{"id":1321,"date":"2018-04-26T16:08:20","date_gmt":"2018-04-26T14:08:20","guid":{"rendered":"https:\/\/waltin.se\/josefinwaltinspinner\/?p=1321"},"modified":"2018-04-26T16:08:20","modified_gmt":"2018-04-26T14:08:20","slug":"medieval-style-spinning","status":"publish","type":"post","link":"https:\/\/waltin.se\/josefinwaltinspinner\/medieval-style-spinning\/","title":{"rendered":"Medieval style spinning"},"content":{"rendered":"

Since I started spinning with in-hand spindles and distaff in the beginning of the year, I have wanted to make a medieval style spinning video. I did actually make a short video in the cold winter<\/a>, but it was a great challenge to work with cold lanolin and stiff hands. I realized that I had to wait for spring to make a proper video.<\/p>\n

Medieval assistance<\/h1>\n

While waiting for spring to happen, I talked to my friend Maria. She is a medieval enthusiast and reenactor of epic proportions. She is also one half of Historical textiles<\/a>\u00a0and a mean plant dyer and weaver. I asked her if she was willing to help me with the videography and contemporary costume and she was happy to do it.<\/p>\n

We synced our calendars and decided on a date to shoot the medieval video. Lucky for us, the agreed occasion turned out to be a beautiful spring day. It was also quite windy, which made our dresses and wimples ripple flatteringly in the wind.<\/p>\n

\"Two
Maria and I on the set, crafting away<\/figcaption><\/figure>\n

The costume<\/h1>\n

Maria came with a huge backpack filled with medieval clothing, all hand sewn by her. Everything else was also hand made \u2013 wool combs, belt, hair pins, wimple pins and shoes. It was such an honour to wear all these hand made treasures. I got a sturdy hand woven linen robe (which doesn’t show) and on top of that an indigo dyed woolen dress. An intricately arranged linen headdress, a hand woven belt and hand made shoes. I added the string with spindle whorls. Despite the warm weather, the clothing felt quite airy and comfortable and I never got too hot (or a sun burn). That’s natural materials for ya! Maria says the costume dates to the high fashion of the 1360’s in today’s Northern Germany or Scandinavia.<\/p>\n

\"Josefin
Woolen dress (with a linen robe underneath) and linen wimple. Photo by Dan Waltin.<\/figcaption><\/figure>\n

Shooting<\/h1>\n

We shot the whole video in a nearby forest. The thinly leather soled shoes were very smooth and it was a challenge to get around in the slopes of the forest without slipping. It was not that kind of video I was looking for. I also got a severe thigh rash. Medieval women must have had very thick inner thigh skin. Or perhaps they didn’t have hearty biker thighs.<\/p>\n

As we walked to and from the set, we met lots of Saturday strollers. In the typical Stockholm way (never, never, ever stare at or comment on anything out of the ordinary, just roll your eyes when you are sure no one can see you), many people passed us without any comment, but a few people did stop to ask us about what we were up to. They were curious about our costumes, how they were made, when they were from etc. Some people asked if we were nuns. Maria explained that we were regular people from the time around 1360. Nuns dressed in the latest fashion, so this is how they dressed back then. They have just stuck with that fashion ever since, at least the Bridgettines.<\/p>\n

The tools<\/h1>\n

In the video, I spin on spindles from Hershey fiber arts<\/a> and NiddyNoddyUK<\/a>. They both have spiral notched tips. The whorls on the spindles are from Pallia<\/a>. On the leather string in my belt you can see additional whorls from Pallia, John Rizzi<\/a> and Hershey fiber arts. Both distaffs are my own hand carved<\/a>. On the belt distaff I have arranged hand carded wool from a prize winning V\u00e4rmland fleece<\/a> (just like in this<\/a> video) and on the hand distaff there is hand carded comb leftovers from Shetland sheep<\/a>.<\/p>\n

Spinning and drafting<\/h1>\n

When I spin on a medieval style in-hand spindle, I tend to start by using a proper in-hand style and not let go of the spindle. When I feel I have enough twist, I let go of the spindle and use a very short suspension and let the tip of the spindle rest against my thumb. This way I can grab the spindle quickly whenever I need to.<\/p>\n

If I use a hand distaff I usually keep the yarn straight by moving my distaff hand away from the spindle. If I use a belt distaff I tend to wrap the yarn onto my distaff hand to keep the yarn from slacking and still hold the spindle in a comfortable position. You can see both these techniques in the video.<\/p>\n

\"Josefin
In-hand spinning with a hand distaff.<\/figcaption><\/figure>\n

In my latest in-hand spinning video<\/a>, someone asked me if I’m drafting with my left (fiber) hand or if I’m just pulling with my right (spinning) hand. When I spin with a hand distaff, there isn’t much room for the fingers to draft. But even with a belt distaff, I’m not drafting very much. I just let the fibers settle themselves in the twist with the draft of my spindle hand. That usually works just fine when I have prepared the fleece myself (which I usually do) and left just the right amount of lanolin in it to assist my drafting. Perhaps I would use my fiber hand for drafting if I were to use a short draw. I haven’t tried that yet, though.<\/p>\n

\"A
3-ply yarn spun on a medieval style spindle and distaff from hand carded batts. 49 g, 97 m, 1981 m\/kg. Soft and fluffy as a cloud. Spindle shafts and whorls from Hershey fiber arts and John Rizzi.<\/figcaption><\/figure>\n

I hope you enjoy the video. I (we) certainly enjoyed making it.<\/p>\n