Save the thrums!

A skein of dark grey yarn with knots on it

I have participated in another competition. It is the same as I participated in at a wool fair last year. The competition is called ‘Spin your prettiest yarn’ and the challenge is to spin any kind of yarn from Swedish wool, and ad something recycled. Last year I came in second with my pigtail yarn The sheep, the chicken, the pig and the lion, where the recycled material was chicken feathers. In the 2018 competition, I want to save the thrums. I didn’t win anything, but I had a great time spinning the yarn.

Save the thrums!

In this year’s competition my recycled material is weaving thrums. At least I think that’s what they are called. I’m talking about the last piece of the warp when you cut the weave off the loom. When you cut, there are warp threads left tied to the warp beam that are too short to do anything with. They have a special name in Swedish – effsingar, also meaning something that is cut off (I’ve never heard it being used that way, though). When I have finished a weave on my rigid heddle loom and cut it off, the thrums are about 40 cm long. My heart cries when I cut these handspun pieces of magic off and just leave them (I have never been able to throw them away). But for this project, they will bring some bling to my prettiest yarn.

Making the yarn

I used a beautiful grey fleece of a finewool/rya mix that I had combed. I spun the yarn on a supported spindle and chain plied it in sections, a method called ply on the fly. But before I let the twist into the loop, I inserted  a two inch piece of thrum in the loop. The thrums came from my first and second pillow cases and a blanket.

Plying on the fly on a supported spindle is a focus-demanding business. I actually feel a bit like a spider, handling the spindle, three strands of yarn and the butterflied yarn supply. Ad to that a gazillion 2-inch pieces of thrums to fiddle into the loop of the chain ply and you may agree with me.

Close-up of a person plying on a supported spindle.
Plying on the fly takes focus.

The yarn had to weigh at least 50 grams, so I had to spin 50 grams on one single spindle. It worked, but it was quite tough the last 10 grams.

A spindle full of dark grey yarn.
50 g of yarn on a 23 g spindle (Malcolm Fielding).

After I had finished the spinning, I made a simple knot on each thrum. At this stage, a lot of them wiggled their way out of the loop. I started making knots  at the tie end of the skein and followed the yarn all the way through the skein. I came up with this method after I had shot the clip for the video. Since I had basically the same loop length on every loop, I could easily find where a thrum was missing this way. The knots were a bit slippery since the thrums were naturally warp-straight.

After washing the yarn the knots were a bit more friendly towards their destiny as knots and stayed where I had put them.

A skein of dark grey yarn. It has little coloured knots on it and blue flowers.
A finished yarn with saved thrums

FYI: Strong fibers spun and plied on the fly can generate a mean paper cut.

A knitted swatch of dark grey yarn with coloured knots in it.
Save the thrums swatch.

Happy spinning!

Ply on the fly on a Turkish spindle

A spindle and bowl on a chair on a meadow. Mountains in the background.

When I was in Austria with my family recently I experimented with plying on the fly on a Turkish spindle. I posted a picture on Instagram and asked if anyone wanted me to make a video about it. I got a very nice response from several of you who wanted me to go ahead. So I did. Here is my video where I demonstrate how I ply on the fly on a Turkish spindle.

The Turkish spindle

I spin a lot on suspended spindles in the summer, especially my Turkish models. They are perfect for spinning when walking. They don’t take up much room, neither for transport nor for the actual spinning. But sometimes I find spinning on a suspended spindle a bit tedious, so I wanted to learn how to ply on the fly. I have plied a lot on the fly, but so far only on supported spindles.

Ply on the fly on a Turkish spindle

When you ply on the fly you spin a section first. Then you chain-ply that section before you spin the next section. Plying on the fly is a great technique to get a finished yarn without winding the whole cop off the spindle. Well, you do actually wind it all off, but in smaller and more manageable sections. It gives the spinner variation between spinning and plying and you take advantage of the fact that the single is fresh when you ply it. This means that I always want to finish after a plied section and I don’t leave a spun cop on the shaft.

Spinning

For regular spinning on a Turkish spindle you wind the yarn onto the wings. When you ply on the fly you wind the single onto the shaft instead, just like you would on a regular suspended spindle (or the temporary cop of a supported spindle). Then, after you have plied the single, you wind the plied yarn onto the wings.

 

A person spinning on a spindle with crossed wings
Wind your single around the shaft of the spindle. Turkish spindle  from Jenkins yarn tools (Lark model).

When I started practicing plying on the fly the spindle kept dropping to the ground when I was spinning. I got very frustrated because I couldn’t figure out why. And because I was walking at the time. I couldn’t see any difference from regular Turkish spindle spinning. But then I realized that I wound the yarn on differently. Winding the single around the wings helps securing the yarn. So when I figured this out, I wound the yarn around the shaft for plying on the fly, and then under one of the wings before securing it with a half hitch. And, voilá, no more dropping.

Transferring the single

When you have spun your desired length of single, you transfer it to your fiber hand with the butterflying technique – you pick up the yarn in a figure eight with your thumb and pinkie, until you have no more single. This can be done against your belly. It will be more efficient if you do it against a hard surface (my belly isn’t) like a spinning bowl or a table. If this is your start of the yarn, make a loop. If you have already plied a section, you pick up the loop from its parking place on one of the wings. You now have all the freshly spun single on the thumb and pinkie of your fiber hand.

If you have already plied a section, secure the plied end on the shaft with a half hitch (or through the hook if that is how your spindle is constructed).

Chain plying

  • Pick up the loop with your spindle hand index finger. Do not let go of the loop.
  • Pull your single through the loop with your spindle hand thumb, keeping the index finger in the original loop. Make sure you keep all the strands tense.
  • Pick up the new loop from the spindle hand thumb onto your fiber hand middle finger and pull the loop out. This is done by letting go of one strand of yarn at a time from your butterfly. You now have three strands of yarn. Keep these taut. Keep your index finger in the original loop.
  • When you are happy with the length of the section, you can pull your index finger out of the original loop and let the spindle twist the yarn into balance.
  • Wind the plied yarn onto the wings of the spindle – slow and fancy or fast and efficient, your choice. Make a half hitch on the shaft (or put the yarn in the hook) and start the next chain.

When you are out of singles, secure the loop on one of the wings and start spinning the next section.

A person plying on a Turkish spindle
Keep the strands taut and keep the index finger in the original loop

The location

Since I started plying on the fly in Austria, I decided to make the video there as well. We stayed where we alway stay, at a B&B in the town of Mondsee in Salzkammergut. The B&B is an old convent from the 15th and 16th centuries. The owners also own a big meadow that surrounds the B&B. The town is quite crowded with houses nearly on top of each other, but with the meadow you get a spectacular and clutter free view from the B&B over the basilica and the surrounding mountains. The meadow is the place I chose for this video. I am happy to give you a glimpse of a beautiful spot in Austria.

A person spinning on a spindle on a meadow. Mountains and a town in the background.
Spinning on a meadow in the morning sun, surrounded by mountains and a general Austrian-ness. This place makes my heart sing.

Happy spinning!

Tweed!

Two balls of dark grey yarn with coloured specks in them

As I have mentioned before, I am taking part in PLY magazine’s spinalong 51 yarns. It is a theme-based spinalong based on the book 51 yarns by Jacey Boggs Faulkner. Each week they choose one participant who wins a year’s subscription to the magazine. I actually won on week 10: Semi worsted. This week’s theme is tweed.

Tweed: First try

I started a couple of weeks ago and planned to use short clips of handspun yarn that I had unplied and fluffed up. It didn’t work out very well. The fibers didn’t join in in the yarn. Instead they fell out and looked like lint that had got stuck to the yarn.

A ball of dark grey yarn on a stone
Tweed, first try: Failed.

A second try

Of course I wasn’t happy with the yarn. I could have settled for a failed yarn, but I didn’t. I really liked the specks of colour in the dark grey yarn and I knew I could do better. So I browsed for Sari silk and found a beautiful colour blend with turquoise as a main colour. I am very much in a turquoise period right now.

I picked it up from the post office just a few days later and it was as yummy in reality as it was on the picture online, perhaps even more so.

A braid of turquoise based sari silk
Sweet sari silk

Since I have no prior experience with tweed, I wanted to spin a couple of samples with different preparation to find the best way to spin the yarn. So I tried both with hand-combed top and hand-carded rolags.

The yarn I used was a beautiful dark grey mixbreed of Swedish finewool and Rya. The fleece got a gold medal at the 2017 Swedish fleece championships and I snatched it at the auction.

Hand-combed top

A ball of dark grey hand-combed wool with specks of colour in it.
Hand-combed top with sari silk

Before I started combing, I realized that there would be a problem with drawing the top off the comb. When you draw, you usually get the longest fibers first. This would mean that I would get all the sari silk bunched up in the end of the top. And this is exactly what happened. The sari silk was also more streaks of colour than tweedy specks. In addition to that, a lot of sari silk had got stuck in the tines of the combs.

I spun the yarn on a supported spindle and plied it on the fly. Just as I had suspected, the sari silk was unevenly spread across the yarn.

A spindle with dark grey yarn and some coloured specks.
Tweed yarn spun from hand-combed top and plied on the fly on a supported spindle. Almost all of the sari silk is hidden closest to the shaft.

Hand-carded rolag

Carding was a lot nicer than combing. I teased the locks by combinb, together with the sari silk. I pulled the wool off the combs tuft by tuft and loaded them on the cards and carded away. The sari silk was evenly spread across the rolag and it looked beautiful.

A rolag of dark grey wool with coloured specks in it.
A beautiful tweed rolag

I spun it the same way as I had spun the combed tops. I had to pay extra attention to the drafting. Usually, I stay away from nepps when I prepare for carding and I remove any nepps when I see them along the spinning. But this time I wanted to keep them in and I had to watch the yarn carefully so that the yarn didn’t break or get lumpy. But it did turn out beautifully.

A spindle with dark grey yarn with coloured specks.
Tweed yarn spun from hand-carded rolags and plied on the fly on a supported spindle. The sari silk is evenly spread throughout the tweed yarn. Spindle from Malcolm Fielding.

Thoughts

There are clear differences between the finished yarns. Structurewise of course, the yarn spun from carded rolags is fluffier and softer and the yarn spun from combed top is stronger and shinier. But also you can see the difference in the tweed structure. The yarn spun with carded rolags has the sari silk more evenly distributed. The yarn spun from combed top has the sari silk unevenly distributed.

Two balls of dark grey yarn with coloured specks in them.
The finished balls of yarn. On the left is yarn from carded rolags and on the right is yarn from combed top.

It is even more obvious in a knitted swatch. I knit it with the same needle gauge and with the same amount of stitches and rows. You can see the sari silk evenly distributed on the left swatch knitted with yarn spun with carded rolags. The fabric is a bit denser than the one to the right. It also feels softer. To the right is the swatch knit from the yarn spun with combed top. You can see that the sari silk is more dense at the bottom and less so at the top. The sari silk is also less obvious in this swatch since it is combed into the top and spun more as streaks of colour than specks. The sari silk to the left ‘pops’ more.

Two dark grey knitted swatches.
Swatching: Yarn from carded rolags on the left and combed top on the right.

Even if I suspected that the results would be different, I needed to feel it and see it. Only when I experience the difference in real time can I really appreciate it and learn something from it: I learn how fiber behaves and how these fibers in particular behave. My hands need to know the fiber to be able to spin the wool into its best yarn. After this experiment, I think I have a clue to how to accomplish that.

What’s next?

My plan now is to spin the whole fleece into yummy skeins of 3-ply tweed yarn. I will spin it with longdraw from carded rolags on my spinning wheel. I will probably make it a bit thicker, perhaps sport weight yarn. Also, I may use slightly less sari silk per rolag, I prefer it to be more subtle than in the swatch.

I also have secret plans to design a garment to fit the structure and feeling of the yarn.

I went from not having given tweed a second thought to planning to spin a whole fleece into tweed yarn and designing a garment to match it. That wouldn’t have happened without the spinalong. Thank you PLY magazine and 51 yarns!

Happy spinning!


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Engla – a fleece of many uses

Last autumn, when I made a video at Överjärva gård, I happened to buy another fleece. I didn’t mean to, but I saw it in the wool shop and I immediately realized that it needed me. It was half a fleece from the Swedish finewool sheep Engla.

A raw fleece of crimpy finewool
Engla, a newly shorn fleece

When I sorted the fleece, I decided to divide it into different piles according to the quality of the wool. I ended up with three piles – the very short and fine (neck) staples, the medium length staples and the longer staples.

White crimpy wool on the left, carded rolags on the right
The shortest staples were carded

The fleece was a joy to work with – it was clean, easy to sort, wonderful to comb and card and dreamy to spin. I do love Swedish finewool. I can honestly say it has been one of my very favourite fleeces.

Hand holding up a staple of crimpy wool. Boxes of wool to the left.
Medium staples with lots of crimp

I bought 800 g of fleece and ended up with a total of about 440 g of yarn.

Hands holding up long and crimpy wool. Boxes of wool in the background.
The longest staples were combed

So, I carded the fine neck staples and spun them with long draw on a supported spindle and made a 3-ply yarn out of the singles and I was very happy with the result. A light, airy and even yarn with lots of bounce. I also made a video about the plying.

A skein of handspun white yarn in backlight.
3-ply yarn carded and spun with long draw on a supported spindle. 57 g, 203 m, 3581 m/kg

I carded the medium staples as well and spun them with long draw on a Navajo spindle. One of the yarns I made was a prize winner – The sheep, the chicken, the pig and the lion. I also spun several skeins of singles on a Navajo spindle.

Closeup of skeins of yarn in backlight
Thick singles spun with long draw on a Navajo spindle, and will probably be used as weft yarn. 434 m, 212 g with an average of 2000 m/kg.

I combed the longest staples and spun them with short draw on a supported spindle. I experimented with chain-plying “on the fly” and made two videos about it, a detailed video about how to ply-on-the-fly on a supported spindle and another one where I show how I start from an empty spindle with the ply-on-the-fly method.

A skein of handspun white yarn in a clog
Medium length staples combed and plied on the fly on a supported spindle.

I feel very fortunate as a hand spinner to be able to sort my fleeces to make different kinds of yarns, whether it is according to colour, structure or length. It can result in really unique yarns. And I learn so much from it.

New video: How to start plying on the fly on a supported spindle

A couple of weeks ago I published a video on how to ply on the fly on a supported spindle. I am pleased about how it came out and it was very well received. But there was one thing missing with it, and two viewers were kind enough to point that out for me: I hadn’t shown how to start. And there is a reason fort that: I didn’t know how to, which was very unprofessional of me. I had searched youtube for a video on the technique and found Ioana’s video, but she doesn’t explain that either. So, when I recorded the video I just made an unorganized start and hoped it would be tight enough. I definitely did not put that part in the video.

The problem with two directions

After a few days of analyzing and experimenting I have now come to the conclusion that the easiest and most straightforward way to start to ply on the fly on a supported spindle is to use a leader. I usually don’t use a leader when spinning on a spindle because I want the spinning as “clean” as possible. However, in this case I find it justifiable. When plying on the fly you are working with both singles and plied yarn. This means that  there are sections with fiber spun clockwise and counter-clockwise in the same stretch of yarn. Also, the sections are wound onto the shaft in different directions. So, at the loop, the yarn of different directions wound in different directions meet, which makes the point of the loop a critical one and the loop needs to be properly secured at the loop itself (onto he tip) and at the two yarn ends below (by winding the yarn tightly around the ends). And because of this point being so critical, I choose to use a leader that won’t break when changing directions of the spinning and winding on.

My solution

So, I make a quite long leader, make a slip knot at the middle of the leader and tie one end of leader onto the shaft just above the whorl. I wind the leader counter-clockwise around the shaft until I get to the loop. I secure the loop onto the bottom tip of the shaft. After that I secure both leader ends onto the shaft again, now winding the yarn clockwise, just as I have shown in the first video. After that, I spiral the leader up the shaft, clockwise and start spinning! The video is about 3,5 minutes, but only the first minute shows how I start.

Edit: I just discovered a mistake in the video. At 1:41 text should read: “Transfer slip knot to *index finger* of spinning hand”.

Spindle is from Silly Salmon, bowl from the Skansen pottery and fiber is hand combed from the Swedish finewool sheep Engla from Överjärva gård. Pattern designer for hoody is Kate Davies, yarn from Jamieson & Smith Shetland woolbrokers.

Thank you Sandra and Nicole for asking me about how to start plying on the fly on an empty spindle. Your feedback helps me to make better videos.

New video: Ply on the fly on a supported spindle

 

My friend Anna is a master drop spindle spinner and she often plies on the fly. Ply on the fly is a technique to spin a yarn on a spindle and ply alternately. You spin a bit, secure the end of the single, and chain-ply the part you just spun. I have never practised it, but it is a smart way to finish a yarn without having the trouble of unwinding the spindle in between. I have seen a few videos on this technique, but only on drop spindles. So today I made a search on plying on the fly on a supported spindle. And I found Ioana’s video. She has a good technique and explains it very well.

The basics are: you spin clockwise and wind onto the temporary cop and butterfly the single onto your fiber hand, just as you would normally do. For plying, you pick up a loop from the bottom of the shaft and chain-ply counter-clockwise. When almost all the butterflied single is plied, you secure the loop at the bottom again and go back to spinning.

I wanted to make my own video, soI went to the allotment with my garden chair/camera stand and started spinning! I put in explaining in text and slow motion sections to show the technique as clearly as possible. However, there are many steps in a short segment of time and you might want to watch it more than once to get the technique. Also, look at Ioana’s video for additional explanation of the method.

Close-up of a person chain-plying on a supported spindle
Ply on the fly on a supported spindle

The spindle is from Malcolm Fielding, bowl is an egg bowl from Gmundner Keramik and fiber is hand-combed from the Swedish finewool sheep Engla at Överjärva gård. Sweater pattern is my own (unpublished) and yarn is from Östergötlands ullspinneri.

Happy spinning!