Slow

A friend of mine made a big personal change in her life recently. She had decided to listen to her heart and go back to the university for the third time after already having made a big career change once. Someone said to her that it was better to strive inwards than upwards. This sentence stuck to me and it floats around in my heart and reminds me softly every now and then to embrace the superpower of slow.

To get you in the mood for slow I give you a short and sweet video where I show you how I wind a ball of handspun yarn with my thumb.

Share the video and blog post if you like them!

The power of slow

Slow is for me a form of connection to the here and now. In society today, speed is power. There is a vast array of information rushing by every second. I need to sort things out in my brain and figure out what is important to me and what is just a waste of my time and energy.

With technological  speed I can reach more people in a shorter time, which is of course of importance in sharing my online work. I rely on this speed. But when we make shortcuts to cut costs and get more done faster, someone else will have to pay for it with their time, work and health. If I want to buy a sweater, somebody must do the work for me. And the cheaper the sweater, the more this someone has to pay. There is a big difference between price (what I pay for a sweater) and cost (what someone else has to pay for me to get a cheap sweater).

I can make my own sweater. Even if I will let someone else take care of the whole sheep part, I usually do know the sheep owner. Once I get my hands on a fleece, I can do all the steps and end up with a sweater. And the process will definitely be slow. If you are a spinner or any other kind of crafter you know this. I have made two videos with the concept of slow in mind: Slow fashion – from sheep to sweater and Slow fashion 2 – from sheep to shawl.

Josefin Waltin spinning on a supporter spindle and wearing a sweater with spinning wheels
A sweater knitted with my handspun yarn. The sweater has the leading role in my video Slow fashion – from sheep to sweater

I have paid for my sweater with my own time, experience, skills and design. By dedicating all this time to the process of making, I will gain so much more than just a sweater.

The power of thought

Being creative allows you to entertain the creative side of your brain.  When I spin (or do any kind of craft that I am fairly comfortable with) I also open up the door to creative thinking. Creative making in this sense allows for creative thinking. I can take advantage of this. If I feel a bit dull minded I go to my spinning tool of the day and spin. After a while I enter the crafting bubble. This state of being in the making sends a signal to my synapses to open all the doors to creative thinking. My dull mind becomes sharp and I can solve a problem or give birth to a new baby idea to take care of.

Josefin Waltin spelning on a supported spindle
Creative making and creative thinking

It is like being creative takes me to a place where I can find balance between focus on the process and unrestrained thinking – the crafting flow. It is very much like meditation. I have the same feeling in my body after crafting as I do after meditation – I feel light, empowered and balanced.

The power of touch

When I get my hands on a fleece I get to know it. Through all the steps in the process from fleece to garment every single fiber has gone through my hands numerous times. My hands tune in the channel of the superpowers of this particular fleece. They know the staple length, they know how the crimp behaves, how it drafts and how the yarn should feel when it is just right. My hands enter their own crafting bubble and after a while they just know how to prepare the wool to make the finished yarn show off all the superpowers of the fleece.

Hands feeling a fleece
The power of touch

My hands become an extension of my brain – like antennae – and allow my mind to read and interpret the material I work with.

Respect

Crafting is a sustainable way to use natural materials instead of buying new stuff. You may have heard of the “3 R’s” of waste management – reduce, reuse and recycle. Crafting is a part of this. You reduce the waste by using natural materials, you reuse the material instead of throwing away old stuff and buy new and you recycle by mending broken things.

I would like to add respect to this trio. By getting to know the material I work with I gain a sense of respect for it. I learn about the superpowers of this particular material and what it can give me. In return I handle the material with care and respect and highlight its superpowers in the things I create. You can compare it to gardening. The soil gives nourishment to my crops and I need to give something back to the soil when I harvest to be able to harvest again. By using the natural material to the best of its potential and all that it gives me I respect it.

Recently I have embroidered a lot. There is a slow process for you! But as all crafting it puts me in the crafting bubble and I am in my hands again, happy as a clam. Suddenly I want to save all the abandoned linen floss and embroidery silk in every flea market in all the land and make pretty patterns to save the world.

An embroidery, linen on wool
Slow fireworks embroidered with linen floss found – and saved – at a flea market.

Winding a ball of yarn

The faster things roll in society, the more important slow becomes. By making things slow I make an effort to balancing all the speed around me and hopefully getting some peace of mind in the process. It can be as simple as winding a ball of yarn.

Thumb nostepinne

I do own a ball winder and I use it sometimes. But I prefer using my thumb. Recently all my skeins have turned into pretty thumb wound balls of yarn. It gives me even more time to feel the fiber and once again pay tribute to its superpowers and all that it has given me.

Winding a ball of yarn with your thumb as a nostepinne is slow. Slower than using a nostepinne and definitely slower than a ball winder. But it gives me more time to hang out with the yarn that I have put so much skill, love and care into. I get time to watch the yarn in all its glory and remember the process of making it. And what is another fifteen minutes spent on a ball of yarn that has already taken me hours upon hours to process and spin? I like to think that I owe it to the yarn to spend that extra time and care to make it shine.

The technique

The technique is basically the same as for winding with a nostepinne, but instead of turning the nostepinne you will turn the ball on your thumb.

If you happen to be right-handed, you have the opportunity to learn how to wind with your left hand. You can also translate the image to right-handed in your head. The description in the titles is made to work with any hand. This is how I do it:

  • If I work from a skein I put it over my knees or the arm rest of my chair and wind from there.
  • I hold the yarn end in my hand and wind the yarn very loosely around my thumb. You don’t want to stop the blood flow in your thumb and you do want to be able to turn the ball with ease.
  • I wind diagonally from lower outside of the thumb to the upper inside.
  • For every round I place the strand of yarn closer to the inside of the thumb.
  • After a while I can wind a little less loosely.
  • When the front is full I turn the ball outwards. This way I can keep placing the strand of yarn towards the inside of the thumb again. This is where I would turn the nostepinne if I were using one.

I shot the video on Christmas Day. I generally don’t make outdoor spinning videos in the winter since the lanolin solidifies in the cold. But for winding yarn I don’t need to draft.

A hand wound ball of handspun yarn. A winter city in the background
Let your yarn shine!

The setting is our terrace overlooking Stockholm. In the background you can see Essingeleden, the largest traffic route in Sweden, which is anything but slow.

The yarn I wind in the video is the yarn I spin in my English longdraw video. The mittens featured in the video were knit with my handspun Shetland and Jämtland yarn and I used the pattern Stevenson Gauntlets by Kate Davies.

If you are not already there, try to embrace the rhythm of slow and strive inwards.

Happy ball winding!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

2018 in retrospect

A Navajo spindle. Photo by Dan Waltin

In the last few days of the year I get a little nostalgic. I browse through the months, looking at all the memories of blogging and youtubing. They are like sparkling candy in a pretty bowl. All different, all sweet and all part of the whole. In this post I look back at 2018 and forward to 2019. Here is 2018 in retrospect!

If you have been following me for a while, this might be a walk down memory lane for you too. If you are new to the blog – welcome – this post  will help you can catch up with what happened during 2018.

The stats

During 2018 I have published

  • 66 blog posts
  • 17 public youtube videos
  • 20 blog post specific videos.

That’s more than one post a week and one one video every three weeks. At the end of the summer I decided I wanted to aim at one post a week during the autumn, but I didn’t realize that I had made even more than that in the spring.

Blog statistics
The stats

I am very proud of the videos and posts I have published this year. I learn new things all the time and I have sharpened my articles and learned how to analyze and reflect to produce interesting content for you. If you have enjoyed my posts and videos during 2018 and look forward to 2019, do become a patron and support my work. This work takes up a lot of my time and I also need to finance editing software and video equipment.

I love writing the posts and making the videos. When I get home on Friday after a week of work I can’t wait for Saturday morning to publish my next post.

During the year I had most viewers in the U.S, followed by Sweden, U.K. Canada and Germany. Thank you all for following, commenting, asking questions and giving valuable feedback. You help me become a better spinner, blogger, youtuber and teacher and I couldn’t do it without you.

Popular posts

The post with the single most views was, quite surprisingly, Willowing wool. I hadn’t planned it at all, I just thought of it one morning, grabbed a fleece and a couple of sticks and started shooting. And over 2500 people have visited the post and even more people have watched the video. It was great fun to make the video and I am happy to have contributed to sharing this old technique and craft.

Josefin Waltin sitting with a pile of wool. Locks are flying in the air around her.
Wool is in the air!

The second most viewed post was, even more surprisingly, Don’t waste your wool waste. This post didn’t even have a video attached to it, which makes it even more puzzling. But it was obviously interesting to both the spinning and the gardening community.

Third in line was Spinning in the 14th century and one of my favourite videos this year. I had such a great time with Maria, who provided the costumes and helped me with the shooting. There is a big difference in quality of the video when I have company (My daughter was with me in parts of the willowing video, which is also a favourite) compared to when I do it all myself. You can see and feel the interplay in the video which gives it different dimension than my solo videos. I hope to make more videos like that during 2019.

Josefin Waltin in medieval costume
Preparing for 14th century video shoot. Photo by Dan Waltin.

Blog series

During 2018 I have made four blog series where I have focused on a theme and looked at it from different perspectives:

They have been very popular and I have loved the opportunity to dig deep in a given topic. I have learned a lot from all four of them, but one of them in particular has totally changed the way I look at – and teach – spinning.

Spinning direction

The series about spinning direction started with an injury. I had started to practice spinning with in-hand spindles where you twiddle the spindle in your hand, basically without letting go of the spindle. A short while after I had started practicing this technique, I got  a cramp in the base of my thumb and I wanted to find out why.

I talked to a vocational therapist who told me that the muscles used for pulling are twice as many as the muscles used for pushing. Being a leftie, I had been pushing the spindle for a clockwise spin. When I changed hands so that the right hand was pulling the spindle for a clockwise spin, there was no more cramp.

A hand holding a spindle
Which is your spinning hand?

This made a huge impact on my own spinning and my teaching. I taught myself to spin with my right hand as spinning hand. It was difficult in the beginning, but with practice I managed to become as skilled with my right hand as I was with my left hand.

Now I teach spinning direction in spindle spinning in all my classes – I encourage them all to learn how to use both of their hands as spinning hands. I want them to have the opportunity to spin and ply with both hands without injuries.  Both my students and I are much more aware now of how the hands move and work.

The blog series was a combination of my own reflections about spinning direction, interviews with professionals in physiology and textile history and poll results from the spinning community. It was read and appreciated by many followers. Long after the series was published I have referred spinners to it who have had questions about pain or cramp in their spinning hand when spinning on spindles. And I am happy to help.

Twined knitting mittens

The blog series about twined knitting mittens was born out of the previous blog series about spinning direction. In the series you are invited to follow me on my path from fleece to a finished pair of mittens.

After having started practicing spinning with my right hand as spinning hand I wanted to give something back to my left hand that had been struggling for so long with pushing the spindle. I wanted to spin a yarn counter-clockwise so that my left hand could pull the spindle.

There is an old Swedish technique called twined knitting. You use two strands of yarn and twine them on the wrong side of the fabric. The technique takes very long to knit, but it results in  a fabric that is very dense and warm.

Close-up of the wrong side of a twined knitted mitten.
The two yarn ends are twined on wrong side of the fabric.

To compensate for the twining, you use a yarn that is Z-plied: Spun counter-clockwise and plied clockwise. So I spun a beautiful Värmland wool on a supported spindle counter-clockwise with my left hand as spinning hand. When the yarn was finished I made a pair of mittens in twined knitting. They weigh 60 g each and my heart sings every time I wear them.

A grey mitten with a venus symbol
Twined knitting mittens. Photo by Dan Waltin.

Flax

The autumn started with a series of processing and spinning flax. I have a tiny experimental flax patch at home. I started it in 2014 and learn new things about flax processing every year. The series includes a video where I process my flax from the 2017 harvest. I went to Skansen outdoor museum and borrowed their flax processing tools and got a lot of help from the friendly staff. The 2017 harvest was the first one I felt I can actually spin with ( I haven’t yet, though). In the series I also invite the viewer to follow the retting process on my lawn, with pictures of the flax straws in different stages of the process.

Retted flax
The flax fiber is easy to pull off the cellulose core. The retting is finished!

 

Cotton

The cotton blog series started with a gift. A fellow spinner gave me 130 g of newly harvested cotton from Stockholm. I am very reluctant to buying cotton clothes because of climate reasons – the fashion industry takes up a lot of farming ground for cotton farming. The industry also uses a lot of pesticides that are harmful for biodiversity and the people working in the business. But with small-scale and locally grown cotton I had the opportunity to try a fiber that I hadn’t spun before! In the series I prepare the cotton and spin it with Tahkli, Navajo and Akha spindles.

New grounds

During the year I have investigated grounds that were new to me. It has been a truly wonderful journey, but also required a lot of energy. In the end, I am very proud of what I have achieved.

Patron launch

In February I launched my Patreon site. This is where followers have the opportunity to support my work and get extra Patreon-only benefits like previews of upcoming videos, Q&A:s and their names in the credits of my videos.

Article in Spin-off

Last June I submitted a proposal to Spin-off magazine. It was accepted, and in March it was published. The link goes to a shorter version of the article. If you want to read the whole article you need to buy the magazine. I wrote about the process of the making of the video Slow fashion 2 – from sheep to shawl (the video was published in August 2017), where I processed and spun yarn for a shawl that I wove on my rigid heddle loom.

I will be writing more articles for spinning magazines.

Business

Around the same time, I started my own business. It feels very grown-up and totally terrifying, but it also gives me a boost to ignite my entrepreneurial switch and acknowledge my work as something more than just a hobby.

Josefin Waltin wearing an apron with an embroidered sheep
My wool handling apron with sheep logo. Photo by Dan Waltin.

Teaching

2018 has been the year of teaching for me. I have been teaching supported spindle spinning in different parts of Sweden during the year. Every time I learn something new about teaching, spinning and analyzing, but most of all I have learned to see and listen what the students need and how they are most likely to understand and learn. There is a big difference between conveying a message and for the receiver to actually understand and make use of it. I’m still learning and I jump with joy every time I see a student make progress.

Online school

I have been planning and working with my online school for nearly a year now, and in December I finally launched it. The first course is a free course in How to pick a supported spindle and bowl. Over 120 people have already taken the course. Come to the school and take the course you too!

A spindle and puck
Supported spindle and bowl by Björn Peck.

I have received a lot of wonderful feedback. Many students have really enjoyed and appreciated the course and given me valuable suggestions for future courses. I am truly thankful for that, it helps me become a better teacher and course creator.

There will be more online courses in 2019!

Favourites

One of my personal favourite videos in 2018 was the one I shot in Austria about plying on the fly on a Turkish spindle. I had such a lovely time standing in the big meadow in the beautiful morning light. And a lot of you enjoyed the video as well.

A hand starting a spindle.
Plying on the fly on a Turkish spindle in Salzkammergut, Austria.

Another favourite, with some shots from Austria, was my craftivism project I choose to stay on the ground. It is a video and a theme that is very important to me: Reducing our carbon footprint by avoiding flying.

Josefin Waltin reading a book on a train
Image from I choose to stay on the ground

A third favourite was the supported spindle video A meditation that I shot by a fulling mill. A beautiful day with pale September light.

You

Even if I have published lots of videos and posts this year I couldn’t have done it without you, my followers and readers. The feedback, inspiration and love I get from you is invaluable. Keep commenting, asking questions and sharing your knowledge. It helps me make better content for you. You are my biggest inspiration!

Plans for 2019

As I write this, it is still winter, which means that I can’t shoot any videos outside. Well, I could, but not with spinning involved, my hands and the fiber won’t work in the cold. I will have to wait until spring to shoot new videos. But I do have a few unedited videos left from 2018, I will publish them until the weather permits new outdoor videos.

I will launch more online courses during the year. Hopefully I will be able to buy a better microphone, so that I can improve the audio quality in upcoming online courses. I will also offer in-person courses around Sweden, perhaps I will see you there.

Björn the wood turner and I talk regularly and we will have a workshop in his workshop (!) in January to look at new models and designs. He will open a web shop soon.

I create my videos out of a special idea I get or if I find a special location I fall in love with. I have a few plans up my sleeve, involving spindles of different kinds. My husband gave me a lightweight tripod for Christmas, so I will be able to get out and about easier. The old one weighs over 2 kg, this one was only 800 g.

If there is anything you would like me to cover in an upcoming post or video, do give me a holler.

These are some of my favorite sweets in the 2018 candy bowl. I hope you found some favourite sweets as well.

With all my heart I thank you for 2018 and wish you a happy new spinning year 2019!

Josefin Waltin spinning on a supported spindle. Photo by Dan Waltin.
Looking forward to spinning in 2019!

You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

Cotton blog series

A hand holding a boll of cotton

I’m starting a cotton blog series. There will be upcoming posts with cotton preparation and spinning, but in this first post I want to air my thoughts about this fiber.

Fast fashion

I try not to buy cotton clothes. If you have seen my videos Slow fashion – from sheep to sweater and Slow fashion 2 – from sheep to shawl you probably realize that I try to live a sustainable life. I have also tried to show this in my latest documentary video I choose to stay on the ground.

Cotton farming is to a large extent governed by the fashion industry. Anyone who has been in a fashion store realizes that the range of clothes is changed at least four times every year. A large part of these clothes are made of cotton. Therefore, cotton takes up an enormous part of the farmland in the world, land that could have been used for food production. Cotton farming also uses vast amounts of water and pesticides. This in turn affects the nearby flora and fauna and, of course, the people working on the farm. Even if there is organic cotton available, it is still grown as a monoculture which will have consequences for the biodiversity in the area.

Spinning cotton

I have never spun cotton before. Cotton farming depends on a warm climate and I doubt that any of the cotton that is sold to spinners has been farmed in Europe, let alone here in Sweden. Buying cotton from another continent and having it flown back to Sweden just for my pleasure has not appealed to me.

Last year I tried growing my own cotton plants. It all went very well at the beginning. I cultivated five plants indoors and placed them outdoors by midsummer when there was no more risk of night frost. I was delighted to see the pretty flowers and I waited eagerly for the magic to happen in the bolls. However, last summer was a cold and wet one. All the bolls fell off, and one by one the plants died. I didn’t try again this year.

A white and pink cotton flower
A cotton flower from my own plant in 2017

This blog series could have ended here.

Instead, this is where it starts.

Just a couple of weeks ago I received a bag of cotton from a fellow spinner. The cotton had been cultivated right here in Stockholm! She told me that I could share the cotton with fellow spinners. I didn’t. Instead I will share my thoughts and reflections of preparing and spinning locally cultivated cotton.

A pile of cotton bolls
Locally cultivated cotton.

So, with all this said, let the cotton blog series begin! In upcoming posts I will publish videos and show you how I prepare cotton for spinning and three different ways to spin cotton.

Spoiler alert: One of the videos will contain a guest starring cat!

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

At the flea market

As many of you know, I live in Stockholm. There are lots of antique stores, but no good flea markets. By good I mean flea markets where I can find textiles and textile tools. These kind of flea markets do exist, you just need to go to the countryside to find them. For the last five years we have rented a cabin at a sheep farm in the beginning of August. Not far from the farm there is a three storey flea market in an old spinning mill. Couldn’t be better.

The market is open every Sunday all year round. Of course we made a day of it! So far I am disappointed in the range of textile tools, but there is one table at the flea market I can spend the whole day at.

The textile table

The sellers keep their table for as long as they rent them, so I know exactly where to go. My first stop is always the textile table. A woman collects textiles from around the countryside, not seldom from estates. Picture an old lady who once cherished her linen closet and filled it with hand woven gems. Picture the next generation unaware of the treasure hidden behind a squeaky cabinet door. The local super heroine, the Textile Lady, comes to the rescue and saves all the textiles from oblivion.

A table full of folded textiles.
The textile table at the flea market. Filled with old textiles that someone has cherished, another thrown away and a third has saved from extinction.

The table is filled with sheets, towels, table cloths and lots of haberdashery (oh, how I love this word!). Bobbin lace, name bands, needles and every colour of buttons you can imagine.

Hooks, pins and sewing thread.
Flea market treasures – hooks, pins and sewing thread.

The old packages are just exquisite. The pin box above right says “First class brass pins, solid heads”. Isn’t it to die for?

Boxes of lace and name bands.
Lace and name bands for every occasion.

I stayed for a long while at the lace box, just taking in all the lace beauty and the  hours upon hours of (women’s) work invested in them.

I bought three embroidery hoops from the haberdashery corner (I just had to write this sweet word again!). The two bigger ones look like most embroidery hoops I have seen (see also featured image). But the smallest one is just so exquisitely made! The locking mechanism seems different and the inner hoop has a band meticulously wrapped around it. When I look at the label and the logo I’m thinking the 1020’s.

Save the sheets!

My heart aches for all the sheets, towels and table cloths at the flea market and I want to rescue them all. I can’t, but we always end up buying more than we intended to. There is a lot of women’s history in these textiles, but also a story of industrialism and contemporary consumption patterns.

When my parents got married in 1965 they got lots of household textiles for their new home – sheets, kitchen towels, table cloths etc. They still sleep on those sheets and dry their hands on those linen towels. If I should buy new sheets today, they would be threadbare in under a year. The pressure to buy more and new clothes every turn of the season has led to a pressure on the cotton industry. The cotton fibers are shorter to make way for more harvests. The yarn is more loosely spun and the sheets are woven at a wider sett to save fiber.

We bought four old sheets at the market. Last year we bought six. These are wonderfully thick and strong, some of them hand woven. They will probably last longer than a lifetime.

Four folded sheets with lace borders
Old sheets, a treasure

Look at the sheet below with the beautiful monogram. This sheet was made with love and pride. Probably also various amounts of blood, sweat and tears. However, the loom was too narrow to weave a whole sheet’s width. Thus, the sheet was woven in two lengths and joined in the middle. If you look closely, you can see a very fine seam between the letters in the monogram and above the crocheted lace. Just look at that join! Imagine the hours it took to sew it in bad lighting and sore eyes in a tiny country cottage. I sleep on these sheets with joy and the knowledge that someone has put their skill, love and hours and hours of work into my sleep comfort.

A sheet with a lace border and monogram. A tiny seam between the letters.
Can you see the join of the two sheet halves?

The sheets cost €4 each.

Upcycling

While the Textile Lady has heroically saved the textiles, we bought the workings of another textile heroine. Someone had bought four hand woven fancy kitchen towels and joined them together with a crocheted lace ribbon. Such a smart and thrifty way to upcycle old textiles.

A table cloth made of four kitchen towels joined together with lace ribbons
Kitchen towels made into a table cloth

In my textile rescuing frenzy, I bought five hand woven kitchen towels. Some of them were beautifully monogrammed.

Five white towels, two monogrammed in red
Handwoven kitchen towels

I put them away in the linen cabinet, but the other day I took them out again. My plan was to sew drawstring spindle bags. When I looked closer at them, I saw that they were woven in twill with a linen warp and cotton weft.

Close-up of a white twill textile
Twill towels in linen warp and cotton weft.

If you look closely, you can see it. The horizontal weft is matte while the vertical warp is shiny. I pulled out a warp thread and my theory was confirmed – long and shiny fibers. And then I realized that the linen thread was most likely handspun. You can see in the close-up above that the thread is not industrially even. You can also see some remaining cellulose from the flax processing.

I bought the five towels for €15. Talk about unappreciated women’s labour. Now, however, they are greatly appreciated, by me. And I have turned them into beautiful drawstring bags, ready to host spindles and new yarn for future textiles. The circle is complete.

Enamel necessities

The last thing we bought was an enamel washbasin. Actually, it was my husband who found it. ” I figured you would need this to wash yarn in!”. Indeed I did. This is a very typical kitchen utensil from the beginning of the last century by Kockums enamelware.  They were very popular in the 1920’s and 1930’s but they stopped making them in the 1960’s. I have bought several Kockums utensils from Swedish e-bay – colanders, 5 and 10 deciliter measures and funnels. My favorites are the milk fetcher and the cream fetcher. The fetchers are lidded buckets to fetch the milk (2 l) and cream (5 dl) from the milk store in. We use the milk fetcher for compost and the cream fetcher for tea.

Anyway, the washbasin is doing its job very well and when I don’t use it for soaking yarn in it is the proud home of my cards and combs. We also bought a potty for my husband’s niece who was born two months ago.

A washbasin and potty in enameled tin
Enamel basin for various handspun related purposes

What about the textile tools?

Well, I looked for textile tools and found none. You might expect the odd scutching knife, flax hackle or weasel, but nothing. A couple of modern umbrella swifts and a the ugliest sewing table you have ever seen. Well, we’ll come again next year. Maybe we will save some more textiles or spot a whole range of flax processing tools, who knows!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

I choose to stay on the ground

Josefin Waltin spinning on a chair on a meadow. Text says I choose to stay on the ground

This is not a spinning video. Rather,  is a craftivism project about climate change. In the video I use spinning as a means to reflect over climate change and my own carbon footprint. This is I choose to stay on the ground.

Reduce, reuse recycle and respect

I try to live my life in a way that is as resourceful as possible. Reduce, reuse, recycle and respect are words that influence everything I do. Bike riding, car pooling, growing our own vegetables, eating less meat, cutting down on plastic etc. These are all things that have become a way of living. It doesn’t feel like a sacrifice and I wouldn’t want to go back to the way we lived our lives before.

My husband and I have also decided not to fly. We take the train to visit my family in Austria. Choosing to stay on the ground is an important step we have taken to reduce our family’s carbon footprint.

Spinning and climate change?

Where does spinning fit in and what does it have to do with climate change, you may ask. Well, there are several ways I find that spinning plays a part in my effort to reduce my carbon emissions. First of all, making garments and textiles from wool that I have bought locally and spun myself is an important part of reducing my carbon footprint. This is an important part of my videos, especially the documentary videos like Slow fashion and Slow fashion 2. Spinning your own yarn is in itself sustainable, especially when you use (local) wool that is such a versatile material.

Secondly,  the act of spinning also generates feelings of love, mindfulness and kindness. I try to express this in last year’s documentary video For the love of spinning. I like to think that I spread these feelings in my videos. I get lots of comments from my followers about how the videos have helped them find peace and a sense of grounding.

Thirdly, spinning – or any other craft – lets me reflect on a deeper level over what I do and what I experience while I am crafting. These reflections in turn influence what I do and the decisions I make. To remind me of these reflections I have the yarn, with all the gentle thoughts spun right into it.

A craftivist approach

I’m not telling you all this to be a miss goody two-shoes. Climate change is too important to me to care about the appearance of things. The climate can’t wait, we have to make drastic changes in our daily lives, now.

I choose to stay on the ground combines my concern for climate change with the power of spinning, or crafting in general. I have been investigating craftivism and read an excellent book, How to be a craftivist: The art of gentle protest, by Sarah Corbett. The book is a kind of manifesto for a kind of activism that is beautiful, kind and fair in a world we want to make just that – beautiful, kind and fair.

Josefin Waltin reading a book, How to be a craftiest by Sarah Corbett
Reading up on craftivism on the train through Denmark

I do have quite a large group of followers and I’m taking advantage of that when I’m releasing his video. This means that I use you all for spreading a video that has an urgent message.

A call to action

The video is divided into two parts. The first part is my own experience from a three day train journey through Europe to visit family in Austria. I spin and reflect over climate change and why I choose to stay on the ground. The second part is a call to action. I invite you, the viewer, to take part in this craftivist project. I have chosen five questions about climate change that I would like you to reflect over while you craft in public transportation. I also ask you to share your thoughts (and the video!) under the hashtag #crafterthoughts and #ichoosetostayontheground.

Making the video

The scene is a three day train journey from Stockholm, Sweden to Salzburg, Austria. I shot about 150 small clips from the train and narrowed them down to  fit in a five minute video.

Josefin Waltin spinning on a city square.
Evening spin in Copenhagen, Denmark

The train ride obviously took a lot of time. Frustrating sometimes, yes, but mostly surprisingly pleasant. We sat together for three days, talking, playing games, reading, napping. Some of us were spinning. Just being in each other’s presence brought us closer together on both physical and mental levels. It felt so good to just be together.

There are no actual shots of my husband and children in the video, but if you look closely, you can see clues of their participation. In the beginning for example you can see them on the station with our suitcases. Also, you can see them on a hiking trip when we have arrived in Austria. And, of course, Dan has helped me with some of the video shooting.

Tools I use in the video:

With that said, go and share that video. And happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

Save the thrums!

A skein of dark grey yarn with knots on it

I have participated in another competition. It is the same as I participated in at a wool fair last year. The competition is called ‘Spin your prettiest yarn’ and the challenge is to spin any kind of yarn from Swedish wool, and ad something recycled. Last year I came in second with my pigtail yarn The sheep, the chicken, the pig and the lion, where the recycled material was chicken feathers. In the 2018 competition, I want to save the thrums. I didn’t win anything, but I had a great time spinning the yarn.

Save the thrums!

In this year’s competition my recycled material is weaving thrums. At least I think that’s what they are called. I’m talking about the last piece of the warp when you cut the weave off the loom. When you cut, there are warp threads left tied to the warp beam that are too short to do anything with. They have a special name in Swedish – effsingar, also meaning something that is cut off (I’ve never heard it being used that way, though). When I have finished a weave on my rigid heddle loom and cut it off, the thrums are about 40 cm long. My heart cries when I cut these handspun pieces of magic off and just leave them (I have never been able to throw them away). But for this project, they will bring some bling to my prettiest yarn.

Making the yarn

I used a beautiful grey fleece of a finewool/rya mix that I had combed. I spun the yarn on a supported spindle and chain plied it in sections, a method called ply on the fly. But before I let the twist into the loop, I inserted  a two inch piece of thrum in the loop. The thrums came from my first and second pillow cases and a blanket.

Plying on the fly on a supported spindle is a focus-demanding business. I actually feel a bit like a spider, handling the spindle, three strands of yarn and the butterflied yarn supply. Ad to that a gazillion 2-inch pieces of thrums to fiddle into the loop of the chain ply and you may agree with me.

Close-up of a person plying on a supported spindle.
Plying on the fly takes focus.

The yarn had to weigh at least 50 grams, so I had to spin 50 grams on one single spindle. It worked, but it was quite tough the last 10 grams.

A spindle full of dark grey yarn.
50 g of yarn on a 23 g spindle (Malcolm Fielding).

After I had finished the spinning, I made a simple knot on each thrum. At this stage, a lot of them wiggled their way out of the loop. I started making knots  at the tie end of the skein and followed the yarn all the way through the skein. I came up with this method after I had shot the clip for the video. Since I had basically the same loop length on every loop, I could easily find where a thrum was missing this way. The knots were a bit slippery since the thrums were naturally warp-straight.

After washing the yarn the knots were a bit more friendly towards their destiny as knots and stayed where I had put them.

A skein of dark grey yarn. It has little coloured knots on it and blue flowers.
A finished yarn with saved thrums

FYI: Strong fibers spun and plied on the fly can generate a mean paper cut.

A knitted swatch of dark grey yarn with coloured knots in it.
Save the thrums swatch.

Happy spinning!

Don’t waste your wool waste!

When I spin, I usually get a yield of around 55 % of the original weight of the fleece. The rest goes away as waste in either sorting or combing/carding. But I never throw any of the waste away. The most obvious use would be for toy stuffing, but I’m not a big toy maker. Instead, I use most of it in the garden. The wool waste has value even if it’s full of dirt, vegetable matter and poo. Or just because of that.

Pot planting

When I sow in pots I put some wool waste in the bottom to let the roots get some space. If I plan to keep the plants indoors in the winter, I also put wool on top of the soil. This has several benefits. First of all, it protects the surface of the soil so that it doesn’t dry so fast. The dirt in the wool will sink down into the soil when watering and will act as a fertilizer. If I use white wool on top of the soil, it also reflects the light, which is beneficial for the plant. Last, but not least, the wool will prevent the fungus gnats from laying their eggs in the soil.

Mulching

For basically the same reason as the pots, we put wool waste on top of the garden beds at our allotment. It keeps the soil from drying out, it keeps weeds from growing and it fertilizes the soil when it rains. The wee workers in the soil will pull the fibers down into the depth and make the soil earthy and porous. The wool waste may also prevent slugs and roe deers from eating our crop. Not always, though, the bold city roe deers and the despicable Spanish slugs are nasty!

Sometimes the wool doesn’t stay in the garden beds, though. In the early spring I see lots of magpies pulling fibers to use in their nests. I can live with that.

Instant felted soles

I like to put wool waste in my shoes to make instant insulating soles. The more I use the shoes, the more the wool felts and makes excellent personalized soles.

Against visiting ants

Every March equinox, the ants come marching into our house. If we find their way in, we try to stuff the hole with a piece of wool. That usually helps and feels better than any chemical ant control.

Feeding the compost

Small pieces of wool waste from spinning I usually just put in the Bokashi compost. Or, if we have a bigger amount of wool waste that for some reason can’t be used elsewhere, we just put it in the compost. It may take a while to decompose, but eventually it will. And we use all our precious compost in the garden beds.

Wool waste water

Last, but not least, I use the water from wool rinsing. Swedish wool usually has a quite low amount of lanolin in it. I want some lanolin in the wool I spin, so I just rinse the wool in water. This gives me just the right amount of lanolin to spin. I preferably use rain water if the rain barrel is full. The used water has lots and lots of fertilizer and I use it to water the plants outside. It makes the whole garden smell like sheep, and for a little while I pretend I have my own flock.

Do you have more clever ideas for not letting the wool waste go to waste?

Crafting leadership course

A sheep made of wire

Since september I have been taking a craft leadership course at Slöjd Stockholm. The overall focus of the course is all kinds of crafting for kids, although my personal focus is spinning courses for intermediate to experienced adults. Each class runs a whole day and during the class we mix theory with practice and discussions. We have crafted with recycled textiles, wire, wool (of course), paper and wood and with techniques such as felting, braiding, bending, printing and carving.

Hopefully the course will help me become a better spinning teacher and give me ideas of new and exciting spinning classes.

A felted sheep head
Of course I had to needle felt a sheep!

Our common love of crafting

The participants have very different backgrounds, everything from DIY-ers to museum educators and archaeologists. But we have our love for crafting in common. And this has turned out to be a very strong trait. We understand each other. We know what it means to give in to the material and the process of making and we respect each other’s artistry and creativity. And most importantly: We all know the power of being in the making.

A cloth bird with colourful embroidery
Homework over the holidays: Make an embroidered cloth bird!

Five minutes after we have started crafting the room is totally quiet, but at the same time full of activity. Everyone is deeply focused on the making. Nobody knows what the others are doing, but we all know that our minds are deeply and joyfully engaged in the crafting process. It is such a bliss to realize that we all share this deep love and respect for the materials and the making.

The beauty of the materials

Today was carving day. We worked with axe, knife and shaving horse. The smell of the fresh wood and the cool feeling against my hands gave me goosebumps. The satisfaction of making a raw piece of wood flat and smooth with the draw knife in the shaving horse really surprised me. And who knew carving with an axe could be so much fun!

A carved insect
We made (sp)insects with the help of knives, drawknives and axes.

The crafting mind

After the course I needed to get some fruit, so I went in to the mall nearby. And I had a massive culture shock. From the crafting room filled with creativity, flow and concentrated joy to bright lights, commercialism and plastic. From sweet music that makes my heart tingle to white noise that gets in the way of my thoughts. I made a mental note about what crafting does for me. Perhaps more people should try it.

I enter the space of making
where the making makes me

(from my spinning video For the love of spinning)

I have a new toy – the pin loom

a small loom and lots of finished woven squares

Spinning and fiber work are material sports, there is no point in denying it.

A couple of days ago, I came across an Interweave post on pin loom weaving for hand spinners. At the same time I had a stash cleaning since my handspun storage was bursting. And I realized that the pin loom would solve my problem.

How to weave on a pin loom

A pin loom is a small 10×10 cm loom that only needs a short piece of yarn for one square. The first three passes are just threaded between the pins – vertical, horizontal and vertical again – and on the fourth you weave horizontally with a long needle. You weave in the ends and the square is finished in under 20 minutes. Since all the squares are made in the same way it is easy to sew them together in the selvedges.

Weaving with my handspans

I bought a Zoom loom from Schacht. The technique is really addictive. I like how different yarns behave in different ways on the loom (and off). I spin a lot of yarn, and there is often a small ball of yarn left when I have finished a project. And I can’t throw away these odd balls, no matter how small they are. I have a hard time throwing away even short lengths that I cut off from weaving in ends. I even save the last piece that is left of the warp after cutting it (effsingar is the Swedish word, is there a name for it in English?). There is so much time and love put into these short peaces of yarn and I can’t just ignore that.

An odyssey of my spinning history

When I weave these scraps of yarn it is like an odyssey of all my previous handspun yarns – I get to see and feel them all over again and they bring back memories of projects past. I can also see the development in my own spinning from the uneven, loosely spun yarns in the beginning six years ago to the more consistent ones I make today.

Planned project

My plan is to do what the author Deborah Held suggests in the Interweave post: I will make squares of all my small balls of leftover handspun yarns, sew them together, felt and make a blanket of perhaps 15 x 20 squares. I have got a lot of handspun leftovers in my stash so I think it is a realistic idea. And so far it looks like the colours will go well together.

A small loom and lots of woven squares
Pin looming my little heart out. The yarn on the loom is a z-spun yarn I made in 2012, way too loosely spun, used for a pair of twined knitted mittens I use almost daily

Slow fashion 2 – from sheep to shawl

Here it is, finally. My second bigger video project Slow fashion 2 – from sheep to shawl.

Slow fashion and the value of a craft

I wanted to make another video on the slow fashion theme. Also, I wanted to show some other aspects of crafting. I have seen people sell handmade items for basically the cost of the material, which is such a shame. There is so much talent, time, effort and experience behind a handmade item. People don’t give it a second thought in a society where we expect to have stuff and we are in turn expected to buy more stuff (that has preferably been shipped three times around the globe). Giant store buildings are popping up like mushrooms because we don’t have any space left for all our stuff. This video is about the value of good craftmanship and all the time, tradition, skill and effort that lie behind it.

Josefin Waltin sitting outside by the spinning wheel. There are garden chairs around her with smartphones attached to them for filming.
In the studio, with garden chairs as camera stands. Photo by Dan Waltin

For the love of spinning

The video is also about the love of spinning. I try to capture the way spinning gives me that meditative feeling, how the motions and the touch of the fibers gives me serenity and a sense of weightlessness.

The leading fleeces

The fiber in the shawl is from two natural colour Shetland fleeces. The warp was spun worsted on a spinning wheel from hand-combed tops and 2-plied. The weft was spun woolen on a Navajo spindle from hand-carded rolags into a singles yarn. The shawl was woven on a 60 cm rigid heddle loom on double width.

Josefin Waltin standing in field with plaid shawl over her arm, sheep in the background.
The finished shawl. Photo by Dan Waltin

For tools and designers, see this post. For a connection to Outlander, look here.