I subscribe to the most beautiful crafting magazine, Hemslöjd (Craft). It has thick, almost cardboard-like paper, environmentally friendly print, and comes without plastic or irrelevant ads. The articles make me want to learn how to make baskets big enough to live in with their exquisite photographs and mesmerizing writing. Every time the Hemslöjd magazine comes in our mail box it is a feast and we all try to get it first. It has received numerous prizes for its appealing design and focus on unexpected connections between crafting and important matters in society.
Be still my beating heart
In the beginning of December the editor in chief Malin Vessby emailed me and asked for an interview about different spindle models. The theme of the issue was Wool and a friend had recommended me. I was thrilled. The magazine that takes my heart on crafting adventures over and over again wanted to feature me.
Two days later Malin came to our house. She stayed for two hours, asking me to tell her all about my around 16 different spindle models. Imagine that – two hours of talking about your favourite subject with someone who just listens and is genuinely intrigued!
Another few days later the photographer Sara Mac Key came. She spent two hours crawling around on our living room floor, chasing the best angles and spinning action scenes. Spindles were displayed in different arrangements, wool was combed and held into the pale December light and locks were gently fluffed up for the most scrumptious backdrop.
We spent a third hour on the metro. During the interview I had told Malin about my metro spindle and she wanted Sara to take a photo of me spinning on the metro. This was in mid-December when the sun is up between 9 am and 3 pm. The metro goes over a bridge where the sun shines through at the very top of the bridge. To capture the light we crossed the bridge back and forth a number times to get the best light and angle. We had a lot of fun!
A clonk in the mailbox
In the beginning of February there was a familiar clonk in the mailbox. The Hemslöjd magazine had come. It was bursting with juicy articles about crafters working with different aspects of wool – knitter, author and knitting author Celia Dackenberg. Weaver and artist Miriam Parkman (on the cover, like a queen). The traditional sock as a true working class hero. The new dawn of the Swedish wool industry with Claudia Dillman and her Gestrike sheep, a wool station in the far north and a young textile engineer with dreams about a Swedish spinning mill for worsted yarn. Täpp Lars Arnesson, fur and leather artist. All such royally talented crafters and artists. And me.
Pull the whorls
The title of the article is “Dra på trissor” (Pull the whorls). This makes absolutely no sense without an explanation. Dra på trissor is an idiomatic expression referring to amazement or astonishment. I’m not sure about what, though.
Malin managed to capture my relationship with my spindles and spinning, how they give me time to think and understand spinning on a deeper level. She could convey my view on slow as a superpower.
The article also features how I started my cooperation with Björn Peck who makes supported spindles for my classes. I am so proud of this cooperation. Björn is an immensely talented wood worker and such a nice person to work with.
After the magazine had been published I contacted the photographer and got access to some of the photos that hadn’t been used in the article. You can see them here in the post.
You can read the article (as well as other articles) for free in exchange for your email address here. If you haven’t brushed up your Swedish lately you can always pop the text into Google translate.
When you read this I will be busy fondling wool at the annual Kil sheep festival in Värmland in Sweden. I will tell you all about it in an upcoming post!
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