Since september I have been taking a craft leadership course at Slöjd Stockholm. The overall focus of the course is all kinds of crafting for kids, although my personal focus is spinning courses for intermediate to experienced adults. Each class runs a whole day and during the class we mix theory with practice and discussions. We have crafted with recycled textiles, wire, wool (of course), paper and wood and with techniques such as felting, braiding, bending, printing and carving.
Hopefully the course will help me become a better spinning teacher and give me ideas of new and exciting spinning classes.
Our common love of crafting
The participants have very different backgrounds, everything from DIY-ers to museum educators and archaeologists. But we have our love for crafting in common. And this has turned out to be a very strong trait. We understand each other. We know what it means to give in to the material and the process of making and we respect each other’s artistry and creativity. And most importantly: We all know the power of being in the making.
Five minutes after we have started crafting the room is totally quiet, but at the same time full of activity. Everyone is deeply focused on the making. Nobody knows what the others are doing, but we all know that our minds are deeply and joyfully engaged in the crafting process. It is such a bliss to realize that we all share this deep love and respect for the materials and the making.
The beauty of the materials
Today was carving day. We worked with axe, knife and shaving horse. The smell of the fresh wood and the cool feeling against my hands gave me goosebumps. The satisfaction of making a raw piece of wood flat and smooth with the draw knife in the shaving horse really surprised me. And who knew carving with an axe could be so much fun!
The crafting mind
After the course I needed to get some fruit, so I went in to the mall nearby. And I had a massive culture shock. From the crafting room filled with creativity, flow and concentrated joy to bright lights, commercialism and plastic. From sweet music that makes my heart tingle to white noise that gets in the way of my thoughts. I made a mental note about what crafting does for me. Perhaps more people should try it.
I enter the space of making where the making makes me
Spinning and fiber work are material sports, there is no point in denying it.
A couple of days ago, I came across an Interweave post on pin loom weaving for hand spinners. At the same time I had a stash cleaning since my handspun storage was bursting. And I realized that the pin loom would solve my problem.
How to weave on a pin loom
A pin loom is a small 10×10 cm loom that only needs a short piece of yarn for one square. The first three passes are just threaded between the pins – vertical, horizontal and vertical again – and on the fourth you weave horizontally with a long needle. You weave in the ends and the square is finished in under 20 minutes. Since all the squares are made in the same way it is easy to sew them together in the selvedges.
Weaving with my handspans
I bought a Zoom loom from Schacht. The technique is really addictive. I like how different yarns behave in different ways on the loom (and off). I spin a lot of yarn, and there is often a small ball of yarn left when I have finished a project. And I can’t throw away these odd balls, no matter how small they are. I have a hard time throwing away even short lengths that I cut off from weaving in ends. I even save the last piece that is left of the warp after cutting it (effsingar is the Swedish word, is there a name for it in English?). There is so much time and love put into these short peaces of yarn and I can’t just ignore that.
An odyssey of my spinning history
When I weave these scraps of yarn it is like an odyssey of all my previous handspun yarns – I get to see and feel them all over again and they bring back memories of projects past. I can also see the development in my own spinning from the uneven, loosely spun yarns in the beginning six years ago to the more consistent ones I make today.
My plan is to do what the author Deborah Held suggests in the Interweave post: I will make squares of all my small balls of leftover handspun yarns, sew them together, felt and make a blanket of perhaps 15 x 20 squares. I have got a lot of handspun leftovers in my stash so I think it is a realistic idea. And so far it looks like the colours will go well together.
Here it is, finally. My second bigger video project Slow fashion 2 – from sheep to shawl.
Slow fashion and the value of a craft
I wanted to make another video on the slow fashion theme. Also, I wanted to show some other aspects of crafting. I have seen people sell handmade items for basically the cost of the material, which is such a shame. There is so much talent, time, effort and experience behind a handmade item. People don’t give it a second thought in a society where we expect to have stuff and we are in turn expected to buy more stuff (that has preferably been shipped three times around the globe). Giant store buildings are popping up like mushrooms because we don’t have any space left for all our stuff. This video is about the value of good craftmanship and all the time, tradition, skill and effort that lie behind it.
For the love of spinning
The video is also about the love of spinning. I try to capture the way spinning gives me that meditative feeling, how the motions and the touch of the fibers gives me serenity and a sense of weightlessness.
The leading fleeces
The fiber in the shawl is from two natural colour Shetland fleeces. The warp was spun worsted on a spinning wheel from hand-combed tops and 2-plied. The weft was spun woolen on a Navajo spindle from hand-carded rolags into a singles yarn. The shawl was woven on a 60 cm rigid heddle loom on double width.