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Blue play

This week it was time to pinch my Japanese indigo plants. This will hopefully result in bushier plants. It also paves the way for new plants and some blue play.

Please don’t ask me anything about the dyeing process as I have no idea what I am doing, I just follow instructions (and deviate from them) in the courses I am taking.

I am childishly smitten by my indigo plants. I have one rectangular container just outside the front door where I can keep an eye on them, plus a couple of pots in the pallet collar greenhouse. The other day I couldn’t help myself, and prepared to pinch the Maruba plants and use the leaves for dyeing.

Maruba salt rub

It’s generally best to pick fresh indigo in the morning, but this first time I did it in the afternoon, just because I couldn’t help myself. I got quite a lot from my little indigo garden. I decided to do this as simply as possible, to be able to focus on the process that was all new to me. This means that I didn’t weigh either leaves or textile, I took no photos during the process and I had no particular expectations.

I decided to to the salt rub method – a method where you use salt to extract the liquid and then massage the leaves with the textile for 5–20 minutes. It was lovely to watch the liquid and the textile – supported spindle spun silk yarn in this case – slowly change in colour and depth. This needs to be done fast! As soon as the leaves are broken and/or dried the blue colour comes out of the plants and is consumed.

In one of my vases of indigo stalks, one stalk doesn’t reach the water. The plant dries out and the blue colour emerges.

I cut the plants, placed the cuttings directly in cold water and removed the leaves from the stalks. When I had removed all the leaves I put them in an empty bowl together with a little salt and the hank and started massaging.

Three mini hanks of supported spindle spun mulberry silk yarn dyed with indigo from the salt rub method and its afterbaths.

I massaged my mini silk hank for about 17 minutes and got a sweet mediterranean blue. The silk looks a bit tauseled from the massaging, but I don’t mind. I just love the colour and the fact that I got it from my very own plants. As I washed and rinsed the skein the water turned a bit yellow and the skein a little more blue.

Newly cut indigo Maruba plants. In the background vases of deleaved stalks waiting to grow roots.

I cut the plants to make them bushier – when I cut just above a node of the stalk, two new stalks will grow out. I saved the deleaved stalks and put them in water to grow roots. When the roots are long enough I will put these new plants in soil.

Afterbaths

I put another skein in the leftover liquid and leaf mix and placed it in the greenhouse overnight. the skein turned into a lighter turquoise than the salt rubbed skein. I continued the process with the same bath on the stove at low heat together with a new skein and a little baking soda. After a while the skein turned into sort of an olive part of the spectrum. I added a simple thread that got some beige colour, perhaps learning slight towards pink.

Kojoko salt rub

This morning I pinched my Kojoko plants. There were only four plants to pinch, so I just put a simple thread in it. And some of my hair! I envisioned a blue curl, but all I achieved was a green forehead. And, in a certain light, if you squint, you can see a shape of blue. I was really hoping for my white strands to deliver here, but I guess I’ll have to wait for some more white before I can get that blue curl.

Yarn samples! The top yarn has swum for a short while in an afterbath from the leftover leaves and liquid of a salt rub (Maruba). The bottom yarn has been dyed in a later salt rub (Kojoko).

Even if the hair dye wasn’t successful I really love the colour I got on the silk yarn sample, a very crispy mediterranean blue. It felt different than the colour I got from the Maruba. It might have been the difference in species or difference in harvest time, I have no idea.

Oh, and I might have lost the turquoise sample thread down the drain as I rinsed. I might also have lifted out the drawers from the washstand and unscrew the pipes to get hold of the thread.

Eco print

I also tried some eco prints with a few stray leaves. These turned out way richer in colour than the baby leaf I printed a couple of months ago. I love how the colour is richer close to the nerves and the stalks than in the rims and the tips.

There is a lot more depth in this eco print than the one I did a couple of months ago with a baby leaf.

There is so much potential in this plant! I have just started playing with it and there is so much more to explore and discover.

Woad status

Meanwhile, in my fox violated hügelkultur, my woad plants are mostly alive. Some have died in the drought, but I still have around eight European woad plants left and a few less of the Chinese woad.

Chinese woad plants under the compost grids, reasonably safe from the fox. Note the baby oak in the foreground.

I think the fox has tried to dig its way in, there are traces outside the oak branch wall of the Hügelkultur, but so far the woad babies are all right.

Tomorrow I’m leaving for Sätergläntan where I will teach the five day course A spindle a day. I am very excited and hope to learn a lot!

Happy spinning!

You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.fleece section about how I spin yarn from Swedish sheep breeds.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.
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Blue reality

In the end of April I wrote a post about growing woad and Japanese indigo and of my blue dreams. Today I share the progress and setbacks of my blue reality.

I walk down to the community garden at 6.15 am to water the allotment. The air is still cool, but I know it is going to be another hot day. The air smells of morning and I soak it in and let it into my lungs. Slowly I fill the watering cans and pour the dear drops over the allotment beds. The drops fall differently on different plants – flowing down the matte kale leaves, softly bending the broad bean stalks and flowing over the flax plants like a wave on the ocean.

Indigo cuttings

I am taking a course in growing, harvesting and extracting dyestuff from woad and Japanese indigo. We have two sorts of each – European and Chinese woad and the Japanese indigo sorts Maruba and Kojoko. We got baby plants of the Kojoko, since it has quite a long developing time, and seeds of the Maruba.

As soon as the Kojoko babies were large enough I cut them and made new plants of the cuttings, and as the new plants were large enough I made another set of new cuttings. I just love the idea of making new plants from existing ones! The indigo cuttings produce roots really quickly, I can almost see them grow. And once the new plants are in the soil they start growing almost immediately.

A glass vase with green leaves. The short stems have developed roots.
My Japanese indigo cuttings are developing roots.

Plants at play

The Maruba that I got seeds from have also germinated and grown into fine specimens. A couple of weeks ago I decided the plants were big enough to come out and play. I planted both the Kojoko and the Maruba plants in clusters of 3–5 plants in a rectangular planting box outdoors, just by the front door so I can keep a close eye on them. I draped a garden fabric over the plants to protect them from too strong sunshine and to give them a more even temperature. And of course I used wool as mulching to keep as much moist as possible in the soil.

Japanese Indigo, Maruba
Japanese indigo, Maruba and Kojoko.
JApanese indigo, Kojoko
Japanese indigo Maruba (left and center) and Kojoko (center and right).

The plants seem to have adapted quite well to their new home. I keep two pots under garden fabric in the pallet collar greenhouse too. They are larger and seem to thrive more than the ones outdoors. However, they may be more sensitive to dehdrating or pests. I imagine it can’t be bad to have plants in two locations, should anything happen to any of them.

Woad woe

I replanted the woad plants outdoors a few weeks ago. We have a Hügelkultur in the far end of our garden, built from branches from a felled oak. It is quite large, and my idea was that it would be perfect for the woad. I arranged the bed with fresh soil and covered it with wool before I planted the woad in it.

A plant growing among wool. A compost grid shows above the plant.
A sweet little plant of European woad.

One morning the bed was in total shambles – someone had dug up the soil, leaving the tiny plants to their own destiny. I’m almost sure it was our local fox, perhaps it is looking for places to bury pray for the winter. I remember looking out the window one morning years ago, to find the fox digging up a very dead rat from our kailyard.

With tears in my eyes and brutally struck by this blue reality I replanted the plants I could save, plus some other ones that I still had in pots, covered the soil with compost grids and hoped it would keep the fox out. It didn’t. This time the plants were totally ruined.

The foxes’ forest

More tears, the last pot plants, four grids and heavy stones were offered to the Hügelkultur. The next morning the Borlotto beans, with no grid, were dug up.

Two pots with indigo plants in them.
Japanese indigo Kojoko (left) and Maruba (right).

We live in a city, but it is also the foxes’ forest and we have to deal with that. I cry a bit and move on. One second I dream about exploring the different extracting methods to dye my handspun yarns, the next I deal with violently and irrevocably broken stems. I tell myself that this is gardening. I can do my very best with my plants, but I can’t stop the slugs from gooing their way across the soil, eating everything in their way, the roe deers from munching peas and chard, blackbirds from pinching the strawberries or foxes from organizing their winter pantry. Or, as this June so far, the sun from drying the soil for weeks on end. I’ll just have to deal with it.

The garden potty

One way to take care of our plants to the best of our ability is to pee on them. Or, rather, water them with diluted urine. Urine is one of the best fertilizers. In fact, most commercial fertilizers are based on the Nitrogen-Phosphorus-Potassium ratio in urine. I use my garden potty, designed to work as a watering can, for that particular purpose. I dilute the urine 1:10 and water the most nutrient craving plants with it – kale, tomatoes, leeks, courgettes, chili. And, of course the Japanese Indigo. Practical, easy and cheap!

A large, green watering pot with a red, heart-shaped lid. Behind it pots of tomato plants.
The garden potty ready to deliver some nutrients to the tomatoes.

You can read more about this at Sara Bäckmo’s site (in English or Swedish). She is one of my favourite gardening queens.

Eco printing dreams

It seems to be the summer of colour dreams. As I have been obsessing over videos and tutorials of different ways to use indigo plants for dyeing, videos with eco printing have popped up too. At first slight I wasn’t that jazzed about it, but now I am equally obsessed with that. I have bought seeds for a number of cosmos (rosenskära) species, as well as coreopsis, pin cushion and hollyhock (tigeröga, praktvädd och stockros) to have a library of flower shapes and colours.

A piece of white sheet fastened on a laundry line with a clothes’ pin. A blue leaf is stamped onto the cloth.
My very first eco print, a leaf of Japanese indigo Kojoko.

To be able to play other seasons than summer, I also bought a flower press for bundle dyeing with pressed flowers. I keep a close eye on Swedish eBay for second hand clothes in linen and silk, that may potentially look better with some flower arrangements printed on them. Also I have a plan to sew a dress designed for eco printing. In the meantime I look at the sweet little swatch I made my first indigo eco print on and listen to my heart singing, in blue.

The Dogwood Dyer has good tutorials for eco printing, bundle dyeing and what plants to use for it. She also has tutorials for working with fresh indigo and some sweet inspiration on her Instagram account.

It hasn’t rained for weeks, the lawns are yellowed and the plants seem to have come to a standstill. The weather forecast promises rain on Sunday. I want to drink in the smell of fresh summer rain, see the leaves cleaned of pollen and dig my hands into moist earth. At 7.15 am I am done. I have filled and emptied two 13 liter watering cans 11 times each into the garden beds, hoping the water will sustain the plants a little longer. I long for Sunday.

Happy spinning!

You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.fleece section about how I spin yarn from Swedish sheep breeds.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.
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Knit sleeve jacket

It’s done. The knit sleeve jacket I have been working on since I started spinning the sleeve yarn four years ago. This is one of my biggest projects. It includes five different textile techniques, and I am glad to share it with you today. It’s really done.

It started with sweet locks of dalapäls wool and a dream of a knit sleeve jacket. This project has been with me for such a long time and I can’t believe it’s finished.

The making

Creating this knit sleeve jacket has been such a joy. I have had this project in my hands in one way or another on and off since 2019. The sleeves have been with me on many train rides and vacations. Lately also on coffe breaks and meetings at work.

In 2023 I have worked on the sleeves more focused and finished them, and since mid-April I have sewn and embroidered almost every evening. I have felt the soft and safe wool in my hands over and over again.

A five-technique project is finished and I am very proud of it.

Sometimes when I craft I watch a series or listen to an audiobook. But for this project, I have mostly just enjoyed being in the materials and in my hands, letting my thoughts come and go like the wool between my hands, the stitches from needle to needle, the thread up and down the cloth and my breath in and out.

The model

This jacket has elements that are traditional in the County of Dalarna. I am not from Dalarna, but I am intrigued by the techniques and the rich textile heritage of the area. The techniques are sometimes used together, but probably not the way I have put them together. So, while to an untrained eye (like mine) the jacket may look like something of a folk costume jacket, it is not. It is just the result of my exploration and celebration of various techniques and designs.

The lining is almost in place, just the front opening left to stitch.

Five textile techniques

So, in this project I have used five textile techniques:

  • I spun the yarn on a supported spindle. The wool comes from the longest locks of several dalapäls sheep.
  • I two-end knitted the sleeves with my spindle spun yarn
  • I bought the broadcloth and hand sewed the bodice with waxed linen thread (commercial). I ebayed the lining and machine sewed it together and hand stitched it onto the broadcloth
  • I wove the band with a commercial linen yarn
  • I embroidered the greenery with påsöm technique and commercial yarn.

I will walk you through the techniques and my journey with them.

Supported spindle spinning the yarn

I started this project in 2019, spinning the yarn from locks of dalapäls wool on a supported spindle. This has of course taken a lot of time, but I have loved every spinning second. Dalapäls wool is very shiny and has strong outercoat fibers and fine undercoat fibers.

I have spun the sleeve yarn on supported Björn Peck spindles from teased locks of dalapäls wool.

I opened up and lightly teased each staple and spun from the cut ends. This was to make sure I got both undercoat and outercoat fibers evenly in the yarn.

Since I wanted to two-end knit the sleeves I spun the yarn counter-clockwise and plied clockwise. This way the yarn looks its very best for this particular technique.

Two-end knitting the yarn

Tvåändsstickning, or two-end knitting is a technique that has an old history in Sweden, and particularly in Dalarna. The knitter alternates two yarn ends, usually the inner and outer ends from the same ball, and wrap them around each other at the back between the stitches. Tvåändsstickning means two-end knitting. A common translation is twined knitting. This translation came about since someone decided it was more commercially pleasing than two-end knitting. I prefer the latter.

From lock to sleeve through teasing, spinning, plying, skeining and hand winding a centerpull ball.

After some adventures with running out of yarn, finding a suitable substitute sheep, frogging and reknitting I finally knit up to the armholes this spring. In April this year Karin Kahnlund, master knitter with two-end knitting as her specialty, helped me calculate how to decrease for the sleeve caps. I knit the caps in the round and cut the steeks when I was happy. All of a sudden I was done! And very happy.

The finished sleeves. Right side out (top) and wrong side out (bottom). The twisted stitches create horizontal ridges on the wrong side, making the fabric very sturdy and wind proof.

The sleeves weigh approximately 250 grams each, without the embroideries. Here are some resources about spinning and knitting the sleeves:

Hand sewing the bodice

Karin Kahnlund also helped me find a pattern for the bodice, a model called Gertrud. This also happened to be from the County of Dalarna. I had been thinking about having a professional seamstress sew the bodice for me, but Karin cheered me on to do it myself. And I am glad I did, I got to spend some lovely time with high quality broadcloth and waxed linen thread in hand.

I made a tuile out of an old sheet and felt very grown up.

The bodice pattern is quite simple. Two back panels and one front panel with two vertical darts on each panel. The front opening is also shaping the garment. I made a tuile out of a sheet first to make sure the fit was right. The bottom hem was originally straight, but I added some shape to it.

Gertrud the bodice, in fine broadcloth.

Years ago I had an itch for ebayed textiles. In one Ebay raid I found a piece of printed cotton cloth that I immediately knew would serve as the lining for the bodice. However, the piece was too small, so I paired it up with a similar fabric from the same raid. I did machine sew it, but stitched it to the bodice by hand.

A woven band

You know when you get an itch to weave a linen band in candy store colours? Well, I did, and I happened to find colours that would perfectly match the jacket lining, in Kerstin Neumüller’s web shop. Initially I had planned to do something with the band on the lining, but as I saw one version of the bodice pattern with woven bands along the front openings, I knew that was where they should be.

A woven linen band in candystore colours, perfectly matching the ebayed cotton lining. Clasps from DiviniCouture. Right photo by Nora Waltin.

I wove the band on a backstrap loom, using just a bundle of hand carved sticks. Here is a blog post poem I wrote while weaving the band on a train ride back in February.

Påsöm embroidery

Påsöm is also a technique that is traditional in Dalarna. Bulky, almost paw print like flowers stitched with 4-ply, airy yarn in scrumptious colours. Who wouldn’t want that on their two-end knitted sleeves? As it turns out, the dense quality of two-end knitted fabric works perfectly for påsöm embroidery. A tradition in Dala-Floda, where the påsöm technique has been mostly used, is to stitch påsöm patterns on two-end knitted mittens. I decided to fill parts of my sleeves with the bombastic flower arrangements, with commercial yarn from Flodaros. I wouldn’t dream of spinning this yarn myself, let alone dye it.

The finished sleeves, Left underarm and right upper arm. To the right are some traditional two-end knitted sleeves. On some of them the pattern is larger the closer to the shoulder they get.

In some older knit sleeve jackets with knit patterns, the shapes are larger the higher up on the sleeves they are placed. I wanted to do something similar with my embroidery. On the right upper arm the top flower is larger than the middle and the bottom one and the arrangement also narrowes downward. On the left underarm the pansies are the same size, but the greenery gets larger towards the elbow.

You can read more about påsöm embroidery here. And here are some of my other påsöm projects: A hat, a pocket and a spindle case.

If you are a patron (or want to become one) you can see some of the påsöm embroidery on the sleeves in the May 2023 video postcard.

Embroidering on two-end knitting

Påsöm embroidery has been traditional on two-end knitted textiles. Because of the technique with the tight knitting, the twisting on the wrong side and the fine needles, the fabric is quite dense and inelastic. In this sense, it behaves more like woven fabric than knitted. I can stitch my embroidery without using an embroidery hoop and without running the risk of the sleeve getting bubbly or the embroidery pulled together.

Two-end knitting is a lovely textile to embroider on.

Still, it’s different than embroidering on broadcloth and it was a delight to get to know the cooperation between the påsöm embroidery and the two-end knitted material.

Wearing the knit sleeve jacket

As I put the jacket on I suddenly wear all those hours of making – spinning, knitting, sewing, weaving and embroidering. I know every nook and cranny of this jacket and I am proud of every corner of it, including the wonky stitches. Perhaps especially the wonky stitches. This jacket has been made with such love, dedication and curiosity.

The sweetest linen shift, from the Berta’s flax project (video screen shots).

The other day I picked up a parcel from my friend Christiane of the Berta’s flax project. She had sent me the most beautiful handspun, handwoven 120-ish year old shift that was just perfect to wear underneath the knit sleeve jacket. It was likely worn by an Austrian woman named Josefine.

Wearing this jacket is such a joy!

I had no idea of the finished result when I started spinning the yarn. All I knew was that I wanted to make a knit sleeve jacket. It’s here now and I love it.

The early summer light

There is a spot near our house that turns magic for around fifteen minutes every evening during just a couple of weeks in June. The evening sun shines through the trees onto the light green and fresh grass. The light is truly magic. It’s there for such a short time (provided the sky is clear), yet I giggle at the thought of the limits. I can’t get everything the way I want it. Nature decides, just as it should.

Greenery in the early summer light. Photo by Nora Waltin.

Yesterday I went to the spot for a photo shoot. I was back at the time and the spot where I, three years ago, shot a video of me spinning the yarn for the sleeves, catch the light. I brought my tripod and my daughter to the spot and shot a series of photos and a video with the finished jacket A special feeling indeed. Pop over to my Instagram account to see a reel from the photo session.

Happy spinning!

You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.fleece section about how I spin yarn from Swedish sheep breeds.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.
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Stitches and garden beds

I get out in the fresh morning air to dig my hands into the soil at our community garden allotment. In the evening I sit down with an embroidery. It occurs to me that these seemingly different creative outlets do have a common ground. Today I will guide you through stitches and garden beds.

Come what May

May is a hectic time in the garden beds – the window sill is filled to the brim with pregerminated plants looking towards the garden with longing in their buds, waiting to come out. To make room for them in the pallet collar greenhouses just outside the front door I need to find a spot in the garden beds for the plants already in the greenhouses. The plants need to go in the right quarter of the crop rotation and with the proper companion plants. It’s a giant puzzle with aesthetics, context and function to consider.

Baby kale plants accompanied by tiny Cosmos. Slugs have already started to nibble at the leaves. Imagine floral abundance and bombast in a month or two!

I plant, take a few steps back to imagine colours, height, shapes and space a couple of months from now, coming in closer to add another plant. Back and forth, trying to imagine all the parameters, worrying about plants that haven’t germinated yet or the absence of rain. Taking into account trees and shadows, garden paths and soil depth.

Flowers fit for a queen

I remove the lace curtain from atop the kale patch
and look at the plants I have just snuggled down in the soil.
The pointy and dark black kale leaves with almost burgundy undersides,
the light green rounded brussel sprout leaves with a matte finish.
All plants only three apples high at the moment,
but in a month or two considerably taller.

I imagine the bubbly black kale,
tall and mighty, looking out over the garden like a queen at her subjects.
Yes, she is the queen of all the lands.
I close my eyes and see the brussel sprouts holding on to the stem,
tightly, tightly,
top leaves sprouting out above like tufts of hair.

Flowers! The kale needs flowers, something fit for a queen.
Marigolds, certainly, brightly orange in the sun.
A nasturtium or two, winding their way between the stems.
And cosmos, sweet cosmos with their pink flowers
almost floating on top of the dill-like greenery,
moving softly, majestically in the breeze.
Fit for a queen indeed.

I open my eyes and tuck the plants back in under the lace curtain,
heart singing of gardening joy.

Afternoon bliss

At noon the sun becomes too strong. I wave the allotment goodbye and go inside. I tell myself it’s enough for today, but I still get back a few hours later when the garden is cooler, looking against my better judgement to see if any plants have grown or germinated while I have been gone. They usually haven’t.

I stay for a while, enjoying the stillness of the afternoon. Having my hands in the soil is a joy. I feel the earth in my hands, see the busy workers in the soil and smile at the sweet sprouts as I imagine them all grown up and ready to harvest in August.

Evening stitches

In the evening I work on a påsöm embroidery. I have the main shapes all finished and need to embellish with greenery, small flowers and extra sparkle, fill out the empty spaces and find harmony in colour, shape and distribution. I stitch for a while, put the project down, take a few steps back to imagine the finished result.

Stitch by stitch, petal by petal I grow my flower bed with yarn.

Just as I am ready to walk away I see something in the corner of my eye, a shape for an empty patch. I can’t help myself, draw the shape onto the fabric and start stitching again. Just one more leaf.

Plentifully green 

Flowers all set, in pinks, whites, ruby and deep purple.
now to add greens.
I want overwhelm, abundance,
stitches so plentiful there is no room for a single more.
Stitch by stitch I fill in the blanks,
add leaves to every naked stem,
sneak in a daisy or two.

I stitch to the very last piece of the wool.
I back away to see the entirety,
come back close to add another leaf.
Details and whole in a sweet dance,
choreographed by colour, texture and shape.
With needle in hand
I grow a flower bed with yarn.

Parallel creative processes

Creating an embroidery is not that different from creating a vegetable garden. As I work with these two processes at the same time, imagining a result I can’t really predict, I realize they are in some way part of the same process; of wholeness and details, context and creativity. I have gone through these processes before, just not at the same time.

It still needs lots of greenery, but it’s getting there!

I can feel the neural pathways from the two processes come closer to each other and suddenly wave; ”Hi! Fancy meeting you here, let’s flow together!”. And they do, side by side, diverging and converging, all at their own pleasure. The power of plants and stitches suddenly walk together in a new pathway, discovering new perspectives and aesthetic connections between beds and embroideries, plants and stitches, together.

Happy spinning!

You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.fleece section about how I spin yarn from Swedish sheep breeds.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.
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Spring hackling

Last weekend I decided to process my 2022 flax harvest. Flax processing is always more laborious than I tend to remember it. Lucky me I had already broken and scutched it, back in September. Join me for some spring hackling!

As I was watching my 2023 flax babies sprout the other day, my thoughts went to my 2022 harvest. To save workload and storing space I had already broken and scutched the harvest from my two flax beds, so I just had to run it through the rough and fine hackles.

I broke and scutched the 2022 flax harvest in September. Scutched flax to the right.

Processing flax takes time and energy.

Processing flax takes time and energy.

Processing flax takes time and energy.

Spring hackling

Now I should remember for next time, shouldn’t I? Because there is no “just” in flax processing. There is always time, hard work and bloodshed involved. Still, having the flax already broken and scutched back in September was a sweet gift to myself now, eight months later. When I harvested the flax I also divided it into qualities – the edge plants (thick plants and rough fibers) in one bundle and the rest in separate bundnes according to fineness and length.

Rough hackling

I have two antique hackles, one rough and one fine. I let the flax go through both of them. As I rough hackled the flax I could feel and see the difference between the bundles. The finer the flax the shorter the fibers.

Spring hackling! As I rough hackle my flax the boon falls out from the fibers, leaving a smoother bundle.

Rough hackling is always quite straining – the boon (the pieces of cellulose that are made up the core of the plant and were broken in the first stage of processing) gets stuck between the fibers, and so does any underretted fibers. Therefore I need to work to get the flax through the spikes. But it did work and when I looked around me on the floor I was fascinated to see how much boon had fallen out of the fibers and down to the floor.

Fine hackling

When I had gone through all the bundles with the rough hackle, I was ready for the fine hackle. I made sure not to take too thick bundles, to avoid strain on both my muscles and the fibers. Most of the boon and underretted fibers were out by now, but the fine hackling further aligns the fibers and removes tangles and the little boon that may be left. Provided the flax has been properly retted, of course. I’ll get to that further down.

With the fine hackling I further align the fibers and remove tangles, underreted fibers and remaining boon.

In the fine hackling process I can really see and feel the quality of the flax. Since I had sorted it into qualities from the beginning, the bundles were very even in both length and quality. I was very grateful for having gone through the trouble of sorting the flax back in September.

When all the flax had gone through fine and rough hackles I was totally exhausted. I may have hackled for over two hours – flax and fingers. My hands looked like a mess, totally unfit for the photo shoot I had planned. Let’s take it again, with an addition: Processing flax takes time, energy and skin.

Hackle waste

All through the hackling stages I got lots of waste – for every bundle I had to remove waste from between the hackle spikes once or twice. I ran this waste through both hackles again, to remove the very shortest bits and free the usable tow for a rougher yarn and/or weft. It resulted in a sizable strick of my re-hackled hackle waste.

I re-hackle my hackle waste.

The waste from the hackle waste ended up as mulching under my red currant bushes.

Josefin’s vs Berta’s flax

Last summer I spent a lot of time on the balcony, spinning exquisite antique flax from the Austrian Berta’s flax project. Spinning that was a dream. Working with my own flax harvest now gave me a good idea of what high quality flax should look like – the antique flax was perfectly retted and was very smooth to spin. I realized that, even though my 2022 harvest was the best so far when it comes to length, quality and yield, it was slightly underretted. But I am very proud of the process and the result, and grateful for learning something new on m flax journey every year.

Voilá! My 2022 flax harvest all hackled and ready to spin. Slightly underretted, but still my best yield and quality yet.

My 2021 harvest, though, was a retting disaster – so much was wasted in the hackling due to underrating, I almost cried. But then I reminded myself that this is an experimental flax patch – I do it to learn. Even if I will never come near the quality of the antique flax, I know now that I need to be even more thorough in my retting process.

Lessons for the 2023 retting

Retting is truly vital for the quality of the fiber. Had the flax been properly retted I would have been able to remove more boon in the scutching step and less in the hackling step. It would have given a higher yield and lower waste. It would probably also have been a less straining hackling process for me. I’m certain it wouldn’t have resulted in less bloodshed. To add to my high expectations of my 2023 retting I am thinking about water retting it in a kiddy pool.

Flax chronology

I have grown an experimental flax patch every year since 2014. The first year I had no intention of processing the flax, it was just a bag of seeds I saw and bought. But as August came that year I decided to process it after all. The strick is very short and with the circumference of half a rat’s tail, but still, it’s my very first flax.

My experimental flax patch 2014–2022 (left to right). All stricks from 2021 and 2022 are not in the picture.

Some years were underretted, some years better, but every harvest different from the previous. The difference can be in colour, length, retting or other. It is truly interesting to see the result every year and the difference between the harvests. I do like to think that I have improved since I started.

Flax summer of 2023

Every year’s flax harvest i have placed in a paper bag. I have been practicing and procrastinating, waiting to gather enough courage and flax spinning skills to deserve to spin it. In the meantime I have spun commercially prepared flax. Last year, when I spun the Austrian flax I realized the difference and the amazing quality in the Austrian antique flax.

This summer my plan is to spin my own flax, for the very first time. Very exciting and a little scary. I will make separate yarns from each harvest (perhaps not the 2014 harvest) and perhaps weave something where the difference shows. I think the time has come now, I do deserve to spin my own flax harvest. Before I do I will rehackle it all and brush it with my flax brush. You can see a video where I rehackle and brush old flax here.

Happy spinning!

You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.fleece section about how I spin yarn from Swedish sheep breeds.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.
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Postcards

Earlier this week I shot, edited, transcibed and captioned what I call a video postcard – a simple and straightforward video greeting from me where I talk about a project I am working on. I create the postcards for my patrons.

If you want to get my video postcards you are welcome to become a patron on patreon.com.

I made my first video postcard a couple of years ago when I was on holiday in Abisko with my family. I talked about the area and the vast landscape in the northernmost part of Sweden and the middle of Sápmi.

A compelling format

That first video postcard was just a spontaneous greeting. I did enjoy the format and decided I would do it as a regular thing, just saying hello to my patrons once a month. It gives me a more personal connection to a smaller group of readers than I can provide in my public videos.

In the March 2022 patron postcard I start weaving a rya Beach pad for my husband’s 50th birthday (video screen shot).

Since then I have made several video postcards, some from vacations, some from home and some from the weaving room. I have talked about spinning bulky yarns, weaving a rya rug, spinning a lopi style yarn, teaching at Sätergläntan, picking a fleece, spinning silk and lots more.

Patron perk

I create my video postcards as a perk for my patrons. They have chosen to support me financially because they enjoy what I do. By the monthly fee they support me with, they play an important role in helping me keep my free stuff free for those who can’t pay. This way a large part of what I publish is free and accessible for a larger audience; this blog, my youtube videos, webinars and a lot of the courses, challenges and lectures in my online spinning school.

Cutting down the rya warp in the Weaving room in the June 2022 patron postcard (video screen shot).

Relaxed

The video postcards are always very simple and unpretentious. To keep them as simple as possible I don’t use a script and I usually shoot the video in one take and with a minimum of editing. I allow these videos to be as natural and low tech as possible. I want to enjoy making them and not see them as a burden. It’s very liberating to make these videos totally unscripted for a group of people that is as nerdy as I am, very differently from how I would approach a public youtube video.

In the August 2022 patron postcard I am in Austria, pointing out Schafberg/Sheep Mountain (video screen shot).

Sneak peeks and deep dives

Sometimes I make the postcards as a sneak peek into something I blog about later, sometimes I dive deeper into something I write about. Other times it’s just a simple greeting from a place I am visiting. Every postcard is a sincere thank you for the support I get from my patrons.

An improvised camera setup for a weaving moment for the October 2022 patron postcard. Photo by Dan Waltin.

Fresh from the editing room

The video postcard I made this week was about a project I have been working on for several years now and that is almost finished. Two shots in different angles, a bit of editing, transcribing the narration (this takes time, though) and captioning.

In the May 2023 patron postcard I show some påsöm embroidery on my two-end knitted sleeves.

Just to give you a glimpse of what a video postcard can look like, I will share one of them with you. This one is from July 2022 at Sätergläntan where I talk about my course A spindle a day. Enjoy!

Happy spinning!

You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.fleece section about how I spin yarn from Swedish sheep breeds.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.
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Wheels

While you usually may see me with different kinds of spindles on videos and spinning courses, I do spin a lot on spinning wheels too. Today I introduce you to the five spinning wheels I have owned, three of which I still have.

A brand new episode of the Long Thread Podcast has been released, with an interview with me. You can listen to it here.

The first spinning course I took was with a suspended spindle. I spun with it for quite a while, but after some time I wanted to try spinning on a spinning wheel too. On the course I got to practice on an Ashford spinning wheel. I enjoyed it and decided to buy ny own spinning wheel. After some researching I fell for the Kromski Symphony.

Ester the production wheel

My very first spinning wheel is the stationary wheel I still spin with almost daily, my Kromski Symphony Ester. She is steady on the ground and I can spin a wide range of yarns with her.

My trusted production wheel Ester, a Kromski Symphony and the first wheel I bought. Note the distaff stand beside me – a carved stick stuck into a parasol stand and secured with cut off bamboo sticks.

I remember when I got her. I picked her up at the post office with my bike. My plan was to tie part of the package onto the luggage carrier of the bike and walk the whole construction home. It didn’t work, the luggage strap didn’t reach around the parcel. I tried to balance the package on the bike instead. This worked very well. For about three steps, before the whole arrangement fell apart. A man walked by and asked me several times if I needed help. I politely declined. Had I got myself into this mess the responsibility was mine to get out of it too.

After another few steps I realized I did need help. Somehow I managed to worm my phone out of my pocket with one hand while balancing the package on the bike with the other and call my husband to ask if he could meet me with the trolley part of our shopping trolley. He did, and after a while the wheel got home safely.

This photo was taken as a test shot for a photo shoot for an article I wrote for the fall 2019 issue of Spin-Off magazine. It is now a canvas on our livingroom wall. Photo by Dan Waltin

That evening I assembled my sweet Ester. The whole livingroom floor was filled with wheel parts together with crumpled up pages of Polish magazines from the 1990’s. In the middle was I, happy as a clam.

After having spun on her practically daily for the past 11 years I know her. I know how she works, I don’t have to think. Still, I learn new things every time I spin with her. I have no intention of exchanging her for a newer model.

Here is a video where I spin on my Kromski Symphony Ester.

Travel wheel Elvis

I did however want to find a spinning wheel I could bring on spinning courses and events. For my 40th birthday my husband bought me a foldable and portable Kromski Sonata. I called her Elvis (this is a word game founded in the Swedish word for spinning wheel – spinnrock – and how she rocks). For a travel wheel she was quite steady and worked very well. The problem with her was the size – she was very large when folded. Since I travel by train I found her too bulky – it was very awkward to take her on the train. I decided to look for a travel wheel that was a little smaller.

Elvis the travel wheel, a Kromski Sonata (video screen shot)

You can see me spin on Elvis the Kromski Sonata here.

Travel wheel Esmeralda

I found the Merlin Tree RoadBug, a small travel wheel that also had the option to spin with a quill. The American maker didn’t have a European supplier, but I decided to take the cost of shipping and import tax. I fetched her from the post office with my bike too, and this time it worked perfectly.

Travel wheel Esmeralda, a Merlin Tree RoadBug (video screen shot).

The RoadBug, Esmeralda, was indeed smaller and more portable than my Sonata and I did bring her out and about. But we never really got along. I decided to sell both the Sonata and the RoadBug and buy a travel wheel that would be steady, portable and smooth to spin with.

You can read a short blog post about when I got Esmeralda here. I did a couple of videos with my Road Bug Esmeralda, on English longdraw and English longdraw with a quill.

Berta the travel wheel

So, my new travel wheel would have to be a combination of the best parts of the RoadBut and the Sonata. I found it in a Majacraft Little Gem. Quite a pricey piece, but the sales of the first two travel wheels paid for part of it. She is a dream to both spin and travel with – smooth, luxurious, petite, yet sturdy. Eventhough I prefer a classic spinning wheel look, I find the look of the Little Gem very appealing. On a first glance she doesn’t look like a spinning wheel at all, but she is still very slender and well balanced.

Berta the Majacraft Little Gem, a sweet travel wheel (video screen shots).

Berta is the first wheel that I have named after a real person. The real Berta is my only Swedish great-grandmother. She was a crafts teacher and a skilled weaver. She is also the connection between me and my second cousin and sweet friend Cecilia. You can read about Berta the wheel and Berta the great-grandmother in my article Sliding hooks and textile heritage in the fall 2020 issue Spin-Off magazine.

Here is a video where I spin with my Little Gem Berta.

I haven’t used her much, though, since I haven’t felt the need to bring her on travels. But recently it dawned on me that I can use her at home too, I don’t have to stick to journeys to enjoy her. My plan is to get better acquainted with her this year.

Henrietta the flax wheel

So I had two wheels I was very happy with. A thought had started to emerge in my mind, though. The thought of a separate flax wheel. My carved stick in a parasol stand solution for a distaff didn’t feel that appealing. I had no serious plans of buying one, though. But a chance jumped at me. My aunt Harriet had died and my brother and I were driving to Gothenburg for the funeral. Normally we would have taken the train, but on that particular weekend the connection between Stockholm and Gothenburg was shut down due to maintenance. My Gothenburg friend Anna had posted and add about a wheel she wanted to sell. A petite pre-production Kromski Mazurka. With a distaff. So right in front of me I had a sweet wheel from a trusted maker and with a trusted friend in Gothenburg and a car going right there. I decided the wheel would come home with me.

Henrietta the pre-production Kromski Mazurka. On the picture to the right I’m wearing a hand sewn blouse that once belonged to my Austrian great-grandmother Henrietta.

Anna came to the hotel lobby where we stayed in Gothenburg and I got to try the wheel. I fell for her instantly. My aunt Harriet had been named after her grandmother Henrietta, one of my three Austrian great-grandmothers. But Harriet had secretly always wanted to be called Henrietta, and I think her husband did call her that in a very affectionate way. So in honour of both my aunt and my great-grandmother I named the wheel Henrietta.

At the end of last summer I spun a lot of flax on the balcony with Henrietta. While she had a distaff, it was a little too short for my long flax and a little too close to the orifice. Instead of keeping the distaff in the distaff holder, I held it in my hand. I have asked my wood turner to make me a longer distaff and perhaps I will be able to spin with my new distaff for Henrietta this summer.

You can read more about Henrietta the Kromski Mazurka here. And oh, since my grandmother (Henrietta’s daughter) came from Austria to Sweden at age 14 after WW1 with the Swedish Red Cross and got to stay in Berta’s family, Berta and Henrietta knew each other very well.

If you are a patron (or want to become one) you can hear the story of my Austrian heritage in the August 2022 video postcard.

Happy spinning!

You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to missanything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • You are also welcome to make one-off donations on my Ko-fi page.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the new book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.fleece section about how I spin yarn from Swedish sheep breeds.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.
Posted on

Blue dreams

After a number of utter failures I have mustered up the courage to plant indigo again – two types of Japanese indigo and two types of woad. This will be the summer of blue dreams.

Green leaf freshly picked
Imprinted on cloth, softly
turned blue overnight

A few years ago I tried growing both woad and Japanese indigo. The Japanese indigo didn’t germinate at all. I told the seller and I got new seeds. They didn’t grow either and I gave it up. The woad did germinate, but bite by bite the flea beetle ate every single plant. I gave that up too. I am quite fascinated, though, by the fact that I managed to kill an invasive plant like woad.

A sprouting yearning for blue

Despite these failures I haven’t given up my blue dreams. In early January I got inspiration again and looked around for courses. I found one quite far away from me and asked the teacher, Sofia, if she would consider teaching in Stockholm sometime soon. She wasn’t planning on it, but she kindly offered to send me indigo and woad seeds and planting instructions. I got the sweet seeds and they are now snugly tucked in pots in my kitchen window.

Indigo course

Just a couple of weeks ago my friend Cecilia found a course in growing, harvesting and extracting indigo from woad and Japanese Indigo, just a couple of kilometers from my home. We registered immediately.

The course has three lessons – one in April to plant, one in July to play and one in August to extract the indigo. I knew from the beginning that I couldn’t make the July lesson, but it was still worth it.

My blue dream start right here, in a pot of Japanese indigo Kojoko seedlings, together with baby leeks, chili and basil.

We had the first lesson a week ago at a nearby community garden. The teacher Katja told us about the plants and gave us an overview of growing and creating the best circumstances possible for the indican. Each of us got a tiny pot of Japanese indigo Kojoko seedlings and seeds for Japanese Indigo Maruba and European and Chinese woad. I have planted all my seeds and I can’t wait to tend to my new blue babies.

Blue dreams

While waiting for the seeds to germinate I dive into YouTube videos on how to use fresh indigo leaves with different methods. There is so much to play with! I was particularly fascinated with the salt rub method. So fascinated that I have started spinning a silk yarn to dye with the salt rub method and weave into a shawl. Perhaps Japanese indigo in different shades for the warp, and woad (that will probably be lighter than the Japanese indigo) for the weft.

Mulberry silk spun from the fold on a supported spindle. Picture these skeins in a range of blues.

I may be mad to think I can weave a silk shawl in a singles yarn with my very basic weaving skills, but I need to try it to find out.

If you are a patron (or want to become one) you can see how I spin silk yarn for my indigo experiment in the April 2023 video postcard.

Baby leaf eco print

I also stole a leaf from one of my Kojoko plants and made a single leaf eco print. I knew there was a risk that there wouldn’t be enough indican in the young leaf, but it doesn’t hurt to try, does it? Since the Indcan reacts with oxygen I also knew that the print needed time to find its blue colour. So I let it be overnight. Although I have to confess that I checked it every ten minutes or so in the evening.

The next morning the leaf was still chlorophyll green. Perhaps a tiny hint of blue around the edges. I had read that the chlorophyll could be washed away, so I wanted to try that. Just a drop of dish soap and water. I was astounded to find the green disappear and leave room for the indigo colour I had dreamed of. It was really there, on my patch of vintage cotton sheet. My heart tingled and I have come back to the blue leaf time and time again during the day to see if it’s still there.

My sweet blue baby leaf of Japanese indigo Kojoko.

There is so much potential in the tiny plants and pots I have. I will do my very best to tend to them with love and affection. Whenever I feel like an obstacle I will turn to my eco print.

One of the best fertilizers for the garden in general and for the Japanese indigo in particular is diluted urine. In fact, most of the commercial fertilizers copy the nitrogen/phosphorus/kalium ratio of urine. In Sweden we call it guldvatten, gold water. I will happily and lovingly pee on my plants and keep up my blue dream.

Resources

As I am a total beginner of growing indigo plants, please don’t ask me about how to do things related to indigo. There are many people who are experts on the subjekts. Below are some links and accounts I have found and been recommended:

  • Margaret Byrd has a lot of videos about dyeing with indigo in various shapes and forms. Here is one of her videos, on the salt rub method with fresh indigo leaves.
  • BillyNou had a lovely video too on the salt rub method. She, in turn, recommended the following two Instagram accounts
  • I followed Make with Mandi’s video on eco printing with indigo leaves.
  • The dogwood dyer, who has lovely photos and videos with various techniques with indigo. She also offers online courses.
  • Seaspell fiber also has photos, videos and online courses on indigo techniques.

If you have suggestions of additional resources, please let me know.

Happy spinning!

You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to missanything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • You are also welcome to make one-off donations on my Ko-fi page.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the new book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.fleece section about how I spin yarn from Swedish sheep breeds.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.
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Sleeves

In 2019 I started spinning yarn for a pair of two-end knitted sleeves. I have worked on and off on them since then, but now they are finally finished!

You can see videos where I spin the yarn here and where I knit the sleeves here. You can read more about two-end (twined) knitting here and about the project here.

It started with some sweet locks of dalapäls wool I got from a shepherdess, Carina. She had collected the longest locks from several of her sheep and I got to buy them. I had been keen to knit a pair of two-end knitted sleeves and when I saw the locks I knew they would be the perfect candiates for the yarn.

Two-end knitting

Two-end knitting is a very old Scandinavian knitting technique where you use two strands of yarn and twist them around each other on the wrong side. This creates horisontal twisted ridges on the wrong side and makes the fabric very sturdy and wind-proof. You knit quite tightly with small circumference needles.

The right side to the left and and the wrong side to the right.

I choose to have the right side facing, which is traditional in Sweden. In Norway it seems to be more common with the wrong side facing, often for workwear garments and accessories.

It takes time

I have worked on these sleeves for a very long time. With long pauses obviously, but spinning the 430 grams of yarn that the sleeves required on a spindle does take time. I spun the yarn on a supported spindle from the tip end of lightly teased locks. Mainly in bed in the evenings before I went to sleep. It was the loveliest way to end the day.

Here is the whole process – lock, teased lock, singles, plied yarn, skein, ball and the two-end knitted sleeve.

The knitting technique in itself is slow too, and add to that 2 millimeter needles and a tight gauge. As always, I have knitted the sleeves parallel. I do not want to risk either a second sleeve syndrome or different sized sleeves due to different tensions.

Many a journey

The sleeves have accompanied me on many train journeys, to the farthest north in Sweden and down south to Austria. The journeys and my experiences are now forever knitted into the sleeves.

The sleeves have accompanied me to many places.

I cast on for the sleeves just before I went to a teaching gig at Sätergläntan back in 2019. Two-end knitting is the perfect train craft – it usually dosen’t take up very much space and the knitting is slow and mindful. As the yarn gets too twisten I hold it up and let the ball untwist the yarn. I remember a lady watching me on the train, smiling. When I readied myself to get off she approached me and asked if I was going to Sätergläntan and if I was two-end knitting. She said she was nearly blind, but she had recognized the motion I had made to untwist the yarn. She was of course a knitter too and had taken many courses at Sätergläntan herself.

Frogging and finding sheep

I had calculated the increasing of stitches, but as I approached the upper arms I realized the sleeves were a bit on the slim side. On the 2020 wool journey I asked the teacher Karin Kahnlund for advice and she said I should frog a large part of the sleeves and make more increases. For a long while I didn’t knit at all, the project didn’t sing to me at the time.

Spinning away.

Eventually I did pick up the project and started the long journey to the upper arms, now with frogged yarn. It went quite well, until I realized I didn’t have enough yarn. I needed to find another sheep with the same staple length. I put the project aside again. Six months ago I did find my fleece – a lovely one from my dalapäls shepherd friend Lena’s ewe Nehne. I started spinning again. This time my heart sang. I had found a sweet spinning rhythm that moved me from winter to spring in a mindful flow.

Sleeve caps

I have been knitting on most of the coffee breaks at work since January, spinning at home on the couch. And suddenly, a couple of weeks ago I had reached the armholes. I wasn’t comfortable calculating the decreases for the sleeve caps on my own, so I looked for help. Luckily, Karin Kahnlund, one of the most skilled two-end knitters and knitting teachers in Sweden has her studio just a couple of kilometers from my house and she offers tuition twice a month.

I went to Karin’s place and found myself in the midst of five ladies and their two-end knitting projects and Karin walking between all of us and guiding us. She helped me calculate the decreases and gave me lots of feedback on my plans for the sleeves (which will be another post).

Cut the steeks

Two-end knitting is almost always done in the round. It is a lot easier than working back and forth. The back and forth method also results in stitches tilting in different directions. So her advice for me was to knit the sleeve cap decreases in the round and then cut the steeks.

Cutting the steeks is always scary, but it turned out lovely!

I know cutting steeks works perfectly fine, but still, it’s totally nerve wrecking! I did finish the decreases and I did manage to cut the steeks without either fainting or ruining the sleeves. The shape of the sleeve caps looks really nice. All is as it should be.

Fulling and fluffing

To make the steeks a little more reliable I decided to full them slightly. I also wanted to make the wrong sides a little fluffier against my skin. So I dusted off my sweet waulking board, turned the sleeves inside out and worked them against the board. As a bonus the soap and the hot water helped clean the sleeves too. They were a bit dirty from all their adventures through the last four years.

I fulled the wrong sides of the sleeves slightly to make them softer and fluffier.

I do have plans for a bodice to attach the sleeves to. I’m just not ready to share that yet. But I can tell you that it will be splendid! To be continued when it’s finished.

Happy spinning!

You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to missanything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • You are also welcome to make one-off donations on my Ko-fi page.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the new book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.fleece section about how I spin yarn from Swedish sheep breeds.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.
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New readers

Two weeks ago I published a reel on Instagram and for some reason it went viral. As I write this it has over 2 million views and nearly 90000 likes. It has also resulted in nearly 18000 new followers on Instagram. Some of you new readers may have found your way here to the blog and I thought I’d introduce myself to you.

First of all: Don’t forget to enroll in tonight’s live talk with me and Christiane Seufferlein!

Enroll here (replay)

While I’m happy my work has been so well received I’m also quite overwhelmed by the attention. I have the ambition to reply to every comment on Instagram, but the feed has gone through so fast and it has been impossible for me to keep up with the pace. Just know that I want to read all your comments, but it’s a bit hectic at the moment.

About me

So, I’m Josefin Waltin, a Swedish spinner, spinning teacher, course creator, blogger and youtuber. I have been spinning for the past 12 years.

Knitter

I have been a knitter since I learned to knit in school at the age of 10. I knit my first sweater at 12, in lilac mohair yarn, aboat neck and penguin sleeves. The sweater of my dreams back in 1985.

Josefin, agen 12, in my aunt’s summer house garden in Austria, knitting my very first sweater. Isn’t this the loveliest time document?

Spinner

12 years ago I talked about wool with a knitting friend, Anna. I was shocked when she told me she had heard that around 97 per cent of Swedish wool was burnt, dumped or otherwise wasted. Many sheep owners didn’t know what to do with the fleece. At the same time we imported tons and tons of New Zealand merino. Then and there Anna and I decided to learn how to spin, to be able to take care of a fraction of the wool that would otherwise be wasted.

The wool from Pia-Lotta the Swedish finull sheep was my very first fleece.

On our first spinning lesson we got a box of newly shorn wool in our laps, from sheep that were grazing outside the door of the barn we were sitting in. We got a suspended spindle in one hand and a pair of hand cards in the other. Little by little I learned how to prepare my wool from the shorn fleece.

I always work with hand tools to prepare my wool.

This is the foundation of how I spin and teach spinning today. I don’t buy yarn, I spin it. I don’t buy commercially prepared fiber, I prepare it myself. To feel the connection to the fleece that once grew on a sheep I want to have my hands in every part of the process. This way I get to know the wool. I allow it to tell me how it wants to be spun.

Youtuber

When I started spinning I was quite fascinated by the whole process from raw fleece to yarn and garment, and I still am. To document the process I made a YouTube video that spread far and wide. I called it Slow fashion – from sheep to sweater. I really loved showing my craft and the beauty of making in a video format. Since then I have made 70+ YouTube videos. They are mainly in a documentary style, focusing on the beauty of spinning rather than teaching the craft.

Slow fashion – from sheep to sweater.

All my videos are shot outdoors in nature. I want the setting to be peaceful and inspiring and I think the setting in nature helps express that.

Blogger

That first video made me want to express my craft in other media too, so I started this blog back in 2018. In the beginning it was somewhat disorganized, but after a couple of years I found my rhythm and way to express myself. Now I write every week, mainly about spinning and preparing wool for spinning. Sometimes in a more tutorial way, sometimes documentary. When I feel like it I write in a poetic style to honour the craft that is so deeply rooted in my heart.

There are over 300 posts in this blog. Browse around or use the search function if you are looking for something special. I’m sure you will find a post or content you like. If not, you are always welcome to suggest new topics.

Make sure to subscribe to the blog if you don’t want to miss anything. You can also check out my official Facebook page, I link to my blog posts there too. My private Facebook page will remain private though.

Webinars

Every now and then I host live breed study webinars. This is when I talk about the fleece from a Swedish or Scandinavian sheep breed from a spinner’s perspective. I walk the participants through the breed, the wool characteristics and show how I prepare, spin and use the yarn from the breed. It is a lovely time for me to spend some time with my readers and I keep these occasions close to my heart. I have done around ten so far, all of them paired with a blog post. about the breed, and hopefully I will be able to arrange another one before the summer.

Spinning teacher

In 2016 my family and I decided to stop flying. We took the train to Austria where I have family, a trip of around 25 hours and 6 changes. To have something to do on the train I learned how to spin on a supported spindle. I really fell in love with the technique and the mindful, rhythmic process. I made a couple of tutorial-style videos about spinning on a supported spindle.

One day a friend asked me to teach a class in the technique. And so I did. And I did it again. Ever since then I have loved teaching spinning. When I teach I grow as a person, as a spinner and as a spinning teacher. I strive to guide every student into becoming confident in their spinning. When the course is over I want them to leave with something more than just new skills, I want them to feel the spinning in their hearts.

I love teaching spinning and watching the students grow.

I teach mainly spindle spinning techniques and the process from raw fleece to finished yarn. One of my favourite courses is the five-day course A spindle a day, where the students learn four different spindle techniques in five days at Sätergläntan craft education center. There are still one or two seats left for this summer’s course!

Course creator

I also have an online spinning school You can find lots of both free and paid courses here. For the past three years I have published a five-day challenge just after the new year. I also offer courses in supported spindle spinning, in how to get to know your fleece, short lectures and much more.

Knitting designs

I won’t go so far as to call myself a knitting designer, but I have designed some knitting patterns. All of them are created for handspun yarn: The Heartwarming mitts, Selma Margau Sweater and Cecilia’s Bosom friend. You can find them in Spin-Off magazine.

Co-author

A few years ago I was contacted by Sara Wolf, an American who was writing a book at the time. She asked me if I wanted to contribute to it. We started a collaboration that ended in her putting me as a co-author of her book Knit (spin) Sweden! It is sort of a journey companion for knitters who travel to or just enjoy Sweden. She makes an excellent overview of the history of knitting in Sweden as well as a guide to where to find yarns from Swedish sheep breed. My contribution in the book is an overview of wool from Swedish sheep breeds and how I have experience them as a hand spinner. I have sent my handspun yarns to Sara in the U.S. who has shared her thoughts about the yarns from her knitting perspective.

Knit (Spin) Sweden!

Patreon

A lot of what I do and share is for free – blog posts, YouTube videos, webinars and some of the courses in my online spinning school. If you enjoy what I do, please consider becoming a patron at Patreon. That way I can keep offering things for free for those who can’t afford my paid courses. If you become a patron you will get access to patron-only goodies like previews of videos, course discounts and a monthly video postcard.

One of my favourite spinning tools is the supported spindle. This one by Björn Peck.

Once again: Welcome all new readers

and happy spinning!