{"id":3831,"date":"2019-11-16T07:57:08","date_gmt":"2019-11-16T06:57:08","guid":{"rendered":"https:\/\/waltin.se\/josefinwaltinspinner\/?p=3831"},"modified":"2019-11-16T08:15:27","modified_gmt":"2019-11-16T07:15:27","slug":"finished","status":"publish","type":"post","link":"https:\/\/waltin.se\/josefinwaltinspinner\/finished\/","title":{"rendered":"Finished"},"content":{"rendered":"\n

A few weeks ago I took you on a tour of some of my unfinished<\/a> projects. I have actually finished a few things lately. One of them is a sweater in my own design from my handspun yarn. I call it Bianka.<\/p>\n\n\n\n

\"A
The finished Bianka sweater. Photo by Dan Waltin.<\/figcaption><\/figure>\n\n\n\n

Bianka<\/h2>\n\n\n\n
\"Staples
Bianka’s fleece in shades of grey.<\/figcaption><\/figure>\n\n\n\n

A while ago I bought a fleece in shades of grey. The wool was from the Swedish finewool and East Frisean cross Bianka. She was old and is on other pastures now. The Shepherdess was happy that I gave some love and care to the last of her fleece. This was a day I had decided not to buy any fleece. I failed.<\/p>\n\n\n\n

Colour sorting<\/h3>\n\n\n\n
\"Five
Shades of grey. From the left: Selma, three shades of Bianka in the middle and on the far right the nameless sheep number 12004. Selma, the lightest shade of Bianka and the dark grey has sari silk carded into it.<\/figcaption><\/figure>\n\n\n\n

I decided to divide the fleece into three shades to show their beauty and spin them separately. I carded rolags and spun a 3-ply yarn with English long draw. The skeins turned out beautifully, but they weren’t enough for a sweater. I did have two other spinning projects going on that would suit my three greys perfectly \u2013 one natural white from the finewool\/rya cross Selma (coming up in a later post) and one dark grey from the Margau Beta sweater<\/a>. Luckily there was yarn left from the knitting project they had been involved in.<\/p>\n\n\n\n

A plain design<\/h3>\n\n\n\n

I wanted to design a sweater that would let the colour gradient be the star. I also wanted it to be an everyday sweater. Since I wasn’t sure I had enough yarn I wanted it to be as plain as possible with a fitted design.<\/p>\n\n\n\n

Top-down<\/h3>\n\n\n\n
\"A
The sweater is knit top-down in the round to take advantage of the colour gradient. Please note the snowflakes. Photo by Dan Waltin.<\/figcaption><\/figure>\n\n\n\n

I am new to designing and I have found bottom-up designs much easier to calculate than top-down. However, for this design I needed to start at the top. I wanted the shades to go from light to dark and I had much more of the darker shades than the lighter ones. I figured the distribution of the colours would be more in balance if the smaller amounts were at the yoke where the circumference was smaller. Hence, I needed to pull myself together and design a top-down sweater. After the third frogging it worked!<\/p>\n\n\n\n

Subtle details<\/h3>\n\n\n\n

I wanted some small and subtle design element, though, and I wanted it to be present in different parts of the sweater. I found a very simple cable ribbing that I used for the collar, cuffs and bottom hem. The yoke shaping got the same kind of cable. I also added a faux seam in the sides and sleeves. The whole sweater is knit in the round, though.<\/p>\n\n\n\n

\"Close-up
Cabled neck ribbing that continues in the raglan shaping. Photo by Dan Waltin.<\/figcaption><\/figure>\n\n\n\n

I decided not to make any short rows to for the neck. It would disturb the raglan cables and I wanted the design to be as simple as possible. I could have placed short rows below the raglan cables, but then the colour segments would look wrong.<\/p>\n\n\n\n

Colour challenge<\/h3>\n\n\n\n

Since I was determined to keep the colour changes in the same place for sleeves and body and I didn’t have endless amounts of yarn I needed to knit the body and sleeves at the same time. There were lots of needles and cables to get tangled in, I can tell you! But I think there is a beauty in the limitation \u2013 if I have a finite amount of material I need to be more creative than if I had all the material I could wish for. I see the limitation as a positive thing that I need to account for in my design and that gives it an extra dimension.<\/p>\n\n\n\n

\"Two
The cuffs have the same cabled ribbing as the neck and raglan shaping. Photo by Dan Waltin.<\/figcaption><\/figure>\n\n\n\n

I was a bit worried that I would run out of yarn before I was finished and I was aware that I may have had to keep the sleeves shorter than I wished them to be. In the end I did end up with one skein left of the darkest shade and part of a skein of the second darkest. I didn’t have to make the sleeves shorter. I love that the uncabled part of the cuff spreads out like a little skirt over my hands.<\/p>\n\n\n\n

\"Close-up
A faux side seam and cabled ribbing at the bottom hem. Photo by Dan Waltin.<\/figcaption><\/figure>\n\n\n\n

The hem ribbing has the same pattern as the cuffs. I like the fairly high ribbing, especially in combination with the few centimeters of dark grey above the ribbing, before the lighter grey takes over.<\/p>\n\n\n\n

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All in all I’m very happy with the result. I am learning more and more about garment design and what I can do with the yarn I have. All the way from feeling a fleece for the first time and through the steps of the process to a finished yarn a design takes shape in my mind. I feel so empowered by the realization that I can mold my fleece into a finished garment that celebrates the wool that made it possible.<\/p>\n\n\n\n

Perhaps I will knit myself a matching hat with the leftover yarn.<\/p>\n\n\n\n

Happy spinning!<\/p>\n\n\n\n

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You can follow me in several social media:<\/p>\n\n\n\n