Credibility

Yummy yarn in backlight

It is easy to write stuff online and make it look good. You just write, press enter and it’s there for anyone to read. It is like we think that the publishing in itself gives the content credibility. But that is not how things work and I work very hard to be credible in what I publish.

In this post I reflect over credibility and my responsibility as a blogger and spinner.

Responsibility

Publishing with just the press of a button is a freedom that wasn’t available two decades ago. With that freedom comes responsibility, as a reader and as a writer. I talk to my children about this all the time. Where did you get this information? Is it credible? What do other sources say?

Responsible blogging

As a blogger with lots of followers (yay!) I have a big responsibility when I create my content. Even more so now that I have a business and an online school. I need to have my facts ready. If I don’t, I need to say so and back it up with any other evidence I can find, argue for my case and make the process transparent for my readers.

Mostly I end up showing you all the steps of the process. That is, my process. I can only vouch for how I do things – I am very good at showing you successful projects, all edited and polished. I will step outside of my comfort zone and show you some not so successful projects as well, I promise.

Transparency

Feeling a responsibility to share my process has helped me a great deal in my development as a spinner and teacher. Not only do I learn by crafting my thoughts in writing, I also learn by testing, sampling and swatching in a way I definitely din’t before. The simple reason is that I didn’t use to test, sample and swatch. I went through the whole process, but didn’t really reflect over why I did things and why I chose one way over the other.

Handspun yarn, Gotland wool
HA sweet ball of handspun yarn from Swedish Gotland wool

It is only for the past six months that I have truly investigated the wool’s properties and abilities in search for the superpowers of a fleece and take advantage of them. At first, to be really thorough and present all my choices along the way. But now I can’t un-know the benefits of testing, sampling and swatching and I do it by default. And it is a beautiful thing.

A learning adventure

I learn so much from these adventures of investigation! By reflecting and analyzing I get to know the wool and its properties even more. The connection between the parts of the process becomes so much clearer. I learn when things don’t work the way I had planned and I learn to be more creative in my search for the best way to spin a fleece.

In everything I do related to spinning, I think about how and why. And the blog is always present – I think about how I can make high quality content for you out of what I learn when I spin.

I thank you for that. If I hadn’t felt the responsibility to be transparent in my process I wouldn’t have learned all this. And I hope you learn as much as I do.


There are a lot of spinning things going on at the moment outside of the blog and I will try to keep a low profile here in the upcoming weeks. But you will definitely see more of me! Thank you for all the support, questions, inspiration and spinning love.

Happy spinning!

Josefin Waltin
Me, thinking about spinning. Photo by Dan Waltin.

You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!


To do-list

Trying to sort out thoughts, ideas, musts, need tos and want tos.

There is a lot going on now. I need to make a to do-list and try to sort out my thoughts, ideas, musts and want tos.

Trying to sort out thoughts, ideas, musts, need tos and want tos.
Trying to sort out thoughts, ideas, musts, need tos and want tos.

Design from fleece to garment blog series

There was a lot of attention on my latest post on calculations. So many people seem to have heard that question before, “will you knit me a sweater? I’ll pay for the material cost.” Apparently, it is an important discussion – about the value of women’s work, the appreciation and recognition of hand crafted items and the history of textile production. The post has been shared over a thousand times and it has been read by ever 3500 people in all continents in just a few days. That is amazing and totally overwhelming.

 The response from followers to the Design from fleece to garment blog series was overwhelming
The response from followers to the Design from fleece to garment blog series was overwhelming

Overwhelmed

That’s how I feel right now, overwhelmed. I am thrilled that so many people read the post. I am so happy that so many people recognized the frustration of investing so much time and love into a craft that few people understand the skills behind. But I’m also exhausted by the attention. Overwhelming does that to a highly sensitive person.

A lot of people liked the sweater too (and the whole blog series). And world of wool linked to the sweater in their newsletter, fancy that! Many people asked for a pattern for the sweater and I will make one. Soon. When I have had some time to breathe.

Online courses

Over 200 people have taken the free course in How to pick a supported spindle and bowl! I have got so many lovely reviews. People really like the structure of the course. The most interesting concept in the course has been the shape of the upper spinning tip and its impact of ergonomics.

I should launch my new course soon. Just need to check a few technical stuff first. I wonder if anyone would come if I did a live webinar. I should ask my followers. Hosting a live webinar would most definitely be really scary, but I think it will be good for me. Not everything can be edited and well polished.

Thoughts about the upcoming online course launch and future online course topics
Thoughts about the upcoming online course launch and future online course topics

Oh, and I need to ask the students of the free course to check their spam filters. Perhaps my emails have got caught there.

I wonder what course I will make next. Perhaps my followers have suggestions and requests? Navajo spindle spinning, supported spindle spinning, consistency, fiber preparation? Yeah, that would be the best thing, to ask them. After all, it is for my followers I make the courses, they should know what courses they want. Perhaps they want the opportunity to get a private video coaching session? That would be so cool!

Secret articles

It feels good that secret article 1 is finished. It will be published soon, that’s so cool! Gotta get to work on secret article 2 too, and especially secret pattern x, that will be a challenge. I need to plan the photo shoots too. I’ll put the pattern, the article and the photo shoots on top of the to do-list. Secret pattern y can wait a while. I don’t think it will be a very complicated one to write, though.

Lots of secret stuff going on!
Lots of secret stuff going on!

Planning the video season

Video shooting season starts soon. Well, depending on when spring will really come. We’re still in mid-winter. But I do have some material from last summer that I haven’t released. I should edit them before I start shooting new videos. And there is that secret video project coming up in May, together with my spinning friends A and M. That will be a lot of fun!

Planning the video season
Planning the video season

Courses in spring and summer

I have two in-person courses to plan too. The supported spindle course series in Stockholm in March and the five-day course at Sätergläntan in July! I like the concept – a spindle a day. Just got to figure out how to bring all the different spindle types for all the students on the train.

Planning the spring and summer spinning courses
Planning the spring and summer spinning courses

I really need to spin. Need as in my mind needs the serenity and time to recharge. And to get in a mode of creative thinking. Yeah, that’s what I’ll do right now, by the fireplace.

Do I have to go to work on Monday? If it is too slippery to take the bike I can knit on the metro! And knitting at coffee breaks is always a conversation starter.

Knitting for a secret pattern
Knitting for secret pattern y

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!

Consistency

I wanted to spin a yarn that was evenly spun and learn more about consistency. I wanted to let the yarn shine both up close and as a whole in a garment. To be able to do that I needed to be really thorough and take notes of every step I took on the way from fleece to the finished yarn.

This is the second post in a blog series. The first post was about how to find the superpowers of a fleece. In the remaining posts I take you through designing and knitting a garment and some calculations. Through the blog series I will use the wool from one sheep as a case study.

Consistency from fleece to yarn

To spin a consistent yarn you need to be consistent in every step of the process. With an unevenly spun yarn it will be a challenge to get consistency in the plying. If the wool isn’t evenly carded or combed, it is difficult to spin an even yarn. Wool that isn’t properly blended or sorted, will result in uneven wool preparation. There are many opportunities through the process to control your consistency and even more opportunities to learn.

It may seem daunting to go through a gazillion of steps to get a consistent yarn. But fear not. To start with, a consistent yarn isn’t at all necessary. I love the feeling of a handspun yarn that is not consistent. It can make it more alive. But sometimes consistency can give a yarn that extra shine that it deserves.

In this post I will tell you about different steps you can take towards consistency and about what I did in my case study. Pick the steps you like, play, experiment and evaluate. Do what works for you. You don’t even need to count or measure that much. Here are three simple steps that can help you a long way:

  • Look at the fiber or yarn and find ways to remember and replicate how you want it
  • Feel the material and let your touch guide you to consistency
  • Take notes and make samples
A sheet of paper with wool, tarn and knitting samples
Planning for consistency

For this particular project, though, I wanted to go all in and learn about consistency and what I can do to come closer to it.

Sorting, blending and teasing

Before I prepare the wool I arrange it in some fashion. I can

  • sort the fleece according to quality, staple length, fiber type or colour
  • blend different qualities to make sure the qualities are evenly spread
  • tease the wool as a preparation for carding.

Blending

In my case study I had two fleeces from the same sheep – the spring shearing and the autumn shearing. The staples from the spring shearing were a bit shorter than the staples from the autumn shearing. I wanted to spin the fleeces together to get both these qualities in my yarn, so I blended them. Had it been summer I would definitely have willowed the fleeces, but instead I just tried to blend them as well as I could in a big basket.

Teasing

After I had blended the wool I teased it. My favourite teasing method is with combs. I used my table mounted combing station and loaded the stationary comb with the blended fiber. I loaded each batch with wool to about a third of the height of the tines and I combed three passes for each batch. That gave me an even teasing throughout the wool.

While doing this, I also added the sari silk I wanted in the yarn as a tweedy effect. For consistency I decided to have a set amount of sari silk tufts with each combed batch. So for every batch of wool I combed I added eight staple length tufts of sari silk. That would give me consistency in the visual appearance of the colored specks. It would also be of importance to the consistency of the yarn quality since the proportions of silk to wool would be consistent.

Carding

For consistency in my carding there are a few tricks to consistency:

  • Make sure you load the card with an equal amount of fiber in each carding batch
  • Keep an eye of how much of the carding pad area that is covered with the fiber
  • Count the strokes and passes to get an even density in each rolag.

In the case study I grabbed a tuft of my teased blend and stroked the width of the card with the tuft until the teeth of the card didn’t catch any more fiber. I kept a one inch passepartout on the sides and upper edge of the carding pad empty to control the width and height of each rolag.

I carded six strokes before transferring the wool to the other card and three passes. This together with the technique to load the cards gave me rolags of the same density and weight.

I spun 12 skeins of 3-ply yarn. I made sure that I had 20 g of rolags for each single. Because I had been so consistent in my carding I ended up with 16 rolags for every single. 16 rolags per single in 12 3-ply skeins of yarn makes 576 rolags of around 1,25 gram each, all in the same shape, size and density. That gave me lots of practice in carding and consistency.

Carded rolags
Consistency in preparing the wool.

Spinning

There are several ways to control consistency when spinning. Apart from adjusting tension and ratio you can

  • keep an even treadling
  • count the treadles for each draft
  • keep an even amount of fiber to each draft
  • stop your drafting hand at the same distance from the orifice for each draft
  • keep an even distance between your front (yarn) and back (fiber) hands.
  • take notes of the twist angle and twists per inch
  • make samples and compare your current spin to the main sample
Skeins of dark grey yarn
Consistent yarn

Another way to get a consistent yarn is to leave some lanolin in the fleece. The lanolin helps me get a smooth draft. Usually I don’t use any detergent at all when I wash my wool (most Swedish sheep breeds are quite low in lanolin), so there is alway enough lanolin left after washing to give me that smooth draft.

I used several of these points in my case study. I spun the yarn with English long draw, which is an excellent opportunity to practice spinning with consistency. For building up twist I kept a set treadle count (4) and for making the draw and adding twist another set treadle count (10).

By keeping an eye on my posture while spinning and keeping my arms close to my body I made sure my hands were at the same distance from each other and from the orifice. I tried to keep my fiber arm elbow close to my body and move my fiber arm outwards to a comfortable angle from my body to control the length of each draw. I also tried to feed an equal amount from the rolag in each draw. This was more of a feeling in my hand than any calculations.

The fact that my yarn was 3-plied also added to the consistency. With three separate singles the chances for a consistent yarn is better than for a 2-plied or chain-plied yarn.

Yarn rolled onto a piece of cardboard
A consistent yarn doesn’t spin itself. It takes testing, counting and documenting.

When I started spinning this yarn I experimented my way to the yarn quality I wanted – thickness, twists per inch, drafting method etc. I saved the sample that I had decided would be my guide. All through the spinning I measured my spinning to this main sample to make sure I was on the right track.

Plying

At this late stage in the process from fleece to yarn, the measures I took in the beginning towards consistency are really paying off. I have three singles that are consistent in thickness, density and twist angle. But there are still some things I can do to add consistency to my yarn. I can

  • keep an even tension between the singles when I ply
  • keep a set treadle count for each feed into the orifice
  • feed an equal length of yarn into the orifice every time
  • Stop every now and then to check the twist angle and balance

This is what I did for this spinning project and it is what I generally do when I ply. I also make sure I move the yarn between the flyer hooks so that I feed an equal amount of plied yarn to every hook.

Some people don’t ply until all the singles are spun and make sure to ply the first singles together with the last singles. It is easy to gradually change the quality of the singles if you spin over a longer period of time. By mixing the singles from the earliest and the latest stages of the spinning, you avoid ending up with different gauged skeins. I have not tried this method yet, mainly because I’m too lazy to transfer all the singles to toilet rolls.

Record keeping

I did end up with a consistent yarn and all the methods I used in aiming for consistency really paid off. I did a lot of experimentation to see which steps I was comfortable doing and that I thought I could keep up with for the whole project.

Ravelry

Ravelry is a very powerful tool where you have the opportunity to keep track of your fiber stash and handspun yarn. I use the different features in my personal Ravelry fiber stash and handspun pages. As the proud geek I am, I record every fleece (and occasional industrially processed fiber) I have and every yarn I spin. I won’t go through every feature you can keep track of, but there are a lot. If you are on Ravelry you can check out my notes for this yarn here.

One of the features I use on Ravelry is the grist calculation – how much meterage or yardage you get per pound or kilo. I usually calculate the grist for every skein to keep record of the spectrum of grists for the skeins in one yarn. Out of the 12 skeins I spun in my case study, one had a grist of 1948 m/kg and two between 1650 m/kg and 1690 m/kg. The other nine skeins ended up with a grist between 1726 m/kg and 1900 m/kg. For me, that is quite consistent.

The satisfaction of a finished yarn

Sample cards

Even if Ravelry is a very powerful tool, you can only get so far with digital record keeping and pictures. For this project I combined these notes with samples of fiber, singles, plied yarn and knitted swatches. And it is so nice to arrange all the samples on a fancy paper. You have everything gathered in one place and you can make notes of calculations, methods, tools and a general feeling of the yarn – nice and orderly and good.

A sheet of paper with wool, yarn and knitting samples
Record keeping – nice and orderly and good.

Spinning for consistency felt very rewarding and I did learn a lot. One of the most important things I learned was that consistency starts already at the fleece – spinning a consistent yarn requires focus on more parts of the process than just the spinning itself. Also, I learned that spinning a consistent yarn takes time and effort, but also that the energy is very well spent. I love how my yarn looks in the individual strands and as a whole.

Even if I won’t strive for consistency in every yarn I spin, there are many techniques from this project that I will incorporate in my coming spinning project. Just the awareness of what a technique or a measure taken will do for my spinning makes me better equipped for planning and implementing a project.

Happy spinning!

This is, indeed, happy spinning!

Don’t forget about the spindle case giveaway! It is open until next Saturday, January 26th at 10 a.m. CET (world clock here)


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!

Spindle case giveaway!

In September I made a spindle case from needle punch felt I had left from my shopping trolley makeover. I really liked the design and decided to make some more. Now you have the opportunity to win one of three handmade spindle cases in a spindle case giveaway!

A wool tube
Spindle case giveaway! Photo by Dan Waltin.

All you have to do is fill out the form and you are in the giveaway. If you have a spindling friend, make sure to share this post with them!

Entry has closed.

Important: When you submit the form you will be asked to confirm your subscription (check your spam filter if you don’t get the confirmation email). Do that, otherwise I won’t be able to contact you if you win. One entry per person.

The giveaway closes at January 26th at 10 am CET (world clock here). Winners are announced as soon as possible after that.

Craft and design by me

Design

I wanted to make a case that would protect my spindles. When I saw the needle punch felt I realized that the material would be a very good candidate for spindle protection. It is made with wool from Swedish sheep, probably mostly Gotland.

Close-up of a woolen tube with a woven logo label.
Design by Josefin Waltin. Photo by Dan Waltin.

The case is designed as a simple tube with a bottom and a lid. The lid is attached to the tube so you won’t lose it. The lid closes with a loop and an enamelled cork button.

Close-up of a woolen tube with a lid
Simple closing with a loop and button. Photo by Dan Waltin.

A strap is attached to the case for easy hanging on a hook, your wrist or in your belt for fast spindle access.

A woolen tube hanging on a branch.
A loop to hang your case in. Photo by Dan Waltin.

Inside, the case is lined with decadently pink silk. Not only is it pretty, it also makes it possible to store fiber in it without having the fiber stick to the inside of the case.

A woolen spindle case
A woolen spindle case for your precious spindles. Photo by Dan Waltin.

Inside the case there is a loose wool disc. If you store a small spinning bowl in the bottom of the case, you can put the wool disc on top of the bowl to protect the spindle tip.

You can store more than one spindle in the case. If you store fiber in the case it will help protect the spindle. You can also fit in a hand distaff if it is not too long.

Handmade

Every seam is hand sewn by me. Apart from the store bought thread for the silk lining, all the sewing yarn is my own handspun (Shetland). The closing loop for the lid is also my handspun. It is the cabled yarn I won a bronze medal for at the 2017 Swedish spinning championships.

The case is about 34 cm/13″ high with a diameter of about 10 cm/4″.

Three woolen spindle cases hanging on a tree branch.
One of three handmade spindle cases can be yours! Photo by Dan Waltin.

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!

Slow

A friend of mine made a big personal change in her life recently. She had decided to listen to her heart and go back to the university for the third time after already having made a big career change once. Someone said to her that it was better to strive inwards than upwards. This sentence stuck to me and it floats around in my heart and reminds me softly every now and then to embrace the superpower of slow.

To get you in the mood for slow I give you a short and sweet video where I show you how I wind a ball of handspun yarn with my thumb.

Share the video and blog post if you like them!

The power of slow

Slow is for me a form of connection to the here and now. In society today, speed is power. There is a vast array of information rushing by every second. I need to sort things out in my brain and figure out what is important to me and what is just a waste of my time and energy.

With technological  speed I can reach more people in a shorter time, which is of course of importance in sharing my online work. I rely on this speed. But when we make shortcuts to cut costs and get more done faster, someone else will have to pay for it with their time, work and health. If I want to buy a sweater, somebody must do the work for me. And the cheaper the sweater, the more this someone has to pay. There is a big difference between price (what I pay for a sweater) and cost (what someone else has to pay for me to get a cheap sweater).

I can make my own sweater. Even if I will let someone else take care of the whole sheep part, I usually do know the sheep owner. Once I get my hands on a fleece, I can do all the steps and end up with a sweater. And the process will definitely be slow. If you are a spinner or any other kind of crafter you know this. I have made two videos with the concept of slow in mind: Slow fashion – from sheep to sweater and Slow fashion 2 – from sheep to shawl.

Josefin Waltin spinning on a supporter spindle and wearing a sweater with spinning wheels
A sweater knitted with my handspun yarn. The sweater has the leading role in my video Slow fashion – from sheep to sweater

I have paid for my sweater with my own time, experience, skills and design. By dedicating all this time to the process of making, I will gain so much more than just a sweater.

The power of thought

Being creative allows you to entertain the creative side of your brain.  When I spin (or do any kind of craft that I am fairly comfortable with) I also open up the door to creative thinking. Creative making in this sense allows for creative thinking. I can take advantage of this. If I feel a bit dull minded I go to my spinning tool of the day and spin. After a while I enter the crafting bubble. This state of being in the making sends a signal to my synapses to open all the doors to creative thinking. My dull mind becomes sharp and I can solve a problem or give birth to a new baby idea to take care of.

Josefin Waltin spelning on a supported spindle
Creative making and creative thinking

It is like being creative takes me to a place where I can find balance between focus on the process and unrestrained thinking – the crafting flow. It is very much like meditation. I have the same feeling in my body after crafting as I do after meditation – I feel light, empowered and balanced.

The power of touch

When I get my hands on a fleece I get to know it. Through all the steps in the process from fleece to garment every single fiber has gone through my hands numerous times. My hands tune in the channel of the superpowers of this particular fleece. They know the staple length, they know how the crimp behaves, how it drafts and how the yarn should feel when it is just right. My hands enter their own crafting bubble and after a while they just know how to prepare the wool to make the finished yarn show off all the superpowers of the fleece.

Hands feeling a fleece
The power of touch

My hands become an extension of my brain – like antennae – and allow my mind to read and interpret the material I work with.

Respect

Crafting is a sustainable way to use natural materials instead of buying new stuff. You may have heard of the “3 R’s” of waste management – reduce, reuse and recycle. Crafting is a part of this. You reduce the waste by using natural materials, you reuse the material instead of throwing away old stuff and buy new and you recycle by mending broken things.

I would like to add respect to this trio. By getting to know the material I work with I gain a sense of respect for it. I learn about the superpowers of this particular material and what it can give me. In return I handle the material with care and respect and highlight its superpowers in the things I create. You can compare it to gardening. The soil gives nourishment to my crops and I need to give something back to the soil when I harvest to be able to harvest again. By using the natural material to the best of its potential and all that it gives me I respect it.

Recently I have embroidered a lot. There is a slow process for you! But as all crafting it puts me in the crafting bubble and I am in my hands again, happy as a clam. Suddenly I want to save all the abandoned linen floss and embroidery silk in every flea market in all the land and make pretty patterns to save the world.

An embroidery, linen on wool
Slow fireworks embroidered with linen floss found – and saved – at a flea market.

Winding a ball of yarn

The faster things roll in society, the more important slow becomes. By making things slow I make an effort to balancing all the speed around me and hopefully getting some peace of mind in the process. It can be as simple as winding a ball of yarn.

Thumb nostepinne

I do own a ball winder and I use it sometimes. But I prefer using my thumb. Recently all my skeins have turned into pretty thumb wound balls of yarn. It gives me even more time to feel the fiber and once again pay tribute to its superpowers and all that it has given me.

Winding a ball of yarn with your thumb as a nostepinne is slow. Slower than using a nostepinne and definitely slower than a ball winder. But it gives me more time to hang out with the yarn that I have put so much skill, love and care into. I get time to watch the yarn in all its glory and remember the process of making it. And what is another fifteen minutes spent on a ball of yarn that has already taken me hours upon hours to process and spin? I like to think that I owe it to the yarn to spend that extra time and care to make it shine.

The technique

The technique is basically the same as for winding with a nostepinne, but instead of turning the nostepinne you will turn the ball on your thumb.

If you happen to be right-handed, you have the opportunity to learn how to wind with your left hand. You can also translate the image to right-handed in your head. The description in the titles is made to work with any hand. This is how I do it:

  • If I work from a skein I put it over my knees or the arm rest of my chair and wind from there.
  • I hold the yarn end in my hand and wind the yarn very loosely around my thumb. You don’t want to stop the blood flow in your thumb and you do want to be able to turn the ball with ease.
  • I wind diagonally from lower outside of the thumb to the upper inside.
  • For every round I place the strand of yarn closer to the inside of the thumb.
  • After a while I can wind a little less loosely.
  • When the front is full I turn the ball outwards. This way I can keep placing the strand of yarn towards the inside of the thumb again. This is where I would turn the nostepinne if I were using one.

I shot the video on Christmas Day. I generally don’t make outdoor spinning videos in the winter since the lanolin solidifies in the cold. But for winding yarn I don’t need to draft.

A hand wound ball of handspun yarn. A winter city in the background
Let your yarn shine!

The setting is our terrace overlooking Stockholm. In the background you can see Essingeleden, the largest traffic route in Sweden, which is anything but slow.

The yarn I wind in the video is the yarn I spin in my English longdraw video. The mittens featured in the video were knit with my handspun Shetland and Jämtland yarn and I used the pattern Stevenson Gauntlets by Kate Davies.

If you are not already there, try to embrace the rhythm of slow and strive inwards.

Happy ball winding!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

2018 in retrospect

A Navajo spindle. Photo by Dan Waltin

In the last few days of the year I get a little nostalgic. I browse through the months, looking at all the memories of blogging and youtubing. They are like sparkling candy in a pretty bowl. All different, all sweet and all part of the whole. In this post I look back at 2018 and forward to 2019. Here is 2018 in retrospect!

If you have been following me for a while, this might be a walk down memory lane for you too. If you are new to the blog – welcome – this post  will help you can catch up with what happened during 2018.

The stats

During 2018 I have published

  • 66 blog posts
  • 17 public youtube videos
  • 20 blog post specific videos.

That’s more than one post a week and one one video every three weeks. At the end of the summer I decided I wanted to aim at one post a week during the autumn, but I didn’t realize that I had made even more than that in the spring.

Blog statistics
The stats

I am very proud of the videos and posts I have published this year. I learn new things all the time and I have sharpened my articles and learned how to analyze and reflect to produce interesting content for you. If you have enjoyed my posts and videos during 2018 and look forward to 2019, do become a patron and support my work. This work takes up a lot of my time and I also need to finance editing software and video equipment.

I love writing the posts and making the videos. When I get home on Friday after a week of work I can’t wait for Saturday morning to publish my next post.

During the year I had most viewers in the U.S, followed by Sweden, U.K. Canada and Germany. Thank you all for following, commenting, asking questions and giving valuable feedback. You help me become a better spinner, blogger, youtuber and teacher and I couldn’t do it without you.

Popular posts

The post with the single most views was, quite surprisingly, Willowing wool. I hadn’t planned it at all, I just thought of it one morning, grabbed a fleece and a couple of sticks and started shooting. And over 2500 people have visited the post and even more people have watched the video. It was great fun to make the video and I am happy to have contributed to sharing this old technique and craft.

Josefin Waltin sitting with a pile of wool. Locks are flying in the air around her.
Wool is in the air!

The second most viewed post was, even more surprisingly, Don’t waste your wool waste. This post didn’t even have a video attached to it, which makes it even more puzzling. But it was obviously interesting to both the spinning and the gardening community.

Third in line was Spinning in the 14th century and one of my favourite videos this year. I had such a great time with Maria, who provided the costumes and helped me with the shooting. There is a big difference in quality of the video when I have company (My daughter was with me in parts of the willowing video, which is also a favourite) compared to when I do it all myself. You can see and feel the interplay in the video which gives it different dimension than my solo videos. I hope to make more videos like that during 2019.

Josefin Waltin in medieval costume
Preparing for 14th century video shoot. Photo by Dan Waltin.

Blog series

During 2018 I have made four blog series where I have focused on a theme and looked at it from different perspectives:

They have been very popular and I have loved the opportunity to dig deep in a given topic. I have learned a lot from all four of them, but one of them in particular has totally changed the way I look at – and teach – spinning.

Spinning direction

The series about spinning direction started with an injury. I had started to practice spinning with in-hand spindles where you twiddle the spindle in your hand, basically without letting go of the spindle. A short while after I had started practicing this technique, I got  a cramp in the base of my thumb and I wanted to find out why.

I talked to a vocational therapist who told me that the muscles used for pulling are twice as many as the muscles used for pushing. Being a leftie, I had been pushing the spindle for a clockwise spin. When I changed hands so that the right hand was pulling the spindle for a clockwise spin, there was no more cramp.

A hand holding a spindle
Which is your spinning hand?

This made a huge impact on my own spinning and my teaching. I taught myself to spin with my right hand as spinning hand. It was difficult in the beginning, but with practice I managed to become as skilled with my right hand as I was with my left hand.

Now I teach spinning direction in spindle spinning in all my classes – I encourage them all to learn how to use both of their hands as spinning hands. I want them to have the opportunity to spin and ply with both hands without injuries.  Both my students and I are much more aware now of how the hands move and work.

The blog series was a combination of my own reflections about spinning direction, interviews with professionals in physiology and textile history and poll results from the spinning community. It was read and appreciated by many followers. Long after the series was published I have referred spinners to it who have had questions about pain or cramp in their spinning hand when spinning on spindles. And I am happy to help.

Twined knitting mittens

The blog series about twined knitting mittens was born out of the previous blog series about spinning direction. In the series you are invited to follow me on my path from fleece to a finished pair of mittens.

After having started practicing spinning with my right hand as spinning hand I wanted to give something back to my left hand that had been struggling for so long with pushing the spindle. I wanted to spin a yarn counter-clockwise so that my left hand could pull the spindle.

There is an old Swedish technique called twined knitting. You use two strands of yarn and twine them on the wrong side of the fabric. The technique takes very long to knit, but it results in  a fabric that is very dense and warm.

Close-up of the wrong side of a twined knitted mitten.
The two yarn ends are twined on wrong side of the fabric.

To compensate for the twining, you use a yarn that is Z-plied: Spun counter-clockwise and plied clockwise. So I spun a beautiful Värmland wool on a supported spindle counter-clockwise with my left hand as spinning hand. When the yarn was finished I made a pair of mittens in twined knitting. They weigh 60 g each and my heart sings every time I wear them.

A grey mitten with a venus symbol
Twined knitting mittens. Photo by Dan Waltin.

Flax

The autumn started with a series of processing and spinning flax. I have a tiny experimental flax patch at home. I started it in 2014 and learn new things about flax processing every year. The series includes a video where I process my flax from the 2017 harvest. I went to Skansen outdoor museum and borrowed their flax processing tools and got a lot of help from the friendly staff. The 2017 harvest was the first one I felt I can actually spin with ( I haven’t yet, though). In the series I also invite the viewer to follow the retting process on my lawn, with pictures of the flax straws in different stages of the process.

Retted flax
The flax fiber is easy to pull off the cellulose core. The retting is finished!

 

Cotton

The cotton blog series started with a gift. A fellow spinner gave me 130 g of newly harvested cotton from Stockholm. I am very reluctant to buying cotton clothes because of climate reasons – the fashion industry takes up a lot of farming ground for cotton farming. The industry also uses a lot of pesticides that are harmful for biodiversity and the people working in the business. But with small-scale and locally grown cotton I had the opportunity to try a fiber that I hadn’t spun before! In the series I prepare the cotton and spin it with Tahkli, Navajo and Akha spindles.

New grounds

During the year I have investigated grounds that were new to me. It has been a truly wonderful journey, but also required a lot of energy. In the end, I am very proud of what I have achieved.

Patron launch

In February I launched my Patreon site. This is where followers have the opportunity to support my work and get extra Patreon-only benefits like previews of upcoming videos, Q&A:s and their names in the credits of my videos.

Article in Spin-off

Last June I submitted a proposal to Spin-off magazine. It was accepted, and in March it was published. The link goes to a shorter version of the article. If you want to read the whole article you need to buy the magazine. I wrote about the process of the making of the video Slow fashion 2 – from sheep to shawl (the video was published in August 2017), where I processed and spun yarn for a shawl that I wove on my rigid heddle loom.

I will be writing more articles for spinning magazines.

Business

Around the same time, I started my own business. It feels very grown-up and totally terrifying, but it also gives me a boost to ignite my entrepreneurial switch and acknowledge my work as something more than just a hobby.

Josefin Waltin wearing an apron with an embroidered sheep
My wool handling apron with sheep logo. Photo by Dan Waltin.

Teaching

2018 has been the year of teaching for me. I have been teaching supported spindle spinning in different parts of Sweden during the year. Every time I learn something new about teaching, spinning and analyzing, but most of all I have learned to see and listen what the students need and how they are most likely to understand and learn. There is a big difference between conveying a message and for the receiver to actually understand and make use of it. I’m still learning and I jump with joy every time I see a student make progress.

Online school

I have been planning and working with my online school for nearly a year now, and in December I finally launched it. The first course is a free course in How to pick a supported spindle and bowl. Over 120 people have already taken the course. Come to the school and take the course you too!

A spindle and puck
Supported spindle and bowl by Björn Peck.

I have received a lot of wonderful feedback. Many students have really enjoyed and appreciated the course and given me valuable suggestions for future courses. I am truly thankful for that, it helps me become a better teacher and course creator.

There will be more online courses in 2019!

Favourites

One of my personal favourite videos in 2018 was the one I shot in Austria about plying on the fly on a Turkish spindle. I had such a lovely time standing in the big meadow in the beautiful morning light. And a lot of you enjoyed the video as well.

A hand starting a spindle.
Plying on the fly on a Turkish spindle in Salzkammergut, Austria.

Another favourite, with some shots from Austria, was my craftivism project I choose to stay on the ground. It is a video and a theme that is very important to me: Reducing our carbon footprint by avoiding flying.

Josefin Waltin reading a book on a train
Image from I choose to stay on the ground

A third favourite was the supported spindle video A meditation that I shot by a fulling mill. A beautiful day with pale September light.

You

Even if I have published lots of videos and posts this year I couldn’t have done it without you, my followers and readers. The feedback, inspiration and love I get from you is invaluable. Keep commenting, asking questions and sharing your knowledge. It helps me make better content for you. You are my biggest inspiration!

Plans for 2019

As I write this, it is still winter, which means that I can’t shoot any videos outside. Well, I could, but not with spinning involved, my hands and the fiber won’t work in the cold. I will have to wait until spring to shoot new videos. But I do have a few unedited videos left from 2018, I will publish them until the weather permits new outdoor videos.

I will launch more online courses during the year. Hopefully I will be able to buy a better microphone, so that I can improve the audio quality in upcoming online courses. I will also offer in-person courses around Sweden, perhaps I will see you there.

Björn the wood turner and I talk regularly and we will have a workshop in his workshop (!) in January to look at new models and designs. He will open a web shop soon.

I create my videos out of a special idea I get or if I find a special location I fall in love with. I have a few plans up my sleeve, involving spindles of different kinds. My husband gave me a lightweight tripod for Christmas, so I will be able to get out and about easier. The old one weighs over 2 kg, this one was only 800 g.

If there is anything you would like me to cover in an upcoming post or video, do give me a holler.

These are some of my favorite sweets in the 2018 candy bowl. I hope you found some favourite sweets as well.

With all my heart I thank you for 2018 and wish you a happy new spinning year 2019!

Josefin Waltin spinning on a supported spindle. Photo by Dan Waltin.
Looking forward to spinning in 2019!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

A meditation

I have a new video for you today! This time it is about spinning on a supported spindle. Or, rather, what spinning in general and supported spindle spinning in particular does for me. I give you Spinning on a supported spindle: A meditation.

A new video

The very first instructional type videos I released were about spinning on a supported spindle. I have learned a lot since then, both about spinning technique and about videography and editing. For example, nearly all of my previous supported spinning videos were shot before I had figure out spinning ergonomics and spinning direction.

The scenery

So, I figured it was time to make a new video on supported spindle spinning, with better spinning, photo quality, and editing. The weekend we spent at the Swedish spinning and fleece championships was the perfect opportunity. My husband brought his fancy camera and we found a beautiful location by a mill in the forest.

We shot the video on a beautiful September afternoon, with magic autumn light and the mesmerizing sound of the creek. I decided that the number one priority this time would be the scenery – spinning angles and techniques would have to come second. We skipped between the rocks in the creek like fairies, hunting for the prettiest spots and lighting. I can imagine that the mill would have been quite a dangerous place back in the days and our skipping around would soon have ended badly.

We didn’t bring a tripod for our weekend away, so some of the shots are a bit unstable. I hope you can live with that.

Josefin Waltin spinning on a supported spindle by a mill.
Spinning by the mill. Photo by Dan Waltin

Editing

Back home, I started to edit the clips. When I had finished, I started to add the titles. And I didn’t know what to write. In my more recent videos I have found a way to approach the titles on a level that I think works. It is informative but not too busy. But I couldn’t really think of titles that would match that level in this video. When I teach supported spindle spinning the course usually takes three hours, which actually is way too little. How could I fit informative titles in a three minute video when I need more than three hours to teach it?

After a while I gave it a go and added titles that I thought would be on a suitable level. I was still unsure of the result, though. The titles didn’t match the theme of the shots. I asked Dan what he thought. He said “Why don’t you adapt the titles to the scenery and make them more… mindful?” That was it! This wasn’t an instructional video at all, it was a mindful video. I deleted all the titles and started over with a fresh perspective. I edited the video into an inspiration for meditation. The new titles made the scenery and Dan’s beautiful shots justice.

Josefin Waltin spinning on a supported spindle. An old wooden door behind her.
A mindful spinner. Photo by dan Waltin

A meditation

When I spin, especially on a supported spindle, I relax. I feel that I allow my mind to be light and free. Just like the fibers go through my hands, I allow my thoughts to come and go, without expectations or forcing. If I feel tense or stressed, I like to grab my spindle and take a moment to myself and spin. This allows my mind to relax and I feel more balanced. Spinning also unlocks my creative thinking and I get access to fresh ideas and inspiration. It is like I have entered a door in my mind that has been hidden behind other thoughts before, like a meditation. I meditate twice a day and the sensation of spinning and meditation are quite similar. Sometimes I get the same feeling after a bike ride. There is something about the motion that also helps my mind to move forward and untie any mind knots.

I tried to convey this feeling in the new titles. I hope you get a sense of what I mean, or even recognize the feeling.

The spindle

The spindle and bowl I am using in the shots was made by Björn Peck. He is a professional wood turner based in Stockholm. I contacted him this June and asked if he could make me some supported spindles. When I teach I have a whole array of spindles from different makers, mostly from the U.S. but also from Australia and the U.K. It takes time to ship them to Sweden and the shipping and customs fees make the spindle quite costly. Also, if my students want to buy a spindle after the course, they have to wait several weeks for the spindle to arrive, and by then they will have forgotten the technique.

Björn agreed to give it a go and came to our house. I showed him how the spindle works and what features I think are important. After another two meetings, he had managed to make a beautiful spindle that spins like a dream and has all the details I want. He also made a spinning puck in matching wood.

I don’t sell Björn’s spindles and bowls, other than to the students in my courses in Sweden. But if people – by that I mean you – are interested, I can ask Björn to set up an online shop. Just let me know.

Close-up of a person spinning on a supported spindle
Spindle and bowl by Björn Peck. Photo by Dan Waltin

And, oh, the sweater I’m wearing is the one I made in my first documentary video Slow fashion – from sheep to sweater.

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

 

Shopping trolley makeover

A person pulling a shopping trolley

I have a shopping trolley that I pack all my gear in when I teach spinning. It is lightweight and easy to bring on the metro or train. It can easily swallow three shoe boxes on top of each other, filled with spindles, cards, combs and other tools. This is the story of a shopping trolley makeover.

A shopping trolley makeover

Lately my shopping trolley bag has started to come apart and I decided it was time for it to retire. My husband suggested I look for a new one in wool. That was an excellent idea. The one I had was in some synthetic canvas which wasn’t climate friendly at all. When I browsed for a shopping trolley in wool, though, I couldn’t find one.

Creativity by bike

On an early bike ride to work I got an idea.  My 10 K morning bike ride to work is one of my most creative moments during the day and I usually get so much sorted out in my head on these rides. I direct and edit videos, brainstorm for new videos, outline articles and blog posts etc. When I get to work I just write all of it down and e-mail it to myself. This was one of those ideas. I was going to make a new trolley bag myself – I would just copy all the parts and measurements from the existing trolley bag and stitch them together.

I had seen a made-over shopping trolley before and fallen in love with the idea. A while ago, I took a wood-carving class, and the teacher had upcycled her shopping trolley. Instead of the regular canvas bag she had made one in woven birch bark. The handle was made of carefully carved wood with an ergonomical grip. It was really beautiful and personal. The idea of making one in my own crafting material made my heart jump with joy.

Wool needle punched felt

On a recent fiber event I passed by a vendor who sold needle punched felt in 100 percent wool from Swedish sheep. They sold it by the meter in large rolls. That would be a perfect material for my shopping trolley!

I bought a meter of medium felted needle punched felt. The material is about 6 mm thick and quite sturdy. However, it works excellent to hand sew in.

Cozy sewing

I measured the original shopping trolley bag and copied it right off (I did leave the cane compartment, though, I figured I wouldn’t need it for a while yet). Then I just used a simple backstitch to sew all the pieces together.

The sewing was actually really comfortable. I loved holding the thick wool in my hands and the needle went through the thick material with ease. I used glue clamps to pin the pieces together. And of course I used my handspun yarn for the seams, a 2-ply worsted spun yarn from the black parts of a Shetland flecked fleece.

A woolen shopping trolley in a beech forest.
A personalized shopping trolley, ready for teaching adventures. Photo by Dan Waltin

The compartment was made of a front and a back, two sides, a bottom and a top flap. The top flap closed with velcro. There were steel reinforcement frames in the front and back pieces. I made extra pockets on the tops of the front and back pieces for the frames to fit in. A shorter handle on the back of the bag and a longer on the front. A closing mechanism for the handles, secured with velcro. Two horizontal straps on the back piece held the bag securely on the trolley. After the pictures were taken I got rid of the ugly foam handle on the trolley and replaced it with a cozier one in the same material as the rest of the bag.

All that was left of the original trolley bag was a sad and hollow bundle of polyester canvas.

Embellishments

Needle felted logo

Before I sewed the bag, though, I had some decorations to make. First of all I needle felted my logo to the front of the bag. I tried to pre-trace the logo onto the felted material first, but it was way to fuzzy, so I had to needle felt it all off the cuff. I used a handspun rya yarn I had used earlier for a logo embroidery on my spinning apron.

A needle felted sheep logo
A needle felted logo. Photo by Dan Waltin

A spinner’s quote

After having finished the logo I thought it would be a shame to waste such a blank and lovely canvas. So I embroidered a quote on the closing flap. I used the same handspun yarn I had used for the seams.

I chose a spinning quote from Mahatma Gandhi. He was a spinner and wanted to liberate India from the British by non-violent civil disobedience and spinning. I found it quite fitting.

A quote embroidered on a felted material
‘Every revolution of the wheel spins peace, goodwill and love’. Photo by Dan Waltin

I couldn’t pre-trace on the lid either, so I had to embroider all the writing off the cuff as well. I used a simple backstitch. Embroidering handwriting by improvisation was really a challenge, but when the quote was all finished I was really happy with the result. Despite the rather uneven ‘handwriting’ I am quite fond of it. It has sort of an animated touch to it.

A shopping trolley makeover success

When the shopping trolley bag was finished I just slid it over the trolley handle. I fit like a glove and I was happy as a clam of my beautiful and personal trolley bag. The walls of the bag are really sturdy and it actually looks professional. I can’t wait to board the next train with my new traveling companion!

A person pulling a shopping trolley.
Off to new spinning adventures. Photo by Dan Waltin

A spindle case

I also got another idea. It may have come to me on another bike ride. I had fallen in love with the felted material and I didn’t want to stop sewing in it. So I came up with an idea to make a spindle case. Just a tube with a bottom, a lid and a loop strap for hanging or holding in your hand or sliding onto your belt.

A woolen tube with an embroidered flower
My pretty spindle house, ready for a house-warming party. Or, rather, a spindle warming party. The house is already warm and cozy. Photo by Dan Waltin

In afterthought, the rim of the lid was a bit too short. It is 3 cm and I should have made it around 5 cm. The top of the lid is a bit too small, which makes the rim point outwards a bit and result in an unsmooth fit. I’ll make some changes for my next spindle case!

More embroidery

I have not embroidered much, but a spindle case is a perfect opportunity to practice. And I did love sewing in the material, so there was no hesitation. This time, however, I didn’t use my handspun yarn for the embroidery. Instead, I used thrift shop embroidery flax yarn I found in the back of a cupboard. This case needed colour and most of my handspun is undyed. The silky linen yarn was a perfect match to the matte and sturdy feted wool.

As in my previous embroidery adventures with the needle punched felt I couldn’t pre-trace anything, so I just started with the center ring of a flower and improvised from there. The beauty of being a beginner at something is that you don’t know the rules and I could just make everything up as I went along. And I’m quite happy with the result.

A woolen tube with an embroidered flower
Photo by Dan Waltin

The flower reminds me of a pansy. The dangling tentacles are inspired by an anglerfish. You know, the deep-water fish that has sort of an antennae on the top of its head with a flashlight on it to lure its bait.

Decadent lining

I also chose to line the spindle case, for two reasons. First of all, the spindle would get stuck in the entangled mess at the back of the embroidery without a cover. Second of all, If I would keep some spinning fiber in the case (which I most definitely would), it would stick to the felted surface if I didn’t line it. Of course I didn’t want a synthetic lining material, so I bought a decadently pink silk lining and hand-stitched it to the inside of the tube before I assembled the case.

A woolen tube with silk lining.
Decadently pink silk lining in the spindle case. Photo by Dan Waltin

As a final touch, I cut out a circle of wool to put in the case as protection. This way I can put a small spinning bowl or puck/disk in the bottom of the case. If I put the wool circle on top of the bowl and then slide in the spindle I don’t have  to worry about any damage on the spindle tip.

Josefin Waltin sitting on a log in a forest. A shopping trolley and a tube case beside her.
Wool, spinning and a beech forest in autumnal colours. Couldn’t ask for more. Photo by Dan Waltin

I’m ready for my next spinning teaching adventure!

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

Sätergläntan study collection

A row of hand distaffs

When I was teaching a course in supported spindle spinning at Sätergläntan earlier this fall, I also visited the library at Sätergläntan. It is a unique library with books on crafting and local cultural history. It also contains the Sätergläntan study collection.

The Sätergläntan study collection

At first I visited the library with the group I was teaching. It was interesting and lots to look at. But it was late afternoon and I wanted to catch the last daylight, so I went for a walk. When I got back it was dark outside and I went back to the library. I found myself blissfully alone in a room full of beautiful crafting books. My heart skipped a beat and I savoured the moment. This is when the librarian asked me if I wanted to look at the study collection. I did.

The study collection was basically a small storage room filled from floor to roof with  boxes and old crafting tools and supplies. I knew exactly what I was looking for.

Twined knitted jacket sleeves

In the study collection I found it – a box with four jackets with twined knitted sleeves, probably from the late 19th and the early 20th centuries. I was in twined knitting heaven.

Two jackets with twined knitted sleeves in red.
Twined knitted treasures in a box.

The county of Dalarna is famous for a rich textile heritage with beautiful folklore costumes and local textile techniques. Dalarna is part of the region where twined knitting (or two-end knitting) was born. In twined knitting you use two threads. You alternate the two threads and twist them at the back of the work. Here is a short clip from an earlier post where I show the basic technique.

The wrong side of a knitted sleeve.
The wrong side of the fabric reveals the ridges created by the twining of the two yarn ends.

This results in a sturdy material with very little ease and it behaves more like weaving than knitting. The material also becomes very warm and wind-proof.

A jacket with a woven green bodice and sewn on twined knitted sleeves in red.
A traditional jacket with a vadmal bodice and sewn on twined knitted sleeves. The decorations on the bodice are machine sewn. The jacket is probably from the late 19th or early 20th century.

The method was called knitting back then, because that is how everybody knitted at the time in Dalarna. When knitting with only one thread became popular, that technique was simply called one-end knitting. Later, when the one-ended method had taken over the knitting market, the modern names were used – knitting for one end and twined knitting for two ends.

The yarn was spun with local wool, usually from the Dala-päls sheep. To accommodate for the twisting of yarns, you spin it S and ply it Z. Here is a post where I make a Z-plied yarn.

Twined knitting is a very old technique. The first found item, a mitten, was first dated to the 19th century, then to the late 17th century and recently as far as to the 16th century. The technique has been used mostly for socks and mittens. However, many everyday folklore jackets in the county of Dalarna have been made in the technique, for both men and women. Previously, I had only seen pictures of these truly exquisite jackets. When I heard about the study collection at Sätergläntan I knew there was a chance I would find one of these jackets. And indeed I did.

Distaffs

After I had Aaah-ed and ooohhh-ed over the twined knitted jackets I didn’t feel finished with the study collection. So I looked around to see if I could find any textile tools. And I stumbled upon a heap of beautiful distaffs.

Eight distaffs of different shapes and models
A buffet of distaffs. When I was standing on a chair to take this picture, my daughter called me on Face Time. The librarian heard me talking and came in and saw me standing on the chair FaceTiming. I wonder what she thought I was doing.

I asked Marie, the weaving teacher at Sätergläntan about the distaffs and she knew a bit about them. They had all been donated to Sätergläntan and had probably been rescued from thrift shops in the area. Most of them had probably been used for flax, particularly the ones with combs. The two on the left are belt distaffs for spindle spinning, the rests were made to assemble on a spinning wheel. Fourth from the left (with a London theme) was made quite recently by someone at the school. Third from the left was probably also made recently.

A distaff with a mirror.
A newly made distaff with interesting details. Shelves of crafting and crafted tools in the Sätergläntan study collection in the background.

The rich ornamentation and the hearts on some of the distaffs suggest that they may have been bridal gifts. A few of them even had little mirrors.

A richly ornamented distaff with a heart-shaped mirror.
A paddle distaff. Probably a bridal gift from Russia.

More treasures

Marie also showed me a flax brush. It was a very local tradition in the county of Ångermanland to brush the flax after the final hackling and before the flax was dressed on the distaff. I’ll try brushing my flax next time I dress my distaff.

A brush
A flax brush, local to the county of Ångermanland. Probably made with hog’s hair and leather or birch bark.

The final treasure Marie showed me was a book charkha from the -70’s. After a lot of head scratching we finally managed to assemble it, but some parts were broken and we couldn’t take her for a test spin.

A book charkha
A book charkha. On the left is a bundle of cotton punis, carefully wrapped in an Indian newspaper.

But she sure was pretty!

The quiet night at the library really paid off. And I can only imagine all the treasures I didn’t get to see this time. If I’m lucky, I will come back to explore more in the Sätergläntan study collection and library.

Happy spinning!


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Swedish fleece championships 2018

I wrote earlier about the Swedish spinning championships 2018. This post is about the Swedish fleece championships 2018.

A new dawn for Swedish wool?

On the one hand, it is sad that so much of Swedish wool goes to waste. Over 80 % of Swedish wool is wasted (here is a post about what I do with my wool waste). Partly because of the lack of profit for the sheep farmers and because of lack of an infrastructure for a fleece market.

But the knowledge, skills and love put in every single fleece at this event is truly astonishing and I see a strong will to cherish Swedish wool.

The competing fleeces

A table full of fleeces
The fleece table of the Swedish fleece championships 2018. Just look at that black rya at the bottom left!

Around 20 fleeces had entered the championships and with a wide variety of breeds, colours and mixed breeds. A silky rya fleece, black as the night, a fawn Swedish finull with unbelievably long staple, ridiculously soft Jämtland fleeces and so much more.

I spent a long time walking lap after lap around the fleece table just soaking it all in with all my senses (well not really all senses) – smelling the lovely sheep smell, looking at the different colours and structures, listening to the sound of my imaginary spindle spinning all the fleeces into their best yarns. And, above all, feeling the soft, springy, sturdy, silky, squishy, bouncy, creamy and beautiful fleeces with my happy hands.

A table full of fleeces
Jämtland fleeces at the end of the table.

An old friend

The light grey Jämtland in the picture above was ar real favorite for both visitors and jury – it received a silver medal and was sold for 140 € at the auction to two happy spinners who sisterly shared their loot. I have made its acquaintance before, though. The fleece is from the same sheep that provided me with the sweater I knit in my Slow fashion – from sheep to sweater video. The shepherdess Birgitta Ericsson got four awards for her fleeces – two medals, the people’s choice award and the best of all prize.

Finewool frenzies

I have a soft spot for Swedish finewool. The first fleece I ever bought and spun was a finewool fleece. Of course there were quite a few finewool fleeces at the championships.

A white finewool fleece
A beautiful and crimpy Swedish finewool fleece

I really loved the white Finewool fleece above. Long and crispy staples with a silky touch. This fleece got a gold medal. I can get high quality finewool fleeces at home, though, so I concentrated on other breeds at this event. But I can look and drool, can’t I?

A fawn finewool fleece
Finewool with an exceptional staple length

Another finewool fleece and silver medalist I just couldn’t take my eyes (and hands) off was this dreamy fawn one above. Look at that staple length! It must be nearly 15 cm, which is very unusual for this breed.

My precious

I did end up buying two fleeces at the auction. I had my eyes set on a few, but I could only get two home on the train (and into my fleece storage in the sofa bed).  My initial plan was to buy two white fleeces. I find it much easier to see white wool when I spin and I realize that this also goes for my videos and when I am teaching. White wool shows better on screen and will also be easier for my students to see.

The first fleece I bought was a white finull/rya mix breed with long and soft staples. Last year I also bought a finull/rya mix breed at the auction, and it was from the same shepherdess. She knows what she’s doing!

Finally, it was the amazing Åsen/Härjedal mix breed (25%/75%) in colours from chocolatey brown through rose grey to creamy white. The staples were amazing with their matte and sturdy looking cut end and wavy golden tip ends. And look at those sweet lamb curls! Just dreamy. I do realize that this fleece is not white. But can you blame me for wanting this beauty?

Ok, it’s time for a Swedish lesson. “Vill ha” is the translation to want. “Behöver” is the translation to need. Some genius came up with the fusion “villhöver”, which would translate into something like “I want it so much that I think I really, really need it”. I villhöver this fleece. End of story.

I just spent a couple of hours sorting the chocolate creamy fleece and I was constantly amazed by the colours and variations within the fleece and within the staples. The shepherdess didn’t really want to sell it, but she did part with it for me anyway. I hope she thinks I am a worthy spinner for her baby. The sheep’s name is Chanel.

Wool staples of different natural colours arranged in a Sul pattern.
Colour variations in one single fleece

To summarize, I had a few favourites and they all got medals. I guess I have some sort of feeling for what’s in a good fleece.

Spinning class

I was also at the championships as a spinning teacher. For the third year running I taught a class in supported spindle spinning at the championships. I had four eager students, some of whom had taken the class before. Two of them brought their own spindles, which they had bought from me two years ago. It felt good to see some of my first spindles again! The students were very happy with the course and they have all made great progress.

I love teaching. All my classes are for intermediate to advanced spinners and it is such a treat to just geek down in a subject with fellow geeks and really talented spinners. I learn something new every time and collect new pedagogical tools for my tool box. We dive head first into technique and function and my heart explodes with spinning joy.

All in all, it was a wonderful weekend and I can’t wait for the 2019 championships.

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!