t make out what it is I see. When I get the blurred vision in an aura I try to move my head around to get access to the whole field of view, at least enough to be able to email my boss and call in sick. I find a new perspective, or, rather, perspectives, that allow me to understand the world from my current reality. I need to find clues in my new perspective to understand what my hands need to do with their new roles.

My hands have no clue what to do but sort of do. The knowledge is there, but integrated in the wrong hand. A link is missing and I need to take leadership of the search party. The new roles for my hands is uncomfortable, but that’s ok. Sometimes we need discomfort to understand the comfort. And an understanding of other people in discomfort for that matter.

Frustration

So, despite the discomfort I stick to my plan and move on. My movements are fumbly and my hands unused to the motions and decisions of their new roles. This is where I start doubting myself. How do I not know this? How come my hands feel absolutely outlandish?

This feeling is something I deal a lot with with my students. Most of them are experienced students that get very frustrated at not knowing what to do when presented with a new tool. Experiencing this sensation myself is truly valuable and I’m grateful for the opportunity. And a bit frustrated. Or possibly a lot.

Awakening

As I practice I understand my hands’ new roles better and better. Placing my left hand role in the right hand forces me to have a conversation between my hands via my brain. I need to analyze the motions and challenges of the right hand through my left hand and digest it in my head.

  • The fibers are stuck in the preparation or coming completely loose. How would my regular hand hold and manage the fiber?
  • I’m clenching my fiber hand in my lap. How does it feel with my regular hand?
  • I’m pinching the thumb of my new front hand. What do I need to change to loosen the grip, and without loosing the technique?
  • The yarn gets too bulky or too fine. How do I find that “just right” sensation I always have in my regular hand?
I’m making progress and have finished a dozen skeins of which half are spun with my awkward hands. But they are not so awkward anymore and I can’t tell the difference between the skeins.

Asking questions like these sharpens my senses and my interpretation of the components in the spinning process. I get to discover the spinning again and listen to the wool, through fresh hands. First-hand (pun vert much intended) I get to see how a new drafting hand and a new fiber hand develop, learn and flourish. Though my wobbly hands I get to understand the spinning process more fully, from a wider perspective. I feel very grateful for the experience.

Choosing the challenge

During this whole week I have worked with my fresh hands. My sore thumb has healed. I can go back to my regular hands if I want to. However, I also have the opportunity to change hands whenever I want, work with and through the discomfort. I can choose to keep challenging myself by keeping this new skill alive, feeding my fresh and sharp perspective of spinning and a humble view of the tasks of spinning hand and fiber hand.

A lopi yarn swatch is finished and I can’t wait to start knitting.

Have you tried changing hands with any spinning tool? And have you stayed with it, exercising both hands in both roles? You are welcome to share in the comments.

Happy spinning!


You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • You are also welcome to make one-off donations on my Ko-fi page.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the new book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how
  • Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

The gift of knowledge

In earlier posts I have written a lot about the knowledge in the hands, muscle memory, the power of slowness and learning through experience. Today I explore spinning and the learning process in spinning in a spiritual perspective. While reflecting over the gift of knowledge I dig into the why of spinning.

During the autumn I have been reading Robin Wall Kimmerer’s beautiful books Braiding Sweetgrass and Gathering moss. She is a professor of botany and blends her scientific knowledge seamlessly with her indigenous heritage in the Potawatomi Nation. I have had to stop reading several time to reflect over the spiritual message of the book and how I can find a deeper spiritual meaning in my spinning.

Gathering moss by Robin Wall Kimmerer is my morning read at the moment.
Gathering moss by Robin Wall Kimmerer is my morning read at the moment.

The gift of knowledge

I read and journal early in the morning in blissful solitude, when body and mind are sprouting fresh out from the stagnant night. This is my time and space dedicated to reflection and becoming a better person in the world.

Robin Wall Kimmerer writes:

“In traditional indigenous communities, learning takes a form very different from that of the American public education system. Children learn by watching, by listening and by experience. They are expected to learn from all members of the community, human and non-human. To ask a direct question is often considered rude. Knowledge cannot be taken; it must instead be given. Knowledge is bestowed by a teacher only when the student is ready to receive it. Much learning takes place by patient observation, discerning pattern and its meaning by experience. It is understood that there are many versions of truth, and that each reality may be true for each teller. It’s important to understand the perspective of each source of knowledge.”

Gathering moss by Robin Wall Kimmerer, p. 82

I have been thinking about this quote a lot this morning and how I can apply the gift of knowledge – knowledge as a gift to be given when I’m ready to receive it – to spinning. Every time I spin I do my best to listen to the wool and allow it to be my teacher. As I teach I encourage my students to listen patiently to the wool. But the notion of knowledge being given when I as a student am ready gives even more depth to this process. The notion of knowledge as a gift is like a gift in itself, wrapped in a soft pink silk ribbon.

A conversation with the wool

As I work my way through the wool and through the stages of wool processing there is a conversation going on. My hands explore and get feedback from the wool. Reflecting over the quote above I realize that I don’t ask the direct questions, because I know the answer won’t help me. I need to be ready to receive the the answer. The time it takes to get ready may include investigation, exploration, experimentation and patient listening.

I'm listening to my Icelandic wool.
I’m listening to my Icelandic wool.

I learn by experience over and over again as the wool goes through my hands and my mind. The wool replies in my hands with clues of elasticity, give, length, crimp, friction. Small clues that build up to an understanding of the wool when I am ready to receive it. If I’m not ready to receive the understanding I will make mistakes. Which, ironically, do help me understand, but in a more brutal way.

The clues along the road will eventually help me understand the wool and what I need to do. I also believe that the time it takes to figure out what the clues tell me will give me the knowledge. It may also include silently being with the wool, asking for nothing in return. The time I spend with the wool, the time I give the wool, will allow me to reflect and understand what it is I experience.

Example: Icelandic Lopi style yarn

So how do I get ready to receive the knowledge by my teacher, the wool? To illustrate my thoughts on this I will use my current spinning project as an example. I’m spinning Icelandic wool in the grease from the lock and my example regards the processing of the wool before spinning.

  • When I first met this fleece I wanted to tease the wool with my hands only. But since the tips were a bit stiffened by the lanolin I abandoned that idea. The fibers in the tip didn’t separate enough for a comfortable spin.
  • Next I tried teasing with a flicker. Tip end and cut end. This was a better approach. The teased staples were easier to work with and I could spin a more even yarn.
  • The flicked staples were still worked one by one, though. I wanted to find a way to bundle them together and spin as a mass. From previous experience I knew that flicked locks don’t always separate as evenly as a carded or combed preparation and tend to get dense. I tried hand teasing the staples sideways after the flicking and could arrange the flicked and hand teased staples better as a bundle. It was also more open than separate flicked staples. The sideways hand teasing reduced some of the denseness. It was still a little awkward, though. The drafting got interrupted by tangles and disarrayed and escaping fibers.
  • I worked this way for one or two skeins. Then, out of no special reason at all, I spread each staple in its sideway hand teased state, like an accordion. I layered the accordioned teasings (wow, that’s a new word invention, but I hope you get what I’m after) on top of each other, cut end on top of cut end, tip end on top of tip end. When I had layered an appropriate amount of teasings I rolled the whole accordion pile into a loose burrito bundle and spun from the corner of the cut ends. This works very well. I get an evenly spun yarn that drafts easily over the whole bundle.

The accordion burrito preparation is how I work at the moment. I have spun two or three skeins this way and it is working out smoothly. But who knows, I may find yet another answer as I investigate and am ready to receive new knowledge.

If and when that happens I will work with the new knowledge and develop my technique accordingly. Step by step I get ready to receive new knowledge. The way I prepare this wool now at this moment was not available to me when I started. I wasn’t ready to receive and understand it.

Quick fix or receiving the knowledge?

I have written quite an extensive post so far. Throughout the post I have shared clues in the wool through my experience of it. With time, exploration, experimentation, listening and reflecting I have gained, earned, become ready to receive knowledge about how the wool behaves. From that knowledge I have spun a yarn in a certain way, with certain tools and techniques. I could go straight to this paragraph and spin the yarn from a “recipe” created from the bullet list above. But the understanding would be lost. I wouldn’t be ready to receive the knowledge without the time spent observing and experiencing the wool. As I read the bullet list my hands remember how each step felt and the time it took to take the next. Time is my friend here, slow is a superpower. Connecting this approach to a spiritual level makes my heart tingle.

Perspectives

I come back to the same important factors in understanding the wool I work with – the muscle memory, learning by experience, learning by mistakes and the time I spend with the wool. These are all part of my understanding of the wool. In a way similar to how Robin Wall Kimmerer adds the best parts of western science to her indigenous knowledge to understand plants around her I do my best to understand spinning through both physical, experiential, temporal and spiritual perspectives. They may all lead to the same result, the perspectives are just different.

Through different perspectives I get to know the wool. A spiritual perspective adds a new dimension to my understanding of the wool and the process.
Through different perspectives I get to know the wool. A spiritual perspective adds a new dimension to my understanding of the wool and the process.

I may understand these perspectives on different levels and in different contexts. The combination of them can give me a greater depth of spinning. I find a spiritual perspective to be an important piece that adds new dimensions to my perception of the wool. I can rest in the notion that by humbly and respectfully investigating, listening, exploring and experimenting with the wool I will understand more as I am ready to receive the gift of knowledge.

Resources

Happy spinning!


You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • You are also welcome to make one-off donations on my Ko-fi page.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the new book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how
  • Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

Gunvor’s Sirwal pants

And they are done. My largest spindle spun project so far, the Sirwal snow shoveling pants that used to be common in the Moroccan High Atlas Mountains. I call them Gunvor’s Sirwal pants from the sheep that gave me the wool. Since my 16-year-old has dibs on snow shoveling for pocket money I may use the pants for outdoor yoga and for walking down to the lake for my daily bath.

A while ago I bought Irene Waggener’s beautiful book Keepers of the sheep and reviewed it on the blog. One of the most striking patterns was the Sirwal pants, a pair of black and white striped pants that the shepherds used to knit while herding the sheep.

A patternless pattern

In the book Irene describes her first meeting with the pants in a museum, how she learned to knit them from her host Muah n’Aït Tabatoot’s demonstration. Irene has in turn written down the oral description and demonstration for the book. As all of the projects in the book the pattern is based on working with what you have in the form of wool, yarn, needles and body size rather than a detailed knitting instruction. I really liked the idea and think it would be a good challenge for me.

The challenge of keeping it simple

In the book Irene describes how Muah’s wife Nejma spun and plied the yarn on a floor supported spindle, wound it into a ball and handed it straight over to Muah for knitting. I wanted to make my own pair of Sirwal pants as close to the original as possible. So, a spindle spun yarn. I didn’t have a floor supported spindle of the kind Nejma used, but I do have Navajo style floor supported spindles so I used one of them. I also decided not to soak the yarn and set the twist after plying, to stay as close to the High Atlas way as I could.

“So, the yarn is not soaked and the twist has not been set?” you may say. That’s right. “But soaking the yarn will allow it to bloom into its final shape! And setting the twist will even out the twist over the length of the yarn!” you may continue. That is true. This will probably not happen with my pants. Something else probably will, though. I don’t know what, but if and when it does, all is as it should be. Instead of the finished yarn I got the loveliest smell during knitting and the softest hands. That counts for something too.

Gunvor the Gestrike sheep

Gunvor the Gestrike ewe who was my longitudinal fleece study sheep
Gunvor the Gestrike ewe who was my longitudinal fleece study sheep.

I used two fleeces of Gestrike wool, the first and second shearing of the Gestrike ewe Gunvor. She was the subject of my longitudinal study I wrote about in May 2021. She was a beautiful white sheep with large black spots, perfect for the striped Sirwal pants.

Gestrike wool has both long and strong outercoat fibers, soft and airy undercoat and some kemp. This results in a strong and warm yarn, perfect for my Sirwal pants.

A life through stripes

The fleece of Gestrike sheep can lighten with age and Gunvor’s fleece turned out to have that particular characteristic. I took advantage of this feature and used the blackest black from the first shearing at the bottom of the legs and continuted with the lighter shades as I worked my way up the legs. I like how you can see Gunvor’s life through the stripes.

The quality of the wool was different between the shearings too. The first shearing was shinier and a bit finer while the second shearing was a bit shorter and airier. I’m not sure it’s visible in the pants, though. The second shearing was a lot higher in lanolin. As I calculated the yield from the two fleeces I was amazed by the difference. From the raw fleece I got a yarn yield of 59 per cent from the first shearing and 38 per cent from the second. The amount of lanolin should be an important clue to this difference. Perhaps the second shearing also contained more short fibers and/or kemp than the second, that stayed in the combs when I teased the wool.

You can read more about shearing and lanolin content through the seasons in the post Shearing Day.

Bulky

Another challenge was the yarn. The tradition calls for a super bulky yarn, which is far from my light fingering weight default thickness. But a challenge is a challenge and I took it by the horns. I managed to spin the bulkiest singles I have ever spun. Add plying to that and I got myself a super bulky woolen spun yarn from hand carded rolags.

At first I tried to card the wool without teasing the wool first, again in an effort to stay as close to the High Atlas way as possible. But the kemp in the wool made the yarn very scratchy. By teasing the wool with combs I got rid of a lot of the kemp and I decided to keep the teasing.

When the pants were finished I had used 26 balls of yarn. 1200 grams, 717 meters from the two fleeces, between 500 and 700 meters per kilo with an average grist of 590 meters per kilo. You can read more about how I spun this yarn in my blog post bulky.

If you are a patron (or become one) you may get access to a Patreon postcard video I made in November, where I demonstrate how I spin the super bulky yarn.

Knitting

I started knitting as soon as I had the first ball of handspun yarn in my hand. This is how I continued with the whole project – spin a ball and knit it. A yarn of this weight doesn’t last very long, though. At the bottom of the legs one skein lasted about one stripe and at the hips around eight rounds.

Spin a ball, knit a stripe, hoping the two fleeces would be enough for the whole project.

Knitting the Gunvor Sirwal pants was quite strenuous. The bulky yarn and the large needles (5.5 mm) require some work. Add to that the tight twist and the tight gauge and, as I joined the legs in the crotch, quite some weight in my lap to manage. The finished pants weigh around one kilo.

Despite the heavy knitting it was lovely to work with the yarn. I love the roundedness of the yarn and the strong character it has. It takes its place in the world and doesn’t apologize for its existence. I got all giggly by the sheepy smell from the unwashedness of the pants in progress. As I knit I experienced Gunvor’s life, from the blackest of the black lamb locks at the shins to the more mature depth in the lead grey in hip height.

Outdoor yoga and cold baths

If you have been following me for a while you may know that I take baths in the lake every day and that I sometimes practice yoga outdoors. Gunvor’s Sirwal pants are perfect for both outdoor yoga and walking down to the lake on the coldest days.

A walk to the bath

are warm, reasonably windproof, and easy to put on after a cold bath, which is important since my fingers are stiff from the cold and I need to get warm fast. Yesterday afternoon I went down to the lake with an axe and cleaned up the edges of the hole in the ice. We’re five ladies in the cold bath group and they have all been cheering me on during the making of the pants.

An outdoor yoga studio

Practicing yoga outdoors is not a problem as long as you have clothing that suits the weather. Down to -2°C is ok with one or two layers of wool tights or sweat pants. I can even practice with bare feet on my cork mat at this temperature. With lower temperatures staying warm easily gets too chunky which makes it difficult to do the postures comfortably.

Gunvor’s Sirwal pants are perfect, though, even for temperatures below -2°C. I took the pictures above at -6°C and it wasn’t too cold. With the suspenders they stay up without getting too tight around the waist.

I practice yoga asana every day, and sometimes outdoors on our terrace. I just love having all the fresh air to myself. As I usually do my outdoor yoga at around 8 p.m. it’s dark, as dark it gets in a city. I get to look up at the sky and the waving pine branches above. It gives the practice an extra dimension of space that I don’t want to be without.

Gunvor’s Sirwal superhero pants, ready for your next wooly adventure.

Some people say the pants look a bit like Obelix’s blue and white striped pants, some say they look like Findus the cat’s green striped suspender pants. They remind me of swimsuits from over a century ago, which is quite suitable since I wear them in a bathing context. But most of all they make me think of superhero pants with their bold stripes and dazzling lightning bolts up the sides. Don’t we all wish to be just a little superhero-y every now and then?

Thank you Irene for making the pattern accessible and Muah for teaching Irene. Thank you Gunvor for the loveliest wool. I have learned a lot from this project.

Happy spinning!


You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • You are also welcome to make one-off donations on my Ko-fi page.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the new book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how
  • Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

2021 wrapped up

Another year has passed, filled with spinning memories, like sweets in a bowl. Today I share my favourite wool moments from this year. This is 2021 wrapped up.

As I have looked through my posts in preparation for this wrapping up of the year I have tried to cluster the posts. I have found a few different perspectives that I can sort the posts into. So if you are in a certain mood you can skip to that particular area below.

Meditate

If you are in an artistic mood perhaps you are more inclined to read posts that are written in a more reflective and poetic style.

First comes a carefully worded ode to a small ziplock bag of 55 grams of wool. Actually an exercise from Ursula K Le Guin’s brilliant book on writing, Steering the craft. Do read the piece aloud to discover the rhythm in some of the passages.

In Dear Blanket I address one of the handspun knitted items that I use the most, a Shetland hap Dan and I snuggle under in front of snacks and Netflix every evening. In the same spirit I reflect on a Little ball of yarn.

I also created a more hands-on meditation in the video I call A spinning meditation, recorded in the northernmost part of Swedish Lappland, in the Swedish part of Sápmi. I invite you to spin along with me and feel your way through the spinning.

Reflect

Perhaps you are feeling more like reflecting over wool, spinning and the process you might be leaning more towards in-depth reflections. Here are some suggestions:

In The wool is my teacher I look at the wool in my hands as my most important teacher. If I listen close enough the wool will tell me what it’s all about. When the wool go through my hands time and again in the process from fleece to textile they gather knowledge. In The memory in the hands I reflect over this. And if I for some reason don’t listen to the wool or my experience I will make mistakes. I will also learn from them. In Embrace your mistakes I share some of the mistakes I have embraced over the years.

Through all that happens in the outer and inner world, wool is always there, anchoring me in the moment, opening the door to creativity. I remind myself of this in The comfort of wool. I think this is true for many spinners. In Course exchange I write about teaching new spinners and wishing they get as much out of wool and spinning

Explore

Sometimes I just want to explore a new fleece or a technique, with curiosity and an open mind. Judging from the posts in this section I have done that a lot this year. Try these:

In A coloured fleece I dive deep into the different shades of brown in a variegated brown Värmland fleece. I spin a super bulky Gestrike yarn on a floor supported spindle in Bulky. In Changing hands I talk about why I always teach my spindle spinning students to learn how to spin with both hands as spindle hands.

A couple of years ago I started a breed study series of the wool of Swedish sheep breeds from a spinner’s perspective. Most of these breed studies have been both a blog post and a live webinar. This year I had time for two breed studies – Gestrike wool and Åsen wool. If you registered for the webinars back then you still have access to the replays. During the year I have also had time to explore fleeces from these breeds further, in Nalbinding Åsen mittens and a Gestrike wool Longitudinal study.

Finally, in Break the rules I challenge the rules I have learned about spinning and do whatever I want. And it works!

Experiment

Sometimes I throw myself out into the wild and experiment with something that has proven to be a challenge or a technique that I don’t usually work with. I experiment with different solutions and learn a lot from the experiment. Perhaps you will be inspired to experiment too. Here are some of my recent concoctions:

Pick a fleece full of Vegetable matter and experiment with different ways to remove as much of the vegetable matter as possible. Imagine that same fleece, a rough fleece with kemp. Imagine smooth recycled sari silk. Put them together and read about it in Opposites attract.

I spin a newly shorn Icelandic lamb’s fleece from Iceland In the grease and find joy in the joy that the raw feeling and smell of fresh lanolin gives me. In Fulling singles I am determined to knit with singles yarns and full them to make sure the fabric doesn’t twist and turn.

Experience

In this last section I have gathered posts that have required or given me experience. Perhaps you find inspiration by reading these:

On a lovely Shearing day in October I got to be part of the helper team when Claudia’s Gestrike sheep were shorn by a professional shearer. And I got to bring the fleece of Elsa home on the bus. In Fleece happens I describe my process from when a fleece happens to come to me (like Elsa’s) to when I store it, via note taking, sorting, washing, drying, picking and more. A way to categorize wool in Sweden is by wool type. I walk you through the different wool (or staple) types and how they work. Wool combs describes what properties I think are important when I look at wool combs.

Påsöm embroidery is not about spinning at all, but still textile techniques. This embroidery technique and pattern is unique to the small village of Dala-Floda in County Dalarna in Sweden. Mending apparatus also has nothing to do with spinning, but is important for if and when your garments tear.

Books! Finally Sara Wolf’s book was released and I am a co-author. Read about Knit (spin) Sweden! and enjoy. The book is sold out and it will hopefully be reprinted. In a Book review I talk about Irene Waggener’s book Keepers of the sheep. Do read it!

Finally, in A pattern process I walk you through the agony and hair tearing as I go through the process of designing and construct a knitting pattern for publishing. You will see the root of this agony soon!

Do you have a favourite?

Happy new spinning year!


You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • You are also welcome to make one-off donations on my Ko-fi page.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the new book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how
  • Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

Midwinter

Another year has gone by and a couple of days ago it was December solstice again. In my part of the world this means very few hours of daylight. During midwinter I do my best to find my inner light.

If you are on my email list you will have received a solstice email. I don’t send emails very often outside of course launches and webinars, but I try to acknowledge solstices and equinoxes. After all, regardless of any religion or seasonal tradition, these events happen all over the world and remind us that we are all in this together.

Midwinter

During the past month or so I have had my winter photo goggles on, looking for light, motif and weather for a December solstice photo for you. I took one on a frosty day just in case we wouldn’t have any more cold days. I ended up using the featured photo with the mittens, though, so I give my spare photo to you now instead.

Mossbelupen and frostnupen. Two of my favourite words in one picture. And handspun yarn in the midwinter sun.

With the picture come two of my favourite Swedish words. Mossbelupen and frostnupen. The grammatical forms are very old and seldom appear in colloquial language, but fit very well in a more poetic setting. Mossbelupen means “moss covered”. Frostnupen means “frost pinched”. The suffixes -belupen and -nupen exist only in these compounds. My heart tingles with joy and excitement by the fact that these simple but wondrous phenomena have at one time been considered important enough to have their own word. So here it is in one picture – the rock behind our house, mossbelupen and the moss atop it frostnupen. A picture like that deserves the presence of a ball of handspun yarn, don’t you think?

Holiday

It’s been a busy autumn. I just submitted my final exam for an online course in Comparative indigenous studies at Umeå University. So interesting and important. I’m quite exhausted now, though, yet a little wiser. I just finished my last day at work before a 2.5 week holiday. I will spend it with my family, wool, daily dips in the lake and any daylight I can catch.

December solstice at noon. The sun doesn’t get any higher than this in Stockholm this day. But she is coming back to us soon. Meanwhile I do my best to find an inner light to brighten midwinter days.

I came across a beautiful article about how we can acknowledge solstice day by going inward, reflecting on this day and the days leading up to it and practicing self care. The article provides a list of ways to spend solstice day. One of my favourite suggestions from the list is to channel my creative energy through crafts. Perhaps you find something that suits you even on the days following solstice day. I spent a few minutes of this day at noon in the lake, feeling the elements embrace me and the pale midwinter sun warm in my face.

I wish you all peace, health and light.


P.S. If you have some time over during the holidays or just want to sneak out from family and friends for a while I can highly recommend my free five-day challenge Fleece through the senses that I published in August 2020. The challenge is nothing special, you do all the work while I ask a few questions. The lovely thing about this challenge, though, is the community in it. Over 700 people have taken on the challenge and there are over 500 comments in the comments sections of the challenge (with replies from me). This means that there is a heap of things to learn from fellow students. So if you haven’t taken the challenge: Do it! And if you have: Do it again! You have probably learned a thing or two since the first time and you will probably understand your wool journey with even more depth a second time. Take part in your fellow spinners’ wisdom and contribute with your own.


You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • You are also welcome to make one-off donations on my Ko-fi page.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the new book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how
  • Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

Opposites attract

It happened again. A baby idea came and made up its mind not to leave me alone until I had listened to it. The baby idea told me to combine rustic gute fleece with recycled sari silk with the motivation that opposites attract. I listened and I’m glad I did.

A while ago I bought a gute fleece. Gute sheep have a very rustic wool that often has a coarse appearance. You can read more about gute wool here. This one was quite unusual, though, with its very soft undercoat and the outercoat playing only a minor part. Still, as with gute in general, the fleece has kemp.

Kemp

Kemp is fibers that have a dominant core with air-filled cells that make the fibers brittle. They are coarse and don’t conform themself with the rest of the fibers, instead they point quirkily in all directions. The upside with kemp, though, is that they fall out of the wool eventually and leave air pockets. And in yarn, air means warmth.

A lovely and in my experience quite rare gute fleece with lots of very fine undercoat, a few strands of outercoat and some kemp. The kemp keeps the staples open and light.

A fulling project

Kemp also gives a rustic look to a fabric. I like a fulled fabric with quirky kemp in it. My original plan for this fleece was to spin a 2-ply yarn to weave and full in a fulling mill. The combination of lots of undercoat with quite small amount of outercoat and kemp makes this a perfect candidate. The undercoat has excellent felting properties, the outercoat binds the fibers together and makes the fabric stronger and the kemp adds an interesting design element while at the same time bringing warmth to the fabric as it falls out and leaves air pockets.

Enter Sari silk

And so the baby idea came to me. What would happen if I blended the rustic gute wool with recycled sari silk? Would the very different fibers complement each other or would they just look odd? If so, would that be a bad thing?

I have blended recycled sari silk with wool before, in my sweater designs Margau beta and Selma Margau (available as a pattern in Spin-Off magazine). The fleeces have been finer and the results scrumptious. I decided to give my baby idea the benefit of the doubt and make a test skein and fulled swatches.

Teasing

So, first of all I teased the wool. I chose to tease with my combing station, where I could at the same time blend the sari silk with the wool. I charge the stationary comb with the (picked) gute staples. For the purpose of teasing I don’t care about the direction of the staples. I also add tufts of sari silk. To keep a reasonably even wool to silk ratio I charge every combload with 8 staple length tufts of sari silk.

As I doff the roving off the stationary comb a lot of the sari silk and the kemp stays in the comb. I try to fiddle the silk out.

I do about four passes in the combing station to get an even roving. There is one tricky thing here, though. As I doff the wool off the combs I get the longer lengths first, then shorter and shorter. Since both the sari silk and the kemp is very short, around one inch, a lot of it stays in the stationary comb. I try to fiddle the sari silk out to the best of my ability. I will try flicking the cut ends of the gute staples before teasing next time to get more kemp out.

You can see how I tease wool, blend it with sari silk and card rolags in this video.

Carding

As I card luscious rolags, the sari silk blends beautifully into the gute wool, like sparkling stars on a foggy night. Unexpected but mesmerizing.

This wool is just dreamy to work with. Very light and airy with a lovely meringue-y resistance to it. The rolags shape themselves like they were born to do just that. If I lean in I hear them singing sweet songs of yummy longdraws. My heart joins in in the chorus.

The longdraws from heaven

Yes, these newborn rolag babies need and deserve a wicked longdraw. As it turns out, the rolags work that out too, I just treadle along and listen to the wool. I allow it to decide how thick it wants to be. It settles for a quite fine thickness that after plying and washing blooms out into a sport weight yarn.

As I look at the newborn yarn I see something unique, a blend that I had never thought of before, but that flirts with me in a new way. I see the differences between the fibers and I tingle at their odd union.

Opposites attract

The kemp and the silk in this blend represent the ends of a number of spectra. While the gute wool is raw (in the sense that it hasn’t been processed) the sari silk has been spun, dyed, woven, ripped and processed again. The colours of the sari silk are vibrant and almost luminescent while the gute wool is softly grey. The kemp doesn’t even take dye. While the sari silk easily blends into the draft the kemp in the gute wool is quirky and goes its own way, often out of the yarn entirely. The kemp leaving air pockets in the yarn, the silk filling them. The silk sari, sheer and draped, the gute wool heavily fulled, dense.

However, as there are numerous ways in which these fibers are different, I can find sweet similarities too. Both sari silk and gute wool have depth in their colours, just on different scales. One on the vibrant side and the other on a subtle grey scale. The fine gute undercoat goes hand in hand with the silk. All the fibers – outercoat, undercoat and silk follow the dance of the twist. Well, not so much the kemp.

Another parameter the sari silk and the kemp have in common is their length. They are both quite short, around an inch long. Due to this similarity in length they stay in the combs when I have pulled the teased fibers out. If I pull out more silk, I get the kemp too. And there they are, side by side, like fiber sisters.

Clown barf?

As I investigate the yarn I wonder if I added too much sari silk. There are quite a lot of colour splashes. Is it too much? I remember a Swedish spinning forum discussion where the word clown barf was mentioned in reference to a very pastelly combed top. Was this approaching a brighter clown barf cousin?

I wrote down the wool to silk ratio and made a mental note about perhaps reducing the amount of sari silk. First I would see what happened in the weaving and fulling.

Sampling and fulling

So, I brought out my pin loom and started making samples to play with. Usually when I experiment with fulling I make two swatches – one that I leave as it is for reference and one that I full. This time I decided to make two fulling samples with different degrees of fulling. This turned out to be an excellent idea.

My theory was that since I believed that silk doesn’t felt the splashes of colour would bulk up and make blobs. This is why I was considering using less sari silk. The clown barfiness calmed down in the woven samples and even more in the fulled swatches. In the heavier fulled swatch the sari silk hardly shows at all. Little enough to leave the sari silk out altogether for that degree of fulling. It turns out that silk does felt.

I do love the lightly fulled swatch, the one I decided to make on a whim. It has a lovely movement that its stiffer cousin doesn’t have. The sari silk glows softly in the comfort of the squishy grey. Side by side with the sari silk is the quirky kemp, eager to see the world.

Under the loupe

Astonished by the fulling results I texted the pictures of the fulled samples to my brilliant friend Cecilia. “What do they look like under the loupe?” she asked in reply. That was the best idea I had heard all week. Of course I need to observe some felting action under a loupe!

So, after some fiddling I managed to get the three swatches under the loupe and some decent photos. As I look at them I see so many interesting things:

  • Silk fibers are really fine! But the gute undercoat is also very fine in this fleece.
  • I can see the light gute fibers, mostly the finer ones but also some with a wider diameter. This seems to confirm my observation of the staples being build up of mostly undercoat fibers and just a few strands of outercoat fibers and that the latter aren’t that coarse.
  • The quirkiness of the kemp (the dark fibers) really shows in the images.
  • There is a thrilling migration going on in the swatches which becomes very clear under the loupe. While the sari silk is superficial and the kemp in the center of the fabric in the original swatch (left), they seem to have traded places in the heavily fulled swatch (right). In both fulled swatches, but especially the heavily fulled, the kemp is on the surface and the sari silk cosily snug in the center. This is visible in the unmagnified photos too – you can see how the sari silk is more diffuse in the fulled samples and the kemp superficial, ready for take-off.

The migration was very fascinating to me and quite the opposite of what I had anticipated before I made the fulled samples. The clown barfiness faded and the marriage between the rough and fine was a success, especially in the lightly fulled sample. The kemp will probably keep migrating out into the world, way outside of the textile.

J’accuse

At the beginning of this week I didn’t know what to write in today’s blog post. I decided to try my gute silk idea to have something to write about. Hadn’t I done that I would never have analyzed it this thoroughly. J’accuse! I totally blame you, my dear readers, for this blog post and its revelations. Thank you! And thank you Cecilia for reminding me to exercise my loupe.

Happy spinning!

You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • You are also welcome to make one-off donations on my Ko-fi page.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the new book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how
  • Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

In the grease

In the PLY magazine Double coated issue Maja Siska wrote an article about spinning a lopi style Icelandic yarn from the lock in the grease. I was intrigued by this and knew I needed to try it myself.

In the article Maja describes how she spins a lopi style yarn from a colour variegated fleece. By spinning from the lock those different colours will come to their right on their own instead of being blended into a medium grayish beige. She also spins the yarn in the grease.

I have read the article numerous times. There were so many things in Maja’s technique that were appealing to me, but most of all the combination. A singles yarn spun from the lock of variegated Icelandic fleece in the grease. What’s not to love?

Close

A lopi style yarn is a singles yarn with little or no twist, usually commercially spun to either be further spun into a plied yarn or used as it is. The yarn still holds together through the combination of long outercoat fibers and fine, warm undercoat fibers. Knitting with a lopi style yarn usually results in a very light but still warm garment. At first I thought a lopi yarn was an ancient tradition in Iceland. It turns out that it is not, it is a product of spinning mills producing yarn for the Icelandic sweaters that originated in the mid 20th century. Thus, the technique in Maja’s article isn’t a traditional way to spin a lopi style yarn. Rather, it is an adaptation to hand spinning from the mill produced pencil roving.

A lopi style yarn. Raw, yet elegant.

Adaptation to hand spinning also offers the opportunity to take advantage of the superpowers of hand spinning. I wanted to stay as close to the original structure of the fleece as possible. A yarn with this very gentle processing and handling gives me goosebumps. I often talk about processing with hand tools as a way to get to know the fleece. When just lightly teasing locks I skip a few steps, but I do get to come close to the wool and its original shape. I wrote a poetic style blog post about this closeness a couple of weeks ago.

Icelandic lamb’s fleece

I have wanted to get acquainted with Icelandic wool for a while now. I had even sought out a fleece supplier. When I read Maja’s article I knew I couldn’t wait anymore. I contacted Hulda at Uppspuni mini mill in Iceland to ask her for a lamb’s fleece.

I was in luck, the lambs were about to be shorn just a week or so later and Hulda promised to pick out a nice fleece for me. Another week or so later the fleece landed on my doorstep, full of icelandic sheepiness. I accidentally asked her to get me part of a darker fleece too. I figured I needed some contrasting colour yarn for a stranded yoke.

Teasing

At first I tried to just hand tease the locks, but despite the lovely openness of the staples I wanted a better separation of the fibers. After some experimenting I landed in lightly opening up of the locks in the direction of the fibers with a flicker and then hand teasing perpendicular to the direction of the fibers. That way I could open the cut end, the tip end and the middle and get the dirt out of the tip ends as well.

I love this opportunity to literally dig my hands into the raw fleece. Nothing has been done with this wool since shearing. By working with this fleece in the grease I have every opportunity in the world to experience it in its very essence, as well as the responsibility to make it justice. Now that’s intriguing!

Spinning from the lock

Spinning from the lock gives me the opportunity to be gentle with the wool and keep the yarn as close to the structure of the fleece on the hoof as possible.

Although I have teased the wool and the fibers seem well separated sideways, they are still quite aligned lengthwise. This makes drafting a challenge and I need to really focus on the fibers coming into the draft and the fibers next in line. My fingers need to listen to the wool to find the length of the fibers and thereby the proper distance between my hands.

Since the fibers are less separated than in a carded or combed preparation I need to work more with my hands to get the fibers reasonably evenly into the twist. I need to make sure an even amount of fiber is going into the twist while at the same time keeping the twist live and close to the point of twist engagement – that point where there is enough twist for the fibers to be able to pass each other without coming apart.

Wheel or spindle?

As you can see from some of the picture I started out spinning this yarn with a suspended spindle. In my vision to handle this yarn as gently and with as few tools as possible I figured a spindle would be the perfect spinning tool. I tried several different weights, but I never seemed to get it right. The yarn got too thin and I didn’t feel that flow that tells me everything is just right. I decided to try the spinning wheel and immediately felt at home. I think the wheel allowed me to work better with both my hands in the drafting.

In the grease

As you can see from some of the pictures I’m spinning by the fireplace. Apart from it being lovely with the warmth and the glowing embers, the heat melts the lanolin, resulting in a heavenly draft. The fibers go through my hands like butter and leave them soft and moisturized in the dry Swedish winter.

I very rarely spin wool with no lanolin, usually I have some lanolin left from gentle washing without detergents. The lanolin lubricates the draft and makes it even and steady. Spinning in the grease, though, is a whole different matter. The lanolin feels truly present in the spinning, like one of the main characters in the spinning drama.

Going backwards

Despite the smooth drafting with the lanolin all soft from the heat of the fireplace, spinning from the lock requires a bit more effort than spinning a prepared rolag or top. Drafting takes longer which results in quite a lot of twist. I tread faster and use my largest whorl (with a ratio of 7.5:1), but still there is far too much twist for my purpose with this yarn. My solution for this is to simply back the yarn once. I spin the bobbin again, but against the twist, removing enough twist to end up with a twist angle of around 20°.

The yarn fluffs up and looks truly inviting as a singles yarn, displaying its whole colour palette, lanolin glistening like tiny stars.

Washing and shocking

To wash my lopi style yarn spun in the grease I do what I normally do with a finished skein: I wash with an organic shampoo in the first water (as hot as my tap can muster, around 55°C), white vinegar in the second and rinse with a third.

Finished skeins of singles lopi style yarn in a lopi style. The skeins are unwashed.

Since the yarn is single there is some energy in it, even if the twist is low. Also, a singles yarn may not be as sturdy as a plied one. So, to ease the energy and to bring some strength to the yarn I full it lightly after the third bath: I dip the yarn in cold water. The temperature difference is enough to push the scales into holding on to each other and stabilize the yarn slightly. After fulling I squeeze the skeins in a towel, whack them against the floor and hang to dry.

I’m very happy with the resulting skeins. They are not completely evenly spun, but as a whole they will produce an even knitted structure. I’m looking forward to seeing the colour variations and the texture in the knitted fabric. I just haven’t had the time to swatch yet.

Thank you Maja for an excellent article. Thank you Hulda for the loveliest fleece.

If you are a patron (or decide to become one) there is a digital postcard video I put together for you where I show you how I prepare and spin this wool into a lopi style yarn like I describe in this post.

Happy spinning!

You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • You are also welcome to make one-off donations on my Ko-fi page.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the new book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

Spinning championships 2021

It’s that time of the year again – the Swedish spinning championships. If I remember correctly I have participated in the championships since 2015. I don’t want to miss this opportunity to spin from wool and instructions that I haven’t chosen myself and learn from the experience.

Last year I won the gold medal for my embroidery yarn. This year I didn’t get any medals, but I would still like to share my yarns and techniques with you.

Championship format

In the spinning championships all spinners get the same fiber and the same rules. The spinners get around one month to spin their yarn and submit it. A jury confers and the medalists are revealed a few weeks later. Usually the prize ceremony takes place on the fleece and spinning championships in different locations every year, but this year and 2020 they were both digital.

There were two competitions this year: Värmland wool and flax.

Värmland wool

The assignment for the Värmland wool was to spin a yarn for knitting, 2-ply or more. We got raw Värmland lamb’s wool in two shades.

Colour separation

Since we got two different colours of the Värmland fleece I figured they would want me to do something with the colours. But two seemed too few, so I decided to make three shades out of the two colours. Using combs I teased each colour separately. I blended a third batch of half dark and half light wool into a shade between the two browns. After that I hand carded each colour separately into rolags.

As I went through the wool I realized that the two colours had different qualities. The darker brown was silky soft and the lighter a bit coarser. I should have listened to this and blended the colours for an even quality. But I was so hung up on the colours so I kept going with the separation.

The wool was a bit difficult to work with. There were lots of very short sections, and the combination with basically no crimp made the fibers quite slippery and reluctant to conform in the twist. This was especially true for the light brown staples with coarser fibers.

Also I realized that I may have used the wrong hand cards ( 72 tpi) but with the very fine fibers I probably should have chosen my finer cards (108 tpi) for a more even fiber distribution in the rolags.

I divided the colours into two piles for two singles with the same amount of the three shades. Somehow I hoped that I would be able to card and spin consistently enough to make the singles equal in length and sections. It didn’t really work out the way I had planned, but still looked good.

Consecutive spinning

I spin a lot on my floor supported Navajo style spindles. I choose them when I want to spin woolen yarn on the bulkier side, but also for finer yarns. You gotta love those arm’s length longdraws.

With this project I wanted to practice in something of a consecutive spinning. I don’t know if this is the correct term, though (please let me know if you have the correct term for this technique). I’m referring to a technique where you spin one spindleful of yarn into a roving or sliver with a very light twist. Then you slide the cop off the shaft and spin the yarn again. A bit more, but still not finished. You keep going until you are happy, 3–4 times is not unusual.

As I understand it, many Navajo spinners often use this technique when they spin yarn for Navajo rugs. The technique facilitates an even yarn and goes a bit faster than a double drafting technique.

First round

For this yarn I chose to spin in three rounds. In the first round I just made a long roving with a very light twist, just enough to keep the fiber together. I made sure I was at a point where the fibers could slide past each other without coming apart. This is the point I call the point of twist engagement. This is where I feel the spinning most alive, where I, with just a very light roll with my thumb, can manipulate the twist so that the fibers work with me towards an effortless draft.

Second round

The second round I drafted some more and added some more twist, but still close enough the point of twist engagement to bring me the freedom to work more with my yarn in a third round.

Third round

For the third and final round I drafted a little more and added the final twist before I 2-plied the two singles on my spinning wheel.

The third round became my final round, where I drafted a little more and added the final twist. As it turned out, I had added too much twist in the second round, making drafting in this third round somewhat of a challenge. But, that’s what I like about these championships – I learn a lot along the way.

A soaked and finished Värmland 2-ply yarn spun in rounds on a floor supported spindle and 2-plied on a spinning wheel.

Final touch

I have no problem plying on spindles, but I know I can achieve a consistent plying twist on the spinning wheel. Since I didn’t want to jeopardize things I plied the spindle spun singles on my spinning wheel.

I was very happy with having tried new techniques and having learned so much from this project. I wasn’t very happy with the yarn, though. But one nice thing with the Spinning championships is that every contestant gets access to the jury’s assessment and learn what they can develop their skills. I’m looking forward to reading it when it comes.

Flax

For the other competition we got industrially prepared line flax. I bought the same brand of line flax a few years ago and I had worked with it all summer, so I knew its challenges. The assignment was to spin a yarn with two or more plies. The purpose with the yarn was knitting. I was very startled by this since all literature on flax preparation and spinning is aimed at weaving yarns. I literally had no clue to how I could adapt my spinning to a knitting yarn.

As I prepared for this post I realized that I hadn’t taken any photos of the flax preparation steps. Therefore most of the photos are from a different flax spinning project. So the fiber is different but the techniques the same.

Rehackling, brushing and dressing

The flax was very dense. Therefore I rehackled it with two different hackles. I knew from before that this flax had lots of different lengths, so I also knew that a lot of shorter fibers would be removed in the rehackling.

After that I brushed it with my lovely flax brush to bring it some extra shine and to remove the last short bits. I lost almost 50 percent of the weight in these steps, but ended up with the longest fibers in my preparation. And I saved the removed fibers for a later tow yarn.

Dressing the distaff

I dressed the distaff the only way I know how to – in a fan shape. This takes a lot of time, but I imagine all ways of distaff dressing take time. The fibers need to be well separated and easily catch on to each other in a consistent way. You can see how I create my fan and dress my distaff in this video.

I used the fan technique to arrange the flax before dressing the distaff (image from a different flax project)

Spinning and skeining

I wet spun the yarn (counter-clockwise) to make it strong and shiny. I tried to give it a little less twist than I would for a weaving yarn. This was the only thing I could think of to adapt the yarn for knitting.

I wet spun the flax counter-clockwise on my spinning wheel (image from a different flax project).

I used my niddy-noddy to wind a skein after having plied my yarn. The yarn went through a bowl of water to avoid fraying, and then through a niks. A niks is an Estonian tool for tensioning the yarn when skeining, but without breaking skin. I made mine from a willow stick. You can see a lovely video about the niks here.

Scouring

This summer has been my summer of flax spinning (more on that in an upcoming post). I think I have spun around 500 grams of flax yarn. But I haven’t dared to scour it. To be able to submit my championships yarn I would have to, though.

I read a couple of flax books, but most of them had scouring methods that involved a whole home chemistry lab or ingredients that aren’t readily available. So I asked around online and finally bought soda ash. It seemed like a chemistry lab on its own, but I managed to use it without any injuries. I boiled the skein in two one hour baths with soda ash and soap and they turned out light and soft.

My finished contribution to the 2021 Swedish spinning championships.

I’m very happy with my flax yarn and especially about all that I have learned from spinning it. I will continue my flax journey next summer. Perhaps I will even dare to spin my homegrown flax too.

Happy spinning!


You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • You are also welcome to make one-off donations on my Ko-fi page.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the new book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

Vegetable matter

A while ago I bought a fleece online. It was just one of those spur of the moment purchases, when fleece just happens. It was a beautiful gute fleece with silky soft undercoat, long and fine outercoat and quirky kemp. However, as the fleece landed on my doorstep it turned out to be full of vegetable matter.

I had very mixed feelings about this fleece. On the one hand, an unusually soft gute fleece. On the other hand, all the vegetable matter, all over the fleece. My solution was to fall for the fleece, learn from the vegetable matter and share my thoughts and techniques with you.

A villhöver kind of fleece

Gute wool is typically medium to coarse and can be rough (which is not necessarily bad). The undercoat is usually fine or very fine, but in combination with coarser outercoat and the quirky kemp the feeling on the whole is usually rough.

This fleece on the other hand has the softest undercoat in a very airy distribution. The outercoat fibers are long and fine. The kemp, that helps keeping the fleece open, airy and thereby warm, is present over the whole fleece but is also finer than usual in my experience. This very fine undercoat in combination with kemp is very interesting (and rare) and I wonder what she wants to become. The fleece is quite homogenous (also unusual for a gute fleece) with staples of mainly airy undercoat and few strands of outercoat. I would call this vadmal type staples, also quite rare, especially like this over the whole fleece.

The combination of the airy distribution of the undercoat and low amount of outercoat fibers sometimes make the tips hard to find. In parts of the fleece I have to investigate the whole wool mass thoroughly to find the tip ends.

The fleece with all its unusual characteristics presented a severe case of villhöver. This is a fairly new Swedish portmanteau word (like smog, Brexit and Oxbridge) constructed of the stems vill (want) and behöver (need). Something I want so much that I convince myself that I really, really need it. Or, something that I don’t necessarily need but secretly covet. Like, say, a very inviting gute fleece.

Vegetable matter

The fleece presents no poo, very few felted parts and seems to have been professionally shorn – it has very few second cuts. However rare and intriguing this fleece is, it is still full of vegetable matter. Hey, straw, seeds and an occasional piece of moss. Some parts bad, some parts moderate, but still all over the fleece. I do smile at an occasional piece of the environment the sheep has lived in. It gives me a better connection to its daily life. But definitely not in these amounts.

Vegetable matter all over the fleece.

The curiosity of this fleece did however take over and I decided to see this experience as an opportunity to learn and share my insights with you. Also, the openness of the fleece (thank you kemp!) made me believe that the vegetable matter would fall out quite easily after some work and persuasion. A more compact wool like Swedish Gotland wool would probably take a lot more work to clean from vegetable matter.

I did let the seller know about the high amount of vegetable matter. She offered me a refund. I declined, because that was not what I was after, I just wanted her to know that I would have wanted this information in the ad before I bought the fleece. I also wanted her to let the sheep owner know that a crafter doesn’t want vegetable matter in the fleece and why. Rather than getting a refund for my purchase I want the sheep owner to keep providing this quality of fleece but with better knowledge about how to avoid vegetable matter.

Processing

I realized that I could remove a lot of the vegetable matter through several steps of the processing – washing, drying, shaking, picking and one or more of willowing, teasing and carding. Even spinning can spurt out small seeds. The question was if I could remove enough of the vegetable matter, how much more time it would take and how it would interfere with my flow. Most of the steps I present below for removing vegetable matter are steps I take through all my fleeces anyway before I spin them. I just need to dedicate more time and focus in each step.

Sorting

The first thing to do is to go through the fleece before washing. In this stage I can remove visible vegetable matter, felted parts, poo and second cuts. With this fleece I didn’t do any of this, since I poured the fleece right out of the package into the wash tub.

Washing and drying

It was when I pressed the bundle of fleece into my wash tub that I realized it was full of vegetable matter. As I soaked and changed waters I removed what I could see and fiddle out of the wet mass. I dried the fleece on a compost grid on top of egg cartons. As the fleece dried some smaller pieces fell down to the floor underneath the grid.

Letting the fleece dry on a compost grid on top of egg cartons allows it to dry faster and let go of shallow pieces of vegetable matter.
Letting the fleece dry on a compost grid on top of egg cartons allows it to dry faster and let go of shallow pieces of vegetable matter.

Shaking

When a fleece dries I shake it and move it around to allow air in. It also lets vegetable matter fall out of it. As I have gone through the other steps of the processing I have also shaken the fleece in smaller portions to allow it to let go of bits and pieces.

Willowing

I realize that willowing would be a perfect method to remove vegetable matter from a fleece like this. Willowing means whipping the fleece with flexible sticks (willow or hazel for example). It will open up the locks and allow vegetable matter to fall out. Since it is November and not very willowing friendly temperatures outdoors I haven’t done that. Yet, I might do it in the spring, though. You can read more about willowing and watch one of my most popular videos here.

Josefin Waltin sitting with a pile of wool. Locks are flying in the air around her.
Willowing is an efficient way to open up the locks and remove vegetable matter.

Picking

Picking a fleece is a great way to get a first feeling of what the fleece is like and how it behaves. You see how the staples are built up, how the fibers relate to one another and the condition of the fleece. I simply work staple by staple through the whole fleece, picking them by the tip end one by one from the mass of staples. In this process the staples open up and allow for vegetable matter to fall out.

Picking a fleece is a lovely way to get to know a fleece while at the same time letting air in and vegetable matter out.

I used to pick the fleece (usually before washing), but somewhere along the way I have omitted this step of the process. On my latest fleece though, I did pick the fleece to sort it into different staple types and I realized the potential of this step, both to learn more about the fleece and to enjoy it more. Sitting on the floor and methodically and mindfully picking one staple at a time is time well spent with your fleece. I’m definitely picking up picking again!

Teasing

I always tease my wool one way or another before carding it. Carding for me is to arrange the fibers in a certain way. To do this efficiently and gently the staples need to be opened up before I place them on the cards.

I tease by hand if I don’t have any teasing tools available or if I want to stay really close to the wool and get to know it better.

For efficient teasing before carding I use combs. I can load quite large amounts of staples on the combs, especially if I use my larger combs with a combing station. Here is a post and a video where I show you how I tease wool with combs before carding.

I also use a flicker to tease. A flicker is a smaller card, sometimes used to clean drum carders. I open up staple by staple, one end at a time. Sometimes I use the flicker for very fine fleeces where there is a risk of breaking the tip ends. I prefer the tips breaking (and staying) in the flicker rather than having them turn into nepps in the carding. I have also found the flicker to be a good choice if I want to remove some of the kemp at the cut end.

With the gute fleece I tried teasing with both the flicker and the combs. They both do a good job of removing both vegetable matter and kemp. Since the combs are more efficient I think I will use my maxi combs with a combing station to tease the rest of this fleece.

Teasing gute wool with mini combs.

When I comb wool to make a combed top the teasing is integrated in the combing (unless the staples are really reluctant to opening, then I may tease them with a flicker before combing).

Preparing

Carding the wool allows even more air in between the fibers, and thereby more vegetable matter out. As I inspect the rolags I still see some small pieces of vegetable matter, though.

As I card this magnificent gute wool I truly enjoy the airy and bouncy response I get from it between the cards. Again, every step of the processing allows me to learn more about how the wool behaves and how it wants to be spun.

Spinning

So, now to the final step and possibly an answer to my questions: Have I managed to remove enough of the vegetable matter to produce a decent yarn? Have I experienced the flow and relaxation through the process like I usually do? In short: Was it worth it?

As I spin the yarn small pieces of vegetable matter spurt out from between the fibers. The wool has opened up enough to just gently hold on to the debris, in contrast to how they were entangled in the raw fleece. Every now and then I need to stop the wheel to manually remove little bits and pieces. I did this test from one of the worst parts of the fleece and hopefully other parts will flow easier.

A small skein of yarn from the gute fleece I have washed, dried, shaken, picked, teased, carded and spun and thereby removed a lot of the vegetable matter.
A small skein of yarn from the gute fleece I have washed, dried, shaken, picked, teased, carded and spun and thereby removed a lot of the vegetable matter.

So far I have only teased, carded and spun a small sample of this fleece to investigate what I’m up against. I still haven’t finished picking the fleece, I’m doing it little by little. When I have finished picking the whole fleece I will store it and put it in the fleece queue. If it is warm outside when it’s the gute fleece’s turn in the queue I might willow it before I start teasing and going through the rest of the process with the whole fleece.

Even though each step has taken a bit longer than usual and even though I may experience interruptions in my spinning flow to remove debris I think it will be worth it. This is such an incredible fleece.

As they say, I think this is the beginning of a beautiful friendship.

Happy spinning!


You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • You are also welcome to make one-off donations on my Ko-fi page.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the new book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

Fleece happens

Sometimes fleece happens. Sometimes I buy more than I can handle. Here is how I handle my unhandleable amounts of fleece, through note taking, sorting, washing, drying, picking and storing.

The most important fleece buying period for me is the late autumn. This is usually when the best fleece is shorn in Sweden.

Autumn shearing

The first shearing of the year is usually in late winter when the lanolin content is higher, the sheep are in the stable and the lambs take a lot if the energy from the ewes.

Newly shorn autumn fleece from a Swedish Gestrike sheep.
Newly shorn autumn fleece from a Swedish Gestrike sheep.

Come October the sheep have grazed on fresh pastures all summer and without lambs in their wombs. The wool shorn this time of year has usually grown since just before lambing and the tired, greasy and vm-y fleece is all gone. Read more about shearing in this blog post.

Fleece championships

The autumn is also when the Swedish fleece championships happen. After the medalist have been revealed most of the fleeces are sold on an auction. This is an event that I won’t miss – the best of the best in one place.

A white fleece with fine, crimpy staples.
Fleece happened. Nypon (Rose hip), a silver medal winning finull fleece.

For a few tips on finding a fleece, check out this blog post, Finding a fleece.

Fleece happens

So autumn with the general autumn shearing and the fleece championships is the a time when I buy lots of fleeces. I tell myself that it’s my only chance this year and I tend to buy just a few more than I have time and space for. I still end up buying in the spring. As it turns out, fleece happens in the spring too.

Sometime too much fleece happens. The oldest fleeces get brittle and and the fibers break. They end up as mulching in the garden. A terrible waste spinwise. Therefore I need to think twice when I buy a new fleece, store them wisely and plan the order in which I spin them.

I also need a way to organize them while at the same time sharing the house with the rest of my family. I need to take note of the fleece, weigh, wash, dry and store the fleece. If I have the time I also sort it before storing.

Notes

I use the stash tab in Ravelry to make notes about my fleeces. Parameters I note are:

  • Weight: I weigh the fleece when I get it, so that I know the original raw fleece weight. That way I can see how much dirt and lanolin is in the fleece. I also calculate the yield from raw fleece to finished yarn. Nerdy? Yes. But it’s also a way to estimate how much raw fleece I will need for a project I have in my mind.
  • Shearing date: I want to know what season the sheep was shorn (see above about autumn and spring shearing), but also the year. That way I can keep a fleece queue where I spin the oldest fleece first. Sometimes I keep the queue order. My goal is to not keep fleece for longer than a year. Sometimes it works.
  • Sheep owner: As far as possible I want to know who the sheep owner is. I keep a record of sheep owners I like and have contact with. They are usually very friendly and I can ask them questions about the sheep.
  • Breed: I take notes of the breed or cross.
  • Fun facts: Occasionally I know more about a sheep, especially if I have an ongoing contact with the sheep owner. It can be little things like the name of the sheep, age, what the pastures are like or a picture of the sheep. The more information I get the closer I feel to the sheep. And the closer I feel to the sheep the more I feel gratitude and a responsibility towards it to make the best of its gift to me.
  • Plans: Sometimes I have a plan for a fleece before I buy it and sometimes I get an idea when I work with it. Either way I make notes of ideas for the whole or parts of the fleece.

Sorting

If I have time I spread the fleece on the floor or the ground. If it’s shorn in one piece I try to arrange it in its entirety to see what type of wool has grown where. I make a rough sorting of the fleece. I remove visible bits of vegetable matter, felted parts and second cuts. If I see portions of different colour, quality or staple type I sort these roughly.

Washing

I don’t want raw fleece in the house together with washed fleece longer than necessary, so washing is my first priority when I get a new fleece. For the short time I have a raw fleece in the house I keep it away from my washed fleece.

A fleece soaking in dirty water.
It is hard to imagine that this brew cleans the fleece, but it actually does!

In the summer I soak the fleece outdoors in cold water only. If I have several fleeces to wash I use the fermented suint method. During the winter I soak the fleece indoors in warm water for 15 minutes. You can read more about all these methods in this blog post.

After the soaking (any of the methods I mention above) and usually three rinsing waters I give it a ride in the spin cycle. When spin cycling the drum moves while the goods stay still on the moving walls of the drum, so it doesn’t felt. This works in our washing machine, but do make a test in yours if you want to try it.

Drying

I dry outdoors in the summer, we have lots of space to do that. In the winter it’s a bit trickier (again, I share the house with the rest of the family). I have some mushroom containers from the grocery store that I place underneath the heat pump or close to the fireplace. I only have four of these containers though and it’s not nearly enough for a whole fleece.

My latest solution for drying fleece indoors: A compost grid on top of egg cartons under a sideboard.

For my most recent fleece I spread the fleece on a compost grid on top of egg cartons under a sideboard in the living room. It’s open and airy and doesn’t take up too much space.

Picking

If I have the time I also pick and fine sort the fleece after it has dried or just before I start working with it. I simply pull the tip end staple by staple from the section of wool.

If I have time I pick the fleece before storing it.
If I have time I pick the fleece before storing it.

There are several benefits with picking a fleece:

  • Air comes into the fleece and it gets easier to handle.
  • Vegetable matter comes out of the fleece.
  • I can make a more thorough sorting and methodically remove felted bits, second cuts and portions with too much vegetable matter.
  • By going through the fleece staple by staple I get a better understanding of its condition and possibilities. Perhaps I see different colours, qualities or staple types that I want to sort by to make different preparations. If I sort for different parameters I roll each pile in newspaper, label them and place the rolls in a labeled paper bag.

Storing

There are lots of great tips for storing and I’m sure you have read about many of them. But the best solution is the one that is possible in your home. We don’t have many options. I keep the fleece in labeled paper bags in the storage of our sofa bed. It’s not optimal, but it works. I could say that the limited space I have in the sofa bed prevents me from buying too many fleeces, but that just isn’t true. I keep emergency fleeces in other places in the house too.

The first time fleece happened was with Pia-Lotta the finull sheep. Stored in a paper bag.

Fleece will happen again. The 2021 Swedish fleece championships have taken place and I’m eagerly waiting for the auction. I have allowed myself to buy two fleeces from the championships auction. I also have my tentacles out for a rare breed that might come my way.

Happy spinning!


You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • You are also welcome to make one-off donations on my Ko-fi page.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the new book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.