From sheep to shawl

Next in line in my walk down memory lane is another Slow fashion video: Slow fashion 2 – from sheep to shawl. Just like the first Slow fashion video it is a labour of love.

In this video I wanted to focus more on the details and I wanted to make a woven garment in my own design.

DIY

I also wanted people to be able to use the video as a guide to make a similar garment themselves. The idea came from a children’s book. When the kids were small we read about Castor the beaver (Bruno or Harvey in English). The story was about Castor making something – growing a plant, baking bread, making a toolbox, sewing an apron and mending a flat tyre. While they are sweet little children’s books, they are at the same time instructions to how to do it yourself. Our daughter made an apron for her brother for his 10th birthday using Castor’s instructions. She was then 7,5 and could barely reach the sewing machine pedal. Dan had to help her with the steering. I think she made a small toolbox for herself when she was even younger.

Even if my video doesn’t show the exact instructions from sheep to shawl it is a direction and guide to the different steps in the process. I hope the video is an inspiration too.

Outlander themed

When I made the video I was very much into the Outlander book and tv series. First and foremost for the abundance of wool garment and other beautiful crafts. Just imagine the time and skills needed to make one single great kilt! In the video I flirt a little with the outlander theme – the plaid shawl, the final scene (featuring our daughter) and the musical theme (arranged and performed by Dan’s talented brother Jens).

There are a few paragraphs in a few of the books where the characters spin and I do hope they decide to include those sections in the upcoming seasons in the tv series.

A woman on a meadow is holding up a plaid shawl in light and dark grey. She is wearing a shirt with a sheep on it.
The finished Sassenach shawl. Photo by Dan Waltin

Happy spinning!


You can follow me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!

From sheep to sweater

It is summer and I have a long and well deserved vacation. My business is in sleep mode so this and a couple of following blog updates will be about recycling old themes. Today I celebrate my first longer video project, Slow fashion – from sheep to sweater.

The video is available in Swedish too, Slow fashion – från får till tröja.

Slow fashion – from sheep to sweater

The video started with an urge to tell the story of the craft – all the hours, skills and knowledge put into one single garment.

A map of what I have learned

I knew a lot less about videography back then. And spinning, for that matter. I could point out a thousand mistakes and aspects to improve on. But I won’t. As I often say to my students – the video is a map of what I have learned. All the mistakes are there to remind me of where I can (and have) improve when it comes both the video making and spinning processes.

So regardless of mistakes or lower quality than the videos I produce today I am still very proud of this production. It has the love for the craft that I want to feature in all my videos and it tells the story I want to tell.

A magical sweater

The sweater itself is magic, at least if you belong to the magical world of spinning. At work nobody gives it much thought – it is just a knitted sweater. Most of them probably haven’t even thought about the spinning wheels on the yoke. The thought of it being made of handspun yarn probably haven’t even crossed their minds. But at fiber festivals, spinning classes and other textile events people stop, feel the structure of the sweater and ask about designer, sheep breed and spinning technique. In that magical world the sweater brings people together. It inspires people to process their wool, spin and treasure their craft. I’m happy to be part of spreading the love that spinning brings me and other spinners. Perhaps I can also inspire non-spinners to learn how to spin.

Happy spinning!

A person shearing a white sheep with hand shearers.
I’m shearing the fine wool sheep Pia-Lotta

You can follow me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!

Slow

A friend of mine made a big personal change in her life recently. She had decided to listen to her heart and go back to the university for the third time after already having made a big career change once. Someone said to her that it was better to strive inwards than upwards. This sentence stuck to me and it floats around in my heart and reminds me softly every now and then to embrace the superpower of slow.

To get you in the mood for slow I give you a short and sweet video where I show you how I wind a ball of handspun yarn with my thumb.

Share the video and blog post if you like them!

The power of slow

Slow is for me a form of connection to the here and now. In society today, speed is power. There is a vast array of information rushing by every second. I need to sort things out in my brain and figure out what is important to me and what is just a waste of my time and energy.

With technological  speed I can reach more people in a shorter time, which is of course of importance in sharing my online work. I rely on this speed. But when we make shortcuts to cut costs and get more done faster, someone else will have to pay for it with their time, work and health. If I want to buy a sweater, somebody must do the work for me. And the cheaper the sweater, the more this someone has to pay. There is a big difference between price (what I pay for a sweater) and cost (what someone else has to pay for me to get a cheap sweater).

I can make my own sweater. Even if I will let someone else take care of the whole sheep part, I usually do know the sheep owner. Once I get my hands on a fleece, I can do all the steps and end up with a sweater. And the process will definitely be slow. If you are a spinner or any other kind of crafter you know this. I have made two videos with the concept of slow in mind: Slow fashion – from sheep to sweater and Slow fashion 2 – from sheep to shawl.

Josefin Waltin spinning on a supporter spindle and wearing a sweater with spinning wheels
A sweater knitted with my handspun yarn. The sweater has the leading role in my video Slow fashion – from sheep to sweater

I have paid for my sweater with my own time, experience, skills and design. By dedicating all this time to the process of making, I will gain so much more than just a sweater.

The power of thought

Being creative allows you to entertain the creative side of your brain.  When I spin (or do any kind of craft that I am fairly comfortable with) I also open up the door to creative thinking. Creative making in this sense allows for creative thinking. I can take advantage of this. If I feel a bit dull minded I go to my spinning tool of the day and spin. After a while I enter the crafting bubble. This state of being in the making sends a signal to my synapses to open all the doors to creative thinking. My dull mind becomes sharp and I can solve a problem or give birth to a new baby idea to take care of.

Josefin Waltin spelning on a supported spindle
Creative making and creative thinking

It is like being creative takes me to a place where I can find balance between focus on the process and unrestrained thinking – the crafting flow. It is very much like meditation. I have the same feeling in my body after crafting as I do after meditation – I feel light, empowered and balanced.

The power of touch

When I get my hands on a fleece I get to know it. Through all the steps in the process from fleece to garment every single fiber has gone through my hands numerous times. My hands tune in the channel of the superpowers of this particular fleece. They know the staple length, they know how the crimp behaves, how it drafts and how the yarn should feel when it is just right. My hands enter their own crafting bubble and after a while they just know how to prepare the wool to make the finished yarn show off all the superpowers of the fleece.

Hands feeling a fleece
The power of touch

My hands become an extension of my brain – like antennae – and allow my mind to read and interpret the material I work with.

Respect

Crafting is a sustainable way to use natural materials instead of buying new stuff. You may have heard of the “3 R’s” of waste management – reduce, reuse and recycle. Crafting is a part of this. You reduce the waste by using natural materials, you reuse the material instead of throwing away old stuff and buy new and you recycle by mending broken things.

I would like to add respect to this trio. By getting to know the material I work with I gain a sense of respect for it. I learn about the superpowers of this particular material and what it can give me. In return I handle the material with care and respect and highlight its superpowers in the things I create. You can compare it to gardening. The soil gives nourishment to my crops and I need to give something back to the soil when I harvest to be able to harvest again. By using the natural material to the best of its potential and all that it gives me I respect it.

Recently I have embroidered a lot. There is a slow process for you! But as all crafting it puts me in the crafting bubble and I am in my hands again, happy as a clam. Suddenly I want to save all the abandoned linen floss and embroidery silk in every flea market in all the land and make pretty patterns to save the world.

An embroidery, linen on wool
Slow fireworks embroidered with linen floss found – and saved – at a flea market.

Winding a ball of yarn

The faster things roll in society, the more important slow becomes. By making things slow I make an effort to balancing all the speed around me and hopefully getting some peace of mind in the process. It can be as simple as winding a ball of yarn.

Thumb nostepinne

I do own a ball winder and I use it sometimes. But I prefer using my thumb. Recently all my skeins have turned into pretty thumb wound balls of yarn. It gives me even more time to feel the fiber and once again pay tribute to its superpowers and all that it has given me.

Winding a ball of yarn with your thumb as a nostepinne is slow. Slower than using a nostepinne and definitely slower than a ball winder. But it gives me more time to hang out with the yarn that I have put so much skill, love and care into. I get time to watch the yarn in all its glory and remember the process of making it. And what is another fifteen minutes spent on a ball of yarn that has already taken me hours upon hours to process and spin? I like to think that I owe it to the yarn to spend that extra time and care to make it shine.

The technique

The technique is basically the same as for winding with a nostepinne, but instead of turning the nostepinne you will turn the ball on your thumb.

If you happen to be right-handed, you have the opportunity to learn how to wind with your left hand. You can also translate the image to right-handed in your head. The description in the titles is made to work with any hand. This is how I do it:

  • If I work from a skein I put it over my knees or the arm rest of my chair and wind from there.
  • I hold the yarn end in my hand and wind the yarn very loosely around my thumb. You don’t want to stop the blood flow in your thumb and you do want to be able to turn the ball with ease.
  • I wind diagonally from lower outside of the thumb to the upper inside.
  • For every round I place the strand of yarn closer to the inside of the thumb.
  • After a while I can wind a little less loosely.
  • When the front is full I turn the ball outwards. This way I can keep placing the strand of yarn towards the inside of the thumb again. This is where I would turn the nostepinne if I were using one.

I shot the video on Christmas Day. I generally don’t make outdoor spinning videos in the winter since the lanolin solidifies in the cold. But for winding yarn I don’t need to draft.

A hand wound ball of handspun yarn. A winter city in the background
Let your yarn shine!

The setting is our terrace overlooking Stockholm. In the background you can see Essingeleden, the largest traffic route in Sweden, which is anything but slow.

The yarn I wind in the video is the yarn I spin in my English longdraw video. The mittens featured in the video were knit with my handspun Shetland and Jämtland yarn and I used the pattern Stevenson Gauntlets by Kate Davies.

If you are not already there, try to embrace the rhythm of slow and strive inwards.

Happy ball winding!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

Cotton blog series

A hand holding a boll of cotton

I’m starting a cotton blog series. There will be upcoming posts with cotton preparation and spinning, but in this first post I want to air my thoughts about this fiber.

Fast fashion

I try not to buy cotton clothes. If you have seen my videos Slow fashion – from sheep to sweater and Slow fashion 2 – from sheep to shawl you probably realize that I try to live a sustainable life. I have also tried to show this in my latest documentary video I choose to stay on the ground.

Cotton farming is to a large extent governed by the fashion industry. Anyone who has been in a fashion store realizes that the range of clothes is changed at least four times every year. A large part of these clothes are made of cotton. Therefore, cotton takes up an enormous part of the farmland in the world, land that could have been used for food production. Cotton farming also uses vast amounts of water and pesticides. This in turn affects the nearby flora and fauna and, of course, the people working on the farm. Even if there is organic cotton available, it is still grown as a monoculture which will have consequences for the biodiversity in the area.

Spinning cotton

I have never spun cotton before. Cotton farming depends on a warm climate and I doubt that any of the cotton that is sold to spinners has been farmed in Europe, let alone here in Sweden. Buying cotton from another continent and having it flown back to Sweden just for my pleasure has not appealed to me.

Last year I tried growing my own cotton plants. It all went very well at the beginning. I cultivated five plants indoors and placed them outdoors by midsummer when there was no more risk of night frost. I was delighted to see the pretty flowers and I waited eagerly for the magic to happen in the bolls. However, last summer was a cold and wet one. All the bolls fell off, and one by one the plants died. I didn’t try again this year.

A white and pink cotton flower
A cotton flower from my own plant in 2017

This blog series could have ended here.

Instead, this is where it starts.

Just a couple of weeks ago I received a bag of cotton from a fellow spinner. The cotton had been cultivated right here in Stockholm! She told me that I could share the cotton with fellow spinners. I didn’t. Instead I will share my thoughts and reflections of preparing and spinning locally cultivated cotton.

A pile of cotton bolls
Locally cultivated cotton.

So, with all this said, let the cotton blog series begin! In upcoming posts I will publish videos and show you how I prepare cotton for spinning and three different ways to spin cotton.

Spoiler alert: One of the videos will contain a guest starring cat!

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

I choose to stay on the ground

Josefin Waltin spinning on a chair on a meadow. Text says I choose to stay on the ground

This is not a spinning video. Rather,  is a craftivism project about climate change. In the video I use spinning as a means to reflect over climate change and my own carbon footprint. This is I choose to stay on the ground.

Reduce, reuse recycle and respect

I try to live my life in a way that is as resourceful as possible. Reduce, reuse, recycle and respect are words that influence everything I do. Bike riding, car pooling, growing our own vegetables, eating less meat, cutting down on plastic etc. These are all things that have become a way of living. It doesn’t feel like a sacrifice and I wouldn’t want to go back to the way we lived our lives before.

My husband and I have also decided not to fly. We take the train to visit my family in Austria. Choosing to stay on the ground is an important step we have taken to reduce our family’s carbon footprint.

Spinning and climate change?

Where does spinning fit in and what does it have to do with climate change, you may ask. Well, there are several ways I find that spinning plays a part in my effort to reduce my carbon emissions. First of all, making garments and textiles from wool that I have bought locally and spun myself is an important part of reducing my carbon footprint. This is an important part of my videos, especially the documentary videos like Slow fashion and Slow fashion 2. Spinning your own yarn is in itself sustainable, especially when you use (local) wool that is such a versatile material.

Secondly,  the act of spinning also generates feelings of love, mindfulness and kindness. I try to express this in last year’s documentary video For the love of spinning. I like to think that I spread these feelings in my videos. I get lots of comments from my followers about how the videos have helped them find peace and a sense of grounding.

Thirdly, spinning – or any other craft – lets me reflect on a deeper level over what I do and what I experience while I am crafting. These reflections in turn influence what I do and the decisions I make. To remind me of these reflections I have the yarn, with all the gentle thoughts spun right into it.

A craftivist approach

I’m not telling you all this to be a miss goody two-shoes. Climate change is too important to me to care about the appearance of things. The climate can’t wait, we have to make drastic changes in our daily lives, now.

I choose to stay on the ground combines my concern for climate change with the power of spinning, or crafting in general. I have been investigating craftivism and read an excellent book, How to be a craftivist: The art of gentle protest, by Sarah Corbett. The book is a kind of manifesto for a kind of activism that is beautiful, kind and fair in a world we want to make just that – beautiful, kind and fair.

Josefin Waltin reading a book, How to be a craftiest by Sarah Corbett
Reading up on craftivism on the train through Denmark

I do have quite a large group of followers and I’m taking advantage of that when I’m releasing his video. This means that I use you all for spreading a video that has an urgent message.

A call to action

The video is divided into two parts. The first part is my own experience from a three day train journey through Europe to visit family in Austria. I spin and reflect over climate change and why I choose to stay on the ground. The second part is a call to action. I invite you, the viewer, to take part in this craftivist project. I have chosen five questions about climate change that I would like you to reflect over while you craft in public transportation. I also ask you to share your thoughts (and the video!) under the hashtag #crafterthoughts and #ichoosetostayontheground.

Making the video

The scene is a three day train journey from Stockholm, Sweden to Salzburg, Austria. I shot about 150 small clips from the train and narrowed them down to  fit in a five minute video.

Josefin Waltin spinning on a city square.
Evening spin in Copenhagen, Denmark

The train ride obviously took a lot of time. Frustrating sometimes, yes, but mostly surprisingly pleasant. We sat together for three days, talking, playing games, reading, napping. Some of us were spinning. Just being in each other’s presence brought us closer together on both physical and mental levels. It felt so good to just be together.

There are no actual shots of my husband and children in the video, but if you look closely, you can see clues of their participation. In the beginning for example you can see them on the station with our suitcases. Also, you can see them on a hiking trip when we have arrived in Austria. And, of course, Dan has helped me with some of the video shooting.

Tools I use in the video:

With that said, go and share that video. And happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. The content I create is totally free from advertisement. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better posts and videos. My private Facebook page, however, will remain private.
  • If you like what I do, please tell all your fiber friends and share these links!

Article in Spin-off magazine

Josefin Waltin holding up a plaid woven shawl

I have written my first spinning article! It’s in the spring 2018 issue of Spin-off magazine and it’s out now.

Submission

I stumbled upon a call for submissions for the spring 2018 issue in may last year. The theme was spinning for weaving, which was a perfect match for the Slow fashion 2 – from sheep to shawl video I was making at the time. I sketched down a very rough proposal and after a while I got a positive response from the editor!

I wrote an article that I was very proud of, all the while I was making the last work on the shawl and the video. The shawl was finished in the end of June. I didn’t want to wear it since I was planning to take the article photos at our countryside vacation in the end of July. I wanted the shawl to look its best for the photo shoot. My husband took some beautiful photos that very well represented all the hard work I had put into the shawl and the video.

The value of handmade

In September I sent the shawl and some fiber and yarn samples to the Spin-off office as they wanted to take some photos of their own. It was horrifying to send my baby all alone across the pond. A problem arose when I was supposed to estimate the value of the shawl for shipping insurance. How do you set a price on something hand made? The cost of the material was under 10€, but how much is all the work, skill and experience worth? I remembered the video about the Lendbreen tunic, a 1700 year old garment found in a Norwegian melting glacier. The garment was reconstructed with the tools and techniques available at the Iron age. The worth of the garment was estimated to about 37000 €, counting in the hours it took to reconstruct the garment from start to finish and an hourly rate for a modern day crafter. My shawl didn’t take as long to make, but it really made me think of the value of it, especially in the light of the underestimation of the value of hand crafted items today. Finally I wrote 160€ and mailed it. I wouldn’t sell it for that (or at all), but I imagined someone would be willing to buy a similar item for 160€.

Shawlless fall

So, for most of the fall I was without my shawl and it was really scary. The postal service in Sweden hasn’t been working very well lately. I dreaded the thought of the shawl getting lost on the way back to me. In December I did get it back, though, safe and sound. Finally I can start wearing my shawl!

Happy reading!

I hope you like the article, and the video if you haven’t seen it already. And oh, if you are an Outlander fan, there is a connection to the series in the video. I wrote about it in this blog post.

Composer’s mittens

A pair of hands in white nalbinding mittens, holding autumn leaves
Nalbinding mittens for Jens.

I finished another pair of nalbinding mittens.  The yarn is my handspun 3-ply from hand carded rolags of a finewool/Rya mixed breed from Åsebol sheep farm, a leftover yarn from the woven blanket I finished this summer.

Nalbinding is usually a summer project for me. On the rare occasions when I fly, I always bring a nalbinding project, since it is the only craft I know for sure there is no danger of confiscation in the security check. Who could do anything violent with a blunt wooden or bone needle? I have made several pairs of mittens for my family and they have all been very loved through the winters.

This time the recipient was my brother-in-law Jens, as a thank you for arranging and playing the music so beautifully on my second Slow fashion video (he also arranged the music for my first Slow fashion video, and for that I knit him a hat in my handspun yarn). I finished the mittens almost two months ago and I invited Jens to a release party at our house where we watched the video together. Afterwards I waulked the mittens in our kitchen sink for a perfect fit. This morning he texted me and asked if he could pick them up today. It is a cold day and wearing handmade mittens on a day like this would make anyone’s wooly heart beat.

A pair of hands in nalbinding mittens in autumn leaves
Handmade mittens will make anybody’s heart beat.

Happy spinning!

Slow fashion 2 and Outlander

Slow fashion connection to the Outlander series

I recently published my new video, Slow fashion 2 – from sheep to shawl. There is another aspect of this video as well. I saw the Starz TV-series (on Viaplay in Sweden) and read the book series Outlander by Diana Gabaldon and loved them. The short version is: A combat nurse in post-ww2 Scotland is on her second honeymoon with her husband, when she happens to walk through time in a circle of stones to 1743. The long version is 9000 pages so far (and worth every page!).

Series plot

The mid-18th century was before spinning mills as far as I know. Which would mean that every garment in this time was made from yarn that someone had spun by hand. If not, people would not be clothed at all. I don’t think every household had enough space and money to have their own spinning wheel or buy fabric from someone else, a lot of it was probably spun on a spindle, at least in more remote areas as the Highlands. Just the thought of all the work, skill and effort behind one single great kilt or dress makes me speechless.

Textile crafts in the series

There are a few places in Diana Gabaldon’s books that cover spinning, weaving  and dying, which all warmed my heart. Below is also a metaphorical description of the relationship between brother and sister Jamie and Jenny:

“Their shared childhood linked them forever, like the warp and the weft of a single fabric, but the patterns of their weave had been loosened, by absence and suspicion, then by marriage. Ian’s thread had been present in their weaving since the beginning, mine was a new one. How would the tensions pull in this new pattern, one thread against another?” From chapter 27 in Outlander by Diana Gabaldon

In the TV-series, costume designer Terry Dresbach has been extremely true to the time in creating all the amazing costumes. As a lover of all things woolen, I especially loved the parts in Scotland.

A person running with a plaid shawl behind her

My outlander inspired shawl

In the TV-series the heroine Claire is  wearing a plaid shawls when she goes through the stones. She leaves the shawl on the ground beneath the center stone in the 18th century. Later, she comes back to the stones and the shawl is still on the ground, all wrinkled, weathered and forgotten. I wanted to make a similar shawl, from scratch. I spun yarn and wove a plaid shawl in natural colours (I didn’t want to dive into the process of 18th century plant dying in Scotland). The tools I’m using are from my century, but the same kinds of tools were probably used in the 18th century.

Hobby vs real life necessity

This is a dear hobby to me, but during the whole process I kept thinking that this was real life back then and skills that people needed to feed and clothe themselves to stay alive. So in that aspect, it was not slow fashion at all. It was a necessary part of life.

In the video, there are a few parts where I’m flirting with the Outlander theme. If you are familiar with Outlander you will recognize them.

Plaid shawl hanging on washlline, old red house in background
The finished shawl. Photo by Dan Waltin

Slow fashion 2 – tools and designers

These are the tools I used in the video Slow fashion 2 – from sheep to shawl

First of all, the fleeces are from Jamieson & Smith Shetland woolbrokers.

Mini combs from Gammeldags

Carders from Kromski

Supported spindle from Neal Brand

Spindle bowl from Malcolm Fielding

Navajo spindle from Roosterick

Spinning wheel from Kromski

Lazy Kate from Kromski

Niddy-Noddy is my own handmade from a maple sapling

Rigid heddle loom and weaving accessories from Ashford

Second hand umbrella swift from Glimåkra

These are the designers, patterns and yarns featured in the video

Tumvantar mittens by Berit Westman, yarn is my handspun

Northmavine Hoody by Kate Davies, yarn from Shetland Woolbrokers

Stevenson Gauntlets by Kate Davies, yarn is my handspun

Stevenson sweater by Kate Davies, yarn is my handspun

Crofthoose hat by Ella Gordon, yarn is my handspun

Color affection shawl by Veera Välimäki, yarn is my handspun

Marin shawl by Ysolda Teague, yarn from Wollmeise

Fileuse sweater by Valérie Miller, yarn is my handspun, see also my first slow fashion-video.

Northmavine hap by Kate Davies, yarn form Shetland woolbrokers

Daisy crescent by Kieran Foley, main colour yarn my handspun, daisies are scraps from handspun and store bought

Ulli dress by Kristin Jelsa, yarn from Magasin duett

Walk along t-shirt from Ankestrick, yarn from Växbo lin

East end top from Alicia Plummer, yarn from Quince & co.

Josefin Waltin sitting outside carding wool
Carding Shetland wool. Photo by Dan Waltin

Slow fashion 2 – from sheep to shawl

Here it is, finally. My second bigger video project Slow fashion 2 – from sheep to shawl.

Slow fashion and the value of a craft

I wanted to make another video on the slow fashion theme. Also, I wanted to show some other aspects of crafting. I have seen people sell handmade items for basically the cost of the material, which is such a shame. There is so much talent, time, effort and experience behind a handmade item. People don’t give it a second thought in a society where we expect to have stuff and we are in turn expected to buy more stuff (that has preferably been shipped three times around the globe). Giant store buildings are popping up like mushrooms because we don’t have any space left for all our stuff. This video is about the value of good craftmanship and all the time, tradition, skill and effort that lie behind it.

Josefin Waltin sitting outside by the spinning wheel. There are garden chairs around her with smartphones attached to them for filming.
In the studio, with garden chairs as camera stands. Photo by Dan Waltin

For the love of spinning

The video is also about the love of spinning. I try to capture the way spinning gives me that meditative feeling, how the motions and the touch of the fibers gives me serenity and a sense of weightlessness.

The leading fleeces

The fiber in the shawl is from two natural colour Shetland fleeces. The warp was spun worsted on a spinning wheel from hand-combed tops and 2-plied. The weft was spun woolen on a Navajo spindle from hand-carded rolags into a singles yarn. The shawl was woven on a 60 cm rigid heddle loom on double width.

Josefin Waltin standing in field with plaid shawl over her arm, sheep in the background.
The finished shawl. Photo by Dan Waltin

For tools and designers, see this post. For a connection to Outlander, look here.