What’s it for?

How many times have you been asked that question, ”What’s it for?”. To me, it’s for love, for flow, for the connection between hands and mind, for the memory of the process.

A little ball of blue yarn, packed with adventures and so many tales to tell. It could never know what the world had in store for it. I am grateful for its gifts, for its stories and for the memories still vibrating in my hands.

Norwegian rains

It all started with white fleece from a Norwegian sheep. Long staples, showered with the misty mountain rains, lanolin pushed out to the tips. I picked it out among a flock of fleeces on a woolly journey many years ago.

The tips a while later – solidified and gunky. Fighting me, tangling, not allowing the combs through. I go for the flicker, gently open, break the solid grease and release, fibers fanning out into the air like branches in the autumn winds. Combing has turned into a creamy dream. Gone is the fighting, the struggle against the elements, here are only smooth fibers gliding gently into the dance of the combs. A bird’s nest of gentle shine and soft evenness, like a silken salon for the sweetest baby birds.

Drafting a dream

I spin and dance, hands in the wool, a dialogue back and forth. The fibers whisper to me, guide me through the draft. Hands softly mumbling, guided by the wool, listening to it, hearing its every whisper. Roll the thumb here, allow more fiber in there, stop, breathe and wait for the twist to settle. Let the fibers flow, glide past each other, keeping the rhythm, the smoothness, the ongoing process in my hands, the settling of the fibers into sweet yarn of mine.

Weaving with the trees

I weave a dream with a tree, the both of us tensing the warp, the movement of the up and down, talking to the tree, my partner in warp. Gently pulling away to tense, coming closer, inviting the slack, moving gently with the tree to allow the weft through the shed, the batten to beat, the cloth to take shape, grow and mature. Woven in the sweet shadow below the century-old linden tree, under its sprouting sticky light-green leaves in the pale May sun, brown leaves still covering the ground, the sky blue between diamond holes in the lace canopy.

Stitch by stitch I shape a bag, purposely planned, nothing wasted, nothing overflow. Just a strap and a body of sweet blue. A blue I always long for and against all expectations get just right this time. Kindly framing the natural sheepy white, soft and gently shining. A couple of stitches to assemble it all, roses in the belly, a pocket for heddles and sticks for other weaves, other trees.

I can’t leave the yarn, I can’t leave the weave. I need more and I keep weaving. Even slower now, a pick-up pattern, a camera strap for Dan who so generously shoots my crafting, the bag, the sheep and the wool. A camera guard in gratitude for his eye for beauty, light and angle, his art in my craft. White hearts winding down the strap of blue, pitch black rya to frame, thin bands to hold it together.

What’s it for?

My hands are cold on the keyboard, says Dan. I knit him a pair of mitts, tiny blue dots embraced by gentle grey. The blue ball is back, warming, embracing his hands. What are they for? they ask. Well for dancing across the keyboard as he types his brackets, darts and commands to turn the world around underneath his fingers.

Little band, little, band, I need to braid you. Darts and arrows, blue on white, white on blue, winding down the band. What is it for? they ask. Well the band is only the reminder of the process that goes through my mind as I braid, over two under one, left to right, right to left, keep moving the strands across until the band reveals its pattern, keep moving the process in my mind.

Hands warmed by tea

Just a couple of balls left now, still usable though. A white for a seaweed hat, a blue for another, a bubbly sideways stripe.

Smaller and smaller, a short strand for reading the sweetest words, a kind reminder of where I finished the last sentence, hidden between the pages, keeping the words in order when I am not there to inhale their beauty. What’s it for? they ask. Well, for words to enter my heart and soul, for inspiration to flow and for hands to be warmed by tea.

An open book with a thumb book holder with a blue yarn through it.
A gentle strand of yarn serves as a book mark to keep the words neatly in order.

A ball of yarn is all that is left, a little blue ball, reminding me of its adventures through the Norwegian mountains, the rains, the flooded ballerina skirt wool before it landed in the twist into the yarn into the weave of my heart. What is it for? they ask. Well for love, for beauty and for the vibrating memory of a process, of creating the sweetest little blue ball of yarn.

Close-up of a ball of blue yarn.
The little blue ball of yarn reminds me of the process in my hands and my heart.

Inspiration

My friend Anna sent me this essay by Barbara Kingsolver that may be some of the most beautiful words I have read. It inspired this post, together with a skin thinning meditation by Beth Kempton.

Projects mentioned:

Happy spinning!


You can find me in several social media:

  • This blog is my main channel. This is where I write weekly posts, mainly about spinning. So subscribe!
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden or to book me for a lecture.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons are an important way to cover the costs, time and energy I put into the videos and blog posts I create. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.
  • I am writing a book! In the later half of 2025 Listen to the wool: A why-to guide for mindful spinning will be available. Read more about the book here.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

Looking back at 2023

This time of year I like to take a look back at the blog posts (52 as it turns out) I have published and see where they have taken me. Come and join me, there is lots to read and dive in to.

Destashing

This blogging year has been a lot about destashing fleeces and handspun yarn. A full fleece queue where the fleeces are older than one year can be quite stressful, so I wrote about the ladies in waiting and what I planned to do with them. I also reflected over all the projects I had going. I do like to have parallel projects, but there were a bit too many at the time and I managed to destash some of them and also some of my knitting project.

During the autumn I have knit several things with either destashed or ripped yarns:

  • the Seguin top from commercial linen yarn
  • a yoga top from stashed handspun Icelandic yarn
  • A shawl from stashed and ripped handspun yarn
  • Seven hats from stashed and ripped handspun yarns.
A woman looking at the view over a lake. She is wearing a grey garter stitch shawl with blue short-row lace sections.
The Waiting for rain shawl swallowed a lot of my handspun stash.

My handspun stash is considerably smaller and even I feel lighter. I also have new ideas about how to use the remaining skeins. During the autumn I have bought lots of new fleeces, though, contrary to my plan of fleece moderacy. I do blame the book, though, I want to be able to show as many Swedish breeds as possible in it.

The vest that went viral

In April something unlikely happened. I had woven a twill vest in my local Vävstuga (weaving room). After having blogged about the finished vest I published a reel of me showing it. After a couple of weeks the reel went viral, and after a month it has over 3 million views. I went from 4500 followers to 32000.

It’s totally insane and I was overwhelmed during the craziest weeks. I feel I haven’t earned a following of that size, but most of them have stayed and they are all welcome to the community.

Birthday raffle

Later in April I turned 50. I decided to host a birthday raffle and donate the earnings to the Centro de Textiles Tradicionales del Cusco (CTTC). I made an embroidered spindle case for the raffle and 79 people raised 395 USD! I still don’t know if the winner ever got the prize, though, I haven’t heard from her.

The knit sleeve jacket

One of my most massive projects ever is the knit sleeve jacket. I started spinning the yarn for it in 2019 and I finished it in June this year.

A woman is wearing a jacket with a white broadcloth bodice and knit skeves with embroidered flowers in rich colours.
The knit sleeve jacket is finally finished!

The jacket features five different techniques:

  • the yarn that I spun on a supported spindle from teased locks of dalapäls wooland Z-plied
  • the sleeves that I two-end knit between 2019 and early 2023
  • the bodice that I hand-sew from commercial high quality broadcloth
  • a band I wove on a backstrap loom
  • Påsöm embroidery on the sleeves.

I have learned so much in this project, not the least from ripping the sleeves a couple of times and having to spin more yarn with a new fleece when I ran out of the first batch.

Blue

A lot of my time this summer has beed dedicated to my indigo experiments. I grew two kinds of woad and two kinds of Japanese indigo and dove deep into their care and into fresh leaf dyeing and pigment extraction.

I have written a number of posts about my blue dreams, the fox that dug up the woad patch, my first ever fresh leaf dyeing experiments, the story of Ms Klein (who woke up one morning thrown over a hedgerow), dyeing with the few plants I had left of my Chinese woad, making an ice bath, showcasing all my fresh leaf dyed handspun silk samples and extracting indigo pigment.

Words flowing

Sometimes my words flow freely and wildly and I end up with a piece written in more of a poetic style. I put Taiko drum music in my ears and let the words lead the way. I love writing this way I learn a lot from it.

Here are some blog posts written in this spirit:

  • In One more beat I weave on the train and submerge myself in the beat of the tracks, the taiko drums and on the weave against the fell.
  • If wool could talk is an experiment where I allow a few fleeces to introduce themselves.
  • To the sea is a piece totally unrelated to wool, but in the same spirit.
  • A breath of wool came to me after I had handled fleece that had been freshly shorn off sheep that I had cuddled just before the shearing.
  • Stitch by stitch and Stitches and garden beds are sweet reflections from the embroidery needle.
  • In Pick me three fleeces pin me down onto the couch and hijack my blog.
  • In The journey of words and wool I reflect over the process of writing and spinning, that occur before the words land on the page and the fibers adjust in the twist.

Do you have a favourite?

Summer flax

In the summer I like to spin flax in the shadow on our balcony. And, of course, tend to my tiny flax patches in the community garden allotment. I did start in the spring, though, by hackling last year’s harvest. In the summer I finally finished the linen shawl I started last summer. I spun the yarn from 120 year old Austrian flax from the Berta’s flax project.

I have grown flax in a tiny patch since 2014, but never spun it. This summer I spun all the harvests, some so small that I bundled them together, some large enough for a skein of their own.

Usually I dew ret my harvest in the autumn. This year, though, I tried water retting it in a kiddy pool. And, since I managed to underret it again, I reflected over flax yield.

Meeting fibery friends

This year I have met fibery friends from near and far and cherished every moment. In August I first met Christiane Seufferlein, initiator of the Berta’s flax project. She was on a European tour and we spent a whole day together in the former Viking city of Birka. Back in April Christiane and I also did a live webinar together.

Just a couple of weeks later I met Irene Waggener, author, knitter and independent researcher. She lives in Yerevan, Armenia at the moment, but she was taking a course in Copenhagen and I decided to take the train down to Malmö and meet her there. We spent a day in the park and the hours flew by. I was so glad I had decided to make the trip and that she wanted to meet me. I hope we can meet again soon.

In September it was time for the annual wool journey with my wool traveling club. This time we met at Boel’s house and spent the days weaving, knitting and chatting.

Meetings like these mean so much. Spending time with a fiber friend, merging my wool experience with theirs is such a gift. I hope to be able to do more of this in 2024.

Creating yarn

Miscellaneous spinning posts were a presentation of my spinning wheels, a guide to spinning on the road, a presentation of my year in wool. I also presented a pair of new Moroccan High Atlas socks and my collection of antique hand cards.

Thank you sweet readers for staying with me. I learn so much from your questions and I cherish your comments. Thank you for making me a better spinner and writer.

Happy spinning!


You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden or to book me for a lecture.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.
  • I am writing a book! In the later half of 2025 Listen to the wool: A why-to guide for mindful spinning will be available. Read more about the book here.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

Daily hat

Hats are the ultimate knitting projects. They are small enough to fit in a pocket, they are usually knit in the round, they don’t have to be matched with a twin, you can experiment with difficult techniques without giving up and you can finish them within a week. Join me in my daily hat parade.

It all started with the Waiting for rain shawl I knit in November, from stashed and ripped handspun yarns. When I had finished it there was still yarn left, so I knit a hat. And another. And another. Suddenly I stand here with seven hats that I have knit during November and December from my stashed handspun yarns. That’s a daily hat for every day of the week.

Seven knit hats in a circle.
A daily hat for the whole week, all from my handspun stashed yarns.

Stranded knitting and Algae

The first hat I fell for was Algae by Marie Amelie designs. It’s a stranded colourwork hat with an algae pattern, which suits my daily dip in the lake perfectly. The folded brim together with the stranded colourwork keeps my head toasty and warm on even the coldest of days.

The original pattern is knit in a white main colour and yellow background colour. I chose three different background colors that on a sunny day resemble the colour of the water. I used all three of them in the Waiting for rain shawl.

A woman hanging in the lake from a buoy pole. She is wearing a stranded colourwork hat with white algae and a petrol, turquoise and dusty blue background. She is also wearing a bikini and gloves. There is snow on the buoy pole.
The algae hat fits my daily dips perfectly in both design and warmth.

The Algae hat has quickly become my favourite hat for this time of year. The folded brim is soft and gentle and I love the colour scheme.

Mindless ribbing hipster hat

I have knit a couple of hats for my husband, but they are all starting to fall apart. I wanted to knit him a new one, a fairly plain hat. The HipsterHat by PetiteKnit was my choice, together with a soft 2-ply yarn I spun ages ago from an Shetland Eskit fleece.

This was a mindless knit, just the 2×2 ribbing all the way plus some sweet decreases towards the crown. I love how the hat can be worn in different ways – straight, folded or double folded.

Arkanoid garter building blocks

I have always been curious about Woolly Wormhead’s hat patterns, so I searched among her hat designs. I wanted to knit something for my son who is an architect student. Woolly Wormhead calls herself a hat architect and the Arkanoid pattern resembles a brick Wall, so the match was perfect.

The yarn I used was a 2-ply finull yarn I spun a couple of years ago and dyed in an ice bath with fresh indigo leaves.

Greystone cables

My daughter has sensitive skin, so I used the softest handspun I could find for her, Swedish Jämtland wool. I had ripped this yarn from an older project. Since the yarn was so fine I held it double throughout the knitting.

I chose the Greystone hat pattern by Melissa Thomson (Sweet fiber), a fairly simple cable pattern. My daughter is quite picky, but I hope a subtle cabled natural white hat works for her.

Jessica Jones and linen stitch

Okay, so if a hat is called If Jessica Jones had a hat (by SMINÉ), don’t you just have to knit it? I know I do.

A woman wearing a petrol coloured hat with an envelope crown.
Both the linen stitch and the envelope crown were new to me. While I didn’t enjoy the slowness of the knitting, I love how my If Jessica Jones had a hat hat turned out.

The hat is knit in linen stitch, which gives the loveliest weave-like structure. The pattern is knit one, slip one with the yarn in front, from bottom to top. This took ages. The moving of the yarn from back to front and back again slowed the pace down, but I do love the result. The yarn I used (the same yarn as in the brim of the algae hat) was very fine, so I held it double. I realized there was a risk there wouldn’t be enough yarn for the whole hat, so I started to think about what colour to use for the crown, but in the end there was just enough yarn.

Growing plants

I had a few skeins of gradient yarn from a brown fleece I had sorted into different shades. I wanted to use the gradient in another hat, and I chose the Gro hat by Fiber Tales.

I started at the brim with the darkest colour and ended two shades later at the crown. The pattern is sort of a cable pattern with grass-like plants. The pattern also includes knitting three stitches together right after a cable, which was quite cumbersome, at least the way I did it. So not the most comfortable and swift knit, but I love the design and my subtle gradient.

Shortrows and Rhinebeck

Another Woolly Wormhead design is the Rhinebeck hat, this time with an intricate bauble pattern made sideways with a gazillion shortrows. The pattern description looks daunting with its 88 row pattern repeat for 13 panels, but once you get the hang of it you can knit it with relative ease.

At first I was reluctant, I didn’t want it to look too loud. After having browsed through the projects on Ravelry I knew how I wanted to combine the colours. I chose blue-ish and brown colours for the baubles and white for the stripes to keep it all together. I love the result.

My plan is to hang the hats in the Christmas tree and let my family find them. Perhaps they go for the hats I had in mind for them, perhaps they surprise me. I’m keeping the Algae for myself, though.

Happy spinning!


You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden or to book me for a lecture.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.
  • I am writing a book! In the later half of 2025 Listen to the wool: A why-to guide for mindful spinning will be available. Read more about the book here.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

Stash and grab

A couple of weeks ago I found a shawl pattern that whispered sweet words in my ears. I saved it for later, but it kept poking me for attention. I realized I had all the yarn I needed for it in my handspun stash. It also dawned on me that I had some more in knits that I haven’t looked at for years and could rip. The pattern inspired me to go through my stash and grab all the handspun yarn I needed.

Lace mitochondria

The pattern is Waiting for rain, by Sylvia Mc Fadden. It is a crescent shape garter stitch shawl, beginning with ten stitches and ending with 438. The interesting thing is the short row lace sections. Just listen to it: Short row lace, isn’t it intriguing! It just starts in the middle of a row and opens up the garter stitch, revealing a sweet lace window to peek through.

The lace sections remind me of mitochondria – just a big blob with an intricate pattern in the middle of something completely different.

Contrasts

The shawl was originally knit up in one colour, but the pattern designer also had suggestions for a two-colour play, where she had knit the short row lace sections in a different colour. Furthermore, she had added extra rows of the second colour as stripes in the garter sections. I love the contrast between the simple garter base, the sheer lace blobs and the track pant-like stripes.

The yarns

I was very keen on the idea of making the shawl in stashed and reused handspun yarns only. Here are the players I chose and the decisions I made for my shawl.

Rutan the Värmland 2-ply

For the main yarn I chose a grey yarn I created in 2021 from a variegated Värmland fleece (from a ewe named Rutan). I spun it a few years ago, and divided the fleece into piles of different shades of grey for a gradient from light to dark grey.

Four skeins of yarn in different shades of grey.
The gradient yarn I created from a variegated grey fleece of Värmland wool back in 2021..

I had saved it for a suitable fair-isle pattern that would turn up when I at least expected it, but I realized that this shawl was the perfect candidate for the pattern. As a bonus, the meterage was just right. I chose to knit it as a gradient too, from dark at the neck to light at the bottom.

Burning the midnight oil

Another stashed yarn was actually spun from an industrially prepared blend. I don’t have many of those and I never use them these days.

A handspun yarn in intense blue, beside a supported spindle with some of the yarn on the shaft.
Burning the midnight oil, a mulberry silk/merino blend, from 2016.

Years ago, though, I asked a wool store to make me a blend with the colour of oil in a puddle. It sounds nasty, but if you consider the colour stripped from its ugly context it’s a quite fascinating colour mix. I loved the result and spun a lot of it on train rides. Held double, the fine yarn was a perfect match for the somewhat rustic looking grey Värmland wool.

Rip and rip some more

Sometimes you have a vision of a garment and when you put it on it looks just wrong. That’s what happened with my Stevenson Sweater by Kate Davies. I spun a lovely yarn with white and dyed Swedish Jämtland wool and some natural fawn Shetland wool. Once I had made a hank of the I soaked the ripped yarns I soaked it, used the blue (Held double) for the shawl and saved the white for later. I did save the matchning gauntlets, though. I use them when I work from home on cold days.

The story repeated itself with a shawl pattern I found in a knitting magazine, the Merging ripples shawl by Kyoko Nakayoshi. It looked so stylish on the model, but like a random piece of fabric across my shoulders when I had finished knitting it. This too was Jämtland wool where I had actually succeeded in creating a lovely teal dye. This yarn too got a place among the lace blobs.

Dyed and redyed finull yarn

My fourth candidate for the lace sections was a finull yarn that I spun last year. I had saved it to dye with my homegrown indigo. I actually did dye it with the very last batch of fresh leaves, but it was way too much wool in the dye pot, and way too late in the season. It barely got dyed at all. You can see the sad colour as the first couple of light green stripes near the neck. I overdyed it with some Aijozome indigo from Loop of the loom into a lovely colour (the lace section at the bottom of the shawl).

Stripes and drape

Since the lace sections are knit in short rows, the contrasting colours leave a stripe throughout the width of the shawl. Just like in one of the knit shawls in the pattern, I played with this, and added several stripes before and after the lace. It gave a very interesting effect and helped me keep count of the rows between the short row sections.

Despite the eye catching lace, most of the shawl is the garter base. Garter stitch pulls the material together lengthwise, so to get length in the shawl there needs to be more rows in garter stitch than in other techniques. This makes the shawl very drapey and feel very safe and comfy in its weight. I love the curled ends, they remind me of the tips of lamb locks.

It took me 40 minutes to bind off the 438 stitches. I chose to do that too in a contrasting colour and I am very happy with that decision, it makes a neat finish.

”Block aggressively”

That was the last sentence of the pattern descrition, block aggressively. I used a gazillion pins, rearranged both them and the blocking pieces several times and spent about an hour crawling around on the floor until I was happy. Well, not entirely on the floor, I skipped up and down the stairs several times too to see from above how the blocking turned out.

The stripes actually helped me in the blocking as they served as a guide for the shape of the shawl. When I eventually decided I was finished I knew the time I had spent was totally worth it. I was also very grateful for blocking wires.

Stash and grab-friendly patterns

I have done quite a few stashbusting projects this fall. Some of them are excellent for small amounts or single skeins of handspun yarn:

  • The Seguin top, knit from a ripped sweater in a commercial yarn
  • The Ursina top, knit from leftovers from an earlier handspun project
  • Hats! The Algae hat is on my needles right now, with the leftovers from the Waiting for rain shawl. And the Hipster hat on another set of needles with a handspun Shetland yarn. I might make another two hats before the holidays.

Older stash and grab projects from my handspun yarns are

  • The Lamina wrap, perfect for small batches of yarn in the same weight
  • Enchanted Mesa sweater, where I have mixed commercial and handspun yarns
  • The Daisy crescent shawl, perfect for your smallest skeins of flowery colours.

The feeling of cleaning out the handspun stash is the sweetest. Like a rinse, a spring rain or a deep exhale.

Happy spinning!


You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden or to book me for a lecture.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.
  • I am writing a book! In the later half of 2025 Listen to the wool: A why-to guide for mindful spinning will be available. Read more about the book here.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

New socks

I’m not a sock knitter. I love the idea of hand knit socks, but I rarely wear them and I find the knitting quite boring. But then came cold baths. And suddenly I need lots of new socks.

I love Irene Waggener’s book Keepers of the sheep. A couple of years ago I knit myself a pair of pants from the book. Another project I wanted to knit was the new socks.

Socks in the bath tub

I take baths in my lake every day of the year. When the water temperature sinks, the energy in the body rushes to the vital parts – the torso. The outer ends of the extremities are left – literally – in the cold. Hands and feet get very cold when the body works very intelligently to protect the torso. This is where socks and mittens (and a hat) come in handy in the cold bath.

I know cold is a relative term here, but for me that temperature is around 13 degrees for my hands and a couple of degrees below that for my feet. During the autumn as the water temperature sinks I put on neopren gloves and wool socks in the bath. When I saw the new sock pattern in Irene’s book I realized they would be perfect for cold bathing.

Tqasher Jadeed

Eventhough I haven’t knit very many socks in my life I realize that the engineering of the Tqasher Jadeed –new socks – is different than the models I have seen. As with all the other patterns in Irene’s book, this one is built up as a try-as-you-go process where you need to be confident enough to trust your instincts when it comes to the fit. All of the parameters – needles, yarn thickness and numbers – are sort of fluid in a very compelling way. The technique for toes and heels are there of course, but the rest is up to the knitter to balance.

A book page featuring a photograph of a pair of white hand knit socks with a ribbed leg. A twisted yarn end ties the socks around the calf.
Tqasher Jadeed, new socks. A lovely pattern in Keepers of the sheep. Photo published with permission from the author.

Elsa the Gestrike sheep

I had the perfect wool to match the socks, from Elsa the Gestrike sheep. I got the fleece a couple of years ago when I helped out on shearing day at my friend Claudia’s sheep farm. Elsa had beautiful grey wool with lots of variations in her fleece.

I divided the fleece into categories of different staple types. The biggest pile was with long, conical staples with around 50 per cent undercoat and 50 per cent outercoat. They were the perfect match for my socks. When I met Irene Waggener this summer I brought some of the wool to show her what breed I had knit the pants with and would knit the socks with.

Yarn and socks

I carded the wool into rolags and spun quite fine singles with an English longdraw. To get the strength I wanted for the socks I 3-plied them with more twist than I would for a different kind of project. The yarn is around sport weight.

I really loved the resulting yarn – rustic but smooth and with a blueish grey sheen to it. It was a joy to knit with, very straightforward and sweetly rounded.

A bath

Happy as a clam I skipped down to the dock with my new socks the other day, the ties secured around my wrists. I knit the socks quite large, which suits me perfectly for my bath. In the mid winter when both water and air temperatures are considerably lower than 8 °C, taking off the socks after the bath needs to go fast. I need to get clothed quickly and my hands lack some dexterity in those temperatures, so too snug a snug fit on wet socks isn’t ideal.

These were very easy to take off dripping wet after the bath (I change into dry socks for my four minute walk back home). Still, I am considering fulling the socks slightly for just a tad slimmer fit. I’ll think about it after tomorrow’s bath. The water temperature has just sunk below 8 °C.

At the dock

I had some shots of the socks at the dock from last week, but the other morning the fog left a beautiful light across the lake and I wanted to take just a couple of more. I mounted the camera on the flexible tripod and set the timer on a picture every three seconds. To start, I took a few pictures on my feet as I was about to get in the water. That done, I wanted just one more picture of my socked feet in the water. I put the tripod on top of my head, as I have several times, and walked down the ladder.

A very blurry picture taken from the sea bed.
I call this “Lake Mälaren seen from the sea bed”.

In a split second the tripod with my phone fell in the water. I gasped for air and just stared down into the darkness, astounded by the fact that I hadn’t been able to catch it in the fall. It was really actually no kidding on the sea bed. I fumbled around with my feet, but I could’t feel it. The lake bed is very steep by the ladder, I can stand just below the lowest step but not ten centimeters further out. I was paralyzed. My bathing friends noticed the commotion and came to me, they had been in the water for a while as I had been fiddling with the first camera setup. Gunilla offered to dive once to see if she could find the camera. She did, but she could neither see nor feel anything.

A thousand thoughts rushed through my head, all too fast and too unreasonable to get a hold of. Mostly about how ridiculously vain I had been, chasing a good shot and ruining both my camera and my sweet dip. I gasped for air again. All my previous knowledge about breathing techniques to calm down were blown away the second the camera broke the surface. I felt again with my feet around me as far and as deep as I could reach, and I found something. It could be a leg of the tripod, and it could be a branch. The weight was no clue as other rules of gravity reigned in the water. I grasped it with my feet and hoisted whatever it was up. My still shocked breath mixed with a deep sigh of relief as I had the camera in my hand. It was still taking pictures.


Irene, I know you wanted to see my new socks together with the Sirwal pants, but that will have to wait a couple of months. They are still way too warm, I usually wear them to my walk down to the dock when the air temperature sinks below -6 °C. I can’t wait for winter!

Happy spinning!


You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden or to book me for a lecture.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.
  • I am writing a book! In the later half of 2025 Listen to the wool: A why-to guide for mindful spinning will be available. Read more about the book here.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

Stash top

Several coincidences led me to knitting this stash top – a weekend in need of a knit. A stashed handspun yarn in need of a project. Hands and mind in need of wool on long work meetings.

The idea for this sweater project started quite a while ago, but was sparked by a weekend in need of a knitting project.

Yoga practice

I practice yoga asana every morning and evening. Towards the end I want to put something on to avoid getting cold, but nothing too warm. I started to look for patterns for a cropped top, something to just throw on before the final relaxation of my practice to keep my chest warm. I found the Ursina pattern by Jacqueline Cieslak and saved it for later.

In need of a knit

A few weeks ago I went with my wool traveling club to our annual wool journey. I realized I needed a knitting project for both the train ride and for our hours and hours of chatting.

After browsing Ravelry for a while I found the saved Ursina pattern and decided it was time for it. I had some low twist lopi style handspun yarn left after knitting a Telja sweater by Jennifer Steingass and it was the perfect fit.

Colour scheme

I had five colours left of the yarn – the natural white, light grey and dark grey and some light blue and medium blue that I had dyed. Stripes was my choice for the project. I picked the smallest yardage for the neckline and changed into increasingly larger yardages as I knit. I added a thin white stripe between each colour shift to avoid a gradient feeling.

A top on a hanger outdoors. The top has a short body and long sleeves. It is striped from light blue at the neckline, through medium blue and dark grey to light grey at the hem. A wood shed in the background.
To optimize the colours in the stashed yarn I decided to make the stash top striped.

I have knit stripes with stashed yarn like this before in my Bianka sweater, and the fiddly part is always after separating body and sleeves. both times I ended up with live stitches on cables in body and sleeves, knitting a couple of rounds at a time to end up in an even stripe across sleeves and body. In the end it’s worth it, though, for a smart striping and efficient use of stashed yarn.

Knit reknit

Due to optimistic measures of gauge I ripped and reknit the top. Twice. But I didn’t mind, it gave me something to knit on meetings at work. I remember some of my colleagues looking at my knitting and wishing they had something to do with their hands too to avoid falling asleep in a stuffed conference room.

Ursina and Jacqueline

I want to tell you about this pattern. Of course I fell for the design – the cropped body, the brioche stitch triangle at the hem, the brioche stitch faux seams and the sweet V-neck.

But after having bought the pattern and cast on I was astounded by the pattern description. I have never seen a pattern description with such a well-planned structure! Not only does Jacqueline Cieslak accomodate for different body sizes, bust sizes, body shapes and yarn weights, but she has structured the description in a unique and very clear way to make it easy and effortless to find where you are in the pattern. She is a true pattern construction and pattern designer star and I want to knit all her patterns.

My new post-yoga stash top does exactly what I wanted it to do – it keeps me warm after my practice and is cozy to wear. I may knit another one.

Happy spinning!


You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden or to book me for a lecture.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.
  • I am writing a book! In the later half of 2025 Listen to the wool: A why-to guide for mindful spinning will be available. Read more about the book here.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

A year in wool

The other week when I visited Claudia and her sheep flock, I realized that I have a seasonal cycle when I create yarn and textiles. In a year in wool, autumn is the beginning.

In October, when most of the vegetables in the allotment have been harvested, a majority of Swedish wool is also harvested. For the sake of sheep health, the law says sheep are to be shorn at least once a year. Still, many sheep farmers shear their sheep twice a year: In the autumn, before the ram serves the ewes, and in the spring before the lambs are born. The autumn harvest is when my wool year begins.

Shearing seasons

The autumn wool usually has the highest quality. During the winter the sheep has been pregnant and the lamb hogs a lot of the nutrition. The winter in Sweden is cold and the fleece is extra lanoliny, not much different from our own hair in the winter. Perhaps the sheep have been indoors a lot of the time, leaving time for lots of dirt, straw and bedding to find its way in between the fibers. This leaves a winter fleece that can be dirtier, in poorer condition and with more and heavier lanolin in it.

A woman is shearing a sheep. The sheep is lying on the floor and the shearer is bending over it.
Professional shearer Elin Esperi shears Sylvester the Gestrike lamb in the autumn of 2021.

After that winter coat has been shorn off in the spring shearing, the lambs are born, and soon after the sheep gets access to lots of nutritious grass and fresh air, leaving the fleece in a better state for the autumn shearing.

Fleece hunting

The sound of moving shears sparks my year in wool: I look for fleece to buy, just like on any autumn farmer’s market. Or, rather, fleeces sort of find me and look at me with roe deer eyes and whisper: ”Spin me, spin me!”. And so, in late October I find myself with a compost grid on the floor with drying fleece, another fleece in the wash tub and a third dried and waiting to be picked.

A white fleece is drying in front of a fireplace.
The fleece of Lotta the Svärdsjö ewe is drying in front of the fireplace. Behind the camera are bags with fleeces of the Gestrike sheep Härvor and Doris, waiting to be picked.

This means that I do a lot of wool preparation and spinning during October, November and the first weeks of December. When the pantry is filled to the brim with newly harvested vegetables, I do my best to take care of the oldest fleeces before I dive into the freshly shorn. It is hard, but sometimes I succeed.

A tree

In late december a tree with glittering ornaments moves into the house, right where my spinning wheel usually stands. This is a quite time of year when I like to turn to weaving in the local weaving room. I get to destash and get out of the house during my two weeks or so of holidays.

A green twill weave in a local weaving room, three floor looms in the background.
Towards the end of the year I like to spend some time in the local weaving room.

When the tree is all glistened out and transformed to fire logs I get my spinning wheel back, and return to spinning. The sun is slowly coming back and lights up the living room again. I plan what to sow in the community garden allotment, alongside planning my spinning projects for the spring.

When the sun returns

The returning sun brings sprouts out of the soil and new inspiration into my mind. At this point I want to do everything at once. Weave! Nalbind! Two-end knit! Weave some more! I want to get outside and create textiles, and the spinning wheel gets a little dusty. My life moves outdoors step by step.

Close-up of a braid that is tied in one end around a toe. A person is braiding the braid.
Small projects I can work on outdoors start to poke me in the head in the spring.

At the same time the fleeces in my wool queue start to squeak in the back of my mind and I get a bit concerned about the risk of the oldest fleeces going brittle.

Make room for flax

In the summer when the temperature rises and the crops are more independent than the tiny sprouts just a couple of weeks earlier, I like to take my spinning outdoors in one shape or form. I dust off my flax wheel and spin on the balcony in the afternoon shade.

I also prepare smaller projects to bring to vacations and excursions – spindle spinning projects, band weaving, two-end knitting and nalbinding. Usually around five parallel projects or more.

Late summer collision

Towards the end of the summer, a lot of the vegetables in the garden need picking, all the while work has started after the summer holidays. I have harvested the flax, started lots of textile projects and need to finish some to ease my mind.

When autumn has settled and the most critical vegetables are taken care of, I have finished some of the parallel projects that sprouted in the spring. The wool queue is shorter and neater and I forget all about it when shearing season is back again.

What is your year in wool like?

Happy spinning!

You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden or to book me for a lecture.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.
  • I am writing a book! In the later half of 2025 Listen to the wool: A why-to guide for mindful spinning will be available. Read more about the book here.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

Wool Journey 2023

in 2014 I started a wool traveling club with four friends. Since then we have gone on an annual wool journey together. This year we went to one of the members’ house to weave.

Today I launch a new short online lecture about picking fleece! Welcome to my online school!

To be able to tell you about the 2023 wool journey I need to go back first. The 2022 wool journey went to Dala-Floda where we learned a local embroidery technique called påsöm. The teacher we hired for the course, Anna-Karin Jobs Arnberg, also arranges fulling workshops in the local 17th century fulling mill.

Weaving for fulling

A fulling mill is a mill that uses water to operate giant beams that stomp into larger troughs. Loosely woven wool cloth is placed in the troughs – 20 meters in each trough, and is fulled by the beams. You can read more about the fulling mill here and watch a video I recorded around the fulling mill back in 2018.

At the 2022 course we decided to weave together on the 2023 wool journey with the aim of fulling our woven cloths on the 2024 wool journey at the fulling mill. Boel invited us all to her house to weave.

Boel’s house

Boel’s house is to die for. Smack in the middle of nowhere, still cozily tucked between green hills, forests and pastures. A flock of her parents’ Gotland sheep graze right around the yard and bind the perfect picture together with their quiet munching and sweet bleating.

It’s been a while since I met sheep and I was overjoyed at the opportunity to cuddle Boel’s sweet ladies. Being with sheep is such a serene place to be. Their warmth, their wool, the smell of lanolin, grass and sheep poo calmes me and makes my heart sing. Or bleat.

Gotland sheep

If you are outside of Sweden and have come in contact with Gotland sheep in your country, chances are their wool is softer than the wool of Swedish Gotland sheep. The Swedish breed standards encourage breeding for strong and lustrous Gotland wool to provide for beautiful skins. The Swedish Gotland wool is truly beautiful, but I rarely spin it since it is quite rough and at the same time very slippery.

Since I had the perfect opportunity, I bought a skin from Elton, the allegedly mean ram. He had done his job and fathered three seasons’ lambs. Rumour has it that he tasted good. And his skin is magnificent – large, silvery with a blueish tint and with a darker stripe down the mid back, an eel in the language of Gotland fleece.

Looms and projects

For this year’s wool journey in preparation for next year’s we didn’t hire a teacher or attend a course. We just got together at Boel’s house to weave. Anna and I came with our rigid heddle looms on the train, Kristin brought her rigid heddle loom in her car and Boel had her floor loom in her house. Ellinor couldn’t make it this year.

Weaving in Boel’s conservatory overlooking the sheep pastures. The bosom friend I’m wearing is my handspun. It is available as a pattern in the spring 2022 issue of Spin-Off magazine. Screenshot from video by Kristin Jelsa.

I didn’t use a handspun yarn for this weave, I didn’t have one ready. I did however have lots of Shetland yarn I bought at a clearance after a lady who was the first in Sweden to import Shetland yarns. My plan is to turn the fulled cloth into a pillowcase. I have lots of yarn left and my idea is to use the three colours but in a different order and in different patterns for a collection of pillowcases.

Together in our hands

The members of the wool traveling club usually don’t meet between the wool journeys, so we have a lot to talk about when we do meet. About wool and crafting of course, but also about families, relationships and the ways of the world. Children growing up – there are eleven children between us, from 2 to 22 years old. Joys, frustrations, we talk about everything and anything.

Cats happen at Boel’s house. This one found a tolerable napping space. Photo by Boel Dittmer.

Crafting and talking is such a sweet space to be a part of. Being in our hands together gives an extra dimension to the room, something more, deeper, more sincere. I cherish these moments and am very grateful for them and for my sisters in craft.

We have different lives and live in different parts of the country, yet when we come together we take part of each other’s realities with warmth. When the journey is over we go back to our regular lives, and the following year we pick up where we left off.

Breathing

It was so quiet. Not a human-made sound, just the buzzing of bees, bleating of sheep, fluttering of leaves and bare feet in the grass. Breathing in the air in a place like that must be extra nourishing. I like to think that the air I breathe when I get up at five a.m. is unused, crisp like a new sprout. But this, here, is something extra.

Knitting outdoors in the September sun, listening to the silence and resting my eyes on trees and pastures with the needles dancing in my hands was such a bliss. Kristin and I sneaked out both mornings for a lovely dip in a nearby lake. That too a lovely space to be, in the water with a friend in the early hours.

Ready to full

As I got back home to Stockholm I finished the last stripes of my weave. The next weave to full will hopefully be a handspun one.

A few days after I got home I finished the last of my weave.

I have actually already finished one that has been waiting for a couple of years by now to be fulled. I can’t wait to get to the fulling mill!

Now go and enroll in that online lecture about picking fleece!

Happy spinning!


You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden or to book me for a lecture.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.fleece section about how I spin yarn from Swedish sheep breeds.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

Knit, rip, reknit

Have you ever knit a garment, not really used it, ripped it and reknit it into something else? I hadn’t until just recently. Today I knit, rip, reknit and rejoice. Spoiler alert: There is no spinning in this post.

A while ago, when I was looking for inspiration for linen knits, I stumbled upon a top that I really wanted to knit. My plan was to knit it with my handspun linen yarn.

Knit, 2014

However, I did have a top that I had knit back in 2014 in a commercial yarn that was the same as the yarn required in the pattern for this new top. The commercial yarn was a beautiful linen yarn by Quince & co. that I had ordered from the U.S. for the 2014 sweater.

Back in 2014 I knit the East end top by Alicia Plummer. It’s a lovely top, but I didn’t wear it very much. Photo by Dan Waltin.

I did love the top back when I knit it, but when I wore it, it was quite fiddly. The neck was a bit on the wide side and there was always a risk of body parts or bra straps showing. It never occurred to me back then to alter the fit. Therefore I didn’t use it very much.

Rip, 2023

When I found the new pattern requiring the same yarn, I decided it was time to rip the old top. Ripping linen yarn was a bit of a detangling challenge, but after some fiddling and occasional secret cutting, I managed to undo the whole top. To even out the phone cord curls I soaked the squiggly yarn overnight and hung it to dry, lightly weighted. It worked very well, reknitting with it felt no different than when I knit with it the first time.

Reknit, 2023

The new pattern is the Seguin top, by Quince. & co. It is a simple bottom-up knit in the round stockinette raglan sweater with rolled up cuffs and hem and a simple 1×1 ribbed neck band. The detail that makes the whole sweater interesting is a rectangular chest panel in sort of a tight oats pattern. The one over two cable repeat pulls the fabric together, making it look like decreased stitches underneath the panel, but it’s exactly the same amount of stitches.

I really like this detail, that shapes the whole yoke and gives some flare from the bust down. In combination with the simple stockinette and rolled hems it is the perfect everyday want-to-live-in kind of a top.

Shortage and abundance

The further I knit on the Seguin top, the more I realized that I might need to buy a couple of extra skeins. I found an online shop in France that carried the yarn in the same colour. I bought two to be safe, but I ended up using only a quarter of a skein to finish the sweater.

A colour shirt where I needed to join a quarter of a skein of new yarn is a sweet reminder of the thriftiness that is the core of this top.

I knew there was a risk that the colours of the used, ripped and washed 2014 yarn and the new 2023 yarn wouldn’t exactly match, but it didn’t bother me. It would just be a quirky conversation starter in the name of sustainability and making do and mend.

I was right, there is a colour shift from the old to the new yarn, and I quite like it. Ripping and reknitting has been a way of taking care of precious yarn and clothe your family through rough times. Knitting in the round works very well for this purpose – once a garment has been mended and patched until it can’t be mended anymore, it has been frogged and reknit into something else.

Happy spinning!


You can find me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • Read the book Knit (spin) Sweden! by Sara Wolf. I am a co-author and write in the fleece section about how I spin yarn from Swedish sheep breeds.fleece section about how I spin yarn from Swedish sheep breeds.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.

Linen shawl

Another long-time project is finished, a linen shawl in yarn I spun last summer and have been knitting off and on since then. The flax is between 80 and 120 years old and comes from the Austrian Berta’s flax project.

Many of you may have heard of the Berta’s flax project, started by Austrian Christiane Seufferlein who got a dowry chest filled with flax grown and prepared in the 1940’s. This was the first of many such chests, and now Christiane ships stricks of flax all over the world to enthusiastic spinners who want to honour the memory of Berta and all the other women whose chests have been donated. You can read more about Berta’s flax and become a member of the Berta’s flax Guild here.

Spinning on the balcony

I got a few stricks of flax from the Berta’s flax project, between 80 and 120 years old. I spun it in the afternoon shade on my balcony last summer on my sweet flax wheel Henrietta. Since I had learned that flax grows counter-clockwise I spun it counter-clockwise.

The Austrian flax has an overwhelming quality. All the steps from sewing and growing to retting and processing has been performed with such skill and dedication. And why shouldn’t it have been – this was a vital life insurance for the women of the time. And I got to spin it, which I did with love and reference to their work.

I had no specific plans with the yarn, but having seen Christiane in a beautiful hand-knit shawl I decided I would knit something similar, so I plied the yarn into a Z-plied yarn.

Knitting

As I started knitting my linen shawl I realized that I unplied the Z-plied yarn as I knit – the yarn ended up in two strands held together in the fabric. I put some extra plying twist in the following skeins, which made it a little better. The lace fringe at the ends turned out biased, but after blocking it doesn’t really show. But I did learn something! As I keep telling my students: My mistakes are a map of what I have learned.

I brought the knitting project on the train to Austria that summer, the same route my parents had taken in the late 1950’s and early 1960’s to be able to be together. I really wanted to bring the knitting project back to where it had been grown and processed so many decades ago, to the land where my father and my grandmothers were born and where I have three of my four roots. When I met Christiane I could also show her what was becoming of the flax she had so generously sent me.

I could live in this shawl. It is cool, soft and has the sweetest drape. Photo by Dan Waltin.

Flax isn’t very flexible in knitting, so my hands hurt after a while. Other projects have cut in line, but the shawl has always been patiently waiting, cool and sweet.

Harvest shades

In one end of the linen shawl the colour of the flax is slightly darker than the in the rest of the shawl. And that is how flax works – depending on weather, location, retting and climate, the flax can differ in colour. It is a sweet reminder of the natural material and that nature is perfect in its imperfection.

Finishing

I finished the shawl this week. At the same time, we were packing for a vacation in a rented log cabin and things were scattered around the house in preparation for the journey. I wanted to block the shawl, but I realized that it would take up too much floor space. Then I realized I could just bring the shawl and my blocking wires to the log cabin and block the shawl on one of the spare beds. And so I did.

After having woven in the ends I had a finished linen shawl and the perfect location for a photo shoot.

Some numbers

Some questions always arise regarding measurements and weights, so here you go:

  • Shawl weight: 275 grams
  • Shawl measurements: 56 x 200 centimeters
  • Yarn grist: 3200 m/kg
  • Yarn meterage for the shawl: 880 meters.
A finished linen shawl. On the left fringe you can see a slight colour shift. Photo by Dan Waltin

The pattern is Veela, by Libby Jonson.

I am using the leftover 100 meters or so of yarn for a small traveling project which I will show you another time.

References

Here are some earlier blog posts about the Berta’s flax project and how I have rehackled and spun the yarn for this shawl:

Happy spinning!

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  • I support Centro de textiles tradicionales del Cusco, a group of talented textile artists in Cusco, Peru who dedicate their work to the empowerment of weavers through the revitalization and sustainable practice of Peruvian ancestral textiles in the Cusco region. Please consider supporting their work by donating to their causes.