Spindle ergonomics

A woman spinning on a supported spindle.

In March this year I launched my online course Spin on a supported spindle. On launch night I hosted a live webinar on spindle ergonomics. I have now edited the webinar and it is available for free in my online school.

Take me to the spindle ergonomics webinar!

As a spinning teacher I want my students to be able to spin comfortably. Sometimes it is difficult to understand why something hurts or feels uncomfortable. In the webinar I take you through some of the most common problems in spindle spinning in general and supported spindle spinning in particular. The webinar is an excellent way to learn more about my course Spin on a supported spindle and to see what my teaching style is like.

  • In the webinar I talk about the difference between pushing and pulling the spindle and what effects it has on your spinning process.
  • I talk about sharing the strain so that you can spin for a long time without pain.
  • I also talk about the online course Spin on a supported spindle – the content, course outline and practical information.
  • The offers and prices in the webinar are no longer valid.
A woman holding up a spindle.She is wearing a knitted sweater with spinning wheels on it.
In the webinar I talk about pushing and pulling the spindle and about sharing the strain.

The video quality is not what you are used to from my videos. It has to do with the fact that the webinar was a live stream and that I did it indoors with less than optimal lighting. This was my live webinar world premiere. However, in the editing I have improved both light and sound to the best of my ability.

Captioning

The whole webinar is captioned (subtitled) so that you can read what I say. My only choice was to burn in the captions, so if you are annoyed by them there is nothing I can do about it. The captions are very important to me because they make my content accessible to a larger audience. Several students have told me that they wouldn’t have been able to take my courses without the captioning.

Patron pledges

Captioning courses is the single most time consuming part of my business. I would say that one video minute takes at least ten minutes to caption, probably more. However, thanks to the pledges from my patrons I have now been able to pay a captioning service to caption my courses and webinars for me. This takes a huge load off my shoulders while at the same time it makes my videos accessible to a wider audience.

I have also been able to buy a proper studio light for the Patreon pledges to give you a better visual experience in my upcoming online courses and webinars. A big thank you to all my patrons! Your contributions are really important for the development of my business.

If you are not already a patron and want to contribute to this, have a look at my Patreon page! You can choose different levels with different patron rewards. I have also added a couple of higher tiers if you want to pledge more, but with no extra rewards.

A bundle of joy

Now you have a whole bundle of resources to dive into regarding supported spindle spinning:

  • The free online course in How to pick a supported spindle and bowl. The course gives you tools to decide which supported spindle that is the best one for you. In the course you will also get a pdf with a list of spindle makers that I can recommend.
  • This webinar. You will learn about spindle ergonomics, particularly in supported spindle spinning. I don’t want my students to be uncomfortable when they spin. You will also learn more about the paid course (see below) and see what my teaching style is like.
  • The course Spin on a supported spindle. It has three different pricing tiers. Find the one that suits you the best.
  • If you are not sure if you want to invest in my paid course you can buy the ebook that is based on the course Spin on a supported spindle. It has no video or audio, but it is a start.
  • Videos and blog posts.

Spindle ergonomics webinar

A woman spinning on a supported spindle.
Enjoying the spindle ergonomics webinar!

Happy spinning!


You can follow me in several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!

Gute wool

2-ply yarn of Gute wool, spun with longdraw from hand-carded rolags.

In the spring 2019 issue of Spin-off magazine I wrote an article on sorting fleeces of Gute and Gotland wool. A few weeks ago I covered Gotland wool in a blog post and a live webinar. In this post I will look a bit closer at Gute wool.

This is the second part in a breed study series with live webinars. I look at Swedish breeds to start with and from the spinner’s point of view. A bit about the breed, the characteristics of the wool, how I prepare and spin it and what I want to do with the finished yarn.

Next Saturday, May 25th at 5 pm CET I will host a live webinar where I share my thoughts and experiences on Gute wool.

Gute sheep

Gute ewe at the Skansen outdoor museum
Gute ewe at the Skansen outdoor museum in Stockholm. I love how Gute sheep look almost like an oil painting in their faces.

History

The Gute sheep is a rustic breed and the oldest sheep breed in Sweden. It derives from the horn sheep or Gotland outdoor sheep in Gotland. In the 1920’s a breeding program started, aiming for a hornless sheep that was adapted to meat and pretty skins. This resulted in the Gotland sheep. Around 10 horned sheep were saved, though, and were used to restore the old horn sheep. Some of these sheep were moved to Skansen outdoor museum in Stockholm and their descendants are still at the museum today.

The name was changed to Gute sheep. Gute is an abbreviation of the Gotland outdoor sheep (Gotländskt utegångsfår), and it also refers to a person that has lived in Gotland for at least three generations.

Gute sheep today

A major part of the conservation program for Gute sheep was to keep the genetic variation of the breed. This means that the breed has not been improved. Gut sheep have a big genetic variation. The breeding standards emphasize breeding for all the breed specific characteristics and discourage breeding for or against specific characteristics.

There are around 1500 lambing Gute ewes in Sweden today in 107 flocks according to the Swedish sheep breeders’ association (2018).

The Gute sheep is a symbol of the island of Gotland. Gute ram parking barriers are a common sight in the medieval city of Visby in Gotland. Photo by Dan Waltin.

Wool characteristics

Gute wool has a wide variety of qualities, from very fine undercoat to black kemp. There is a wide variation between individuals and also over the body of one individual. This makes Gute sheep ideal for a small household. Go back a hundred years and see yourself as a small farmer with lots of different kinds of wool for lots of purposes from only a small flock of Gute sheep.

Gute wool has a long outer coat of around 40 micron, a very fine undercoat of around 17 micron and kemp. All these fiber types are present all over the fleece, but to varying degrees. The long and strong outer coat protects the sheep from wind and rain and the fine undercoat keeps the sheep warm. Kemp keeps the staple open and perpendicular to the body of the sheep. This protects the sheep even further from wind and rain and lets even more air in to the staple to keep the sheep warm. There is basically no crimp in the wool. The colour can vary over the body and over the staple.

Gute wool from one individual. The sheep has long and strong overcoat, fine undercoat and kemp over the whole body, but to varying degrees.
Gute wool from one individual. The sheep has long and strong overcoat, fine undercoat and kemp over the whole body, but to varying degrees.

Gute sheep have some primitive characteristics left, one of which being rooing. This means that they naturally shed their wool once a year, usually in the spring or early summer. The fiber thins out and eventually breaks to pave the way for a new fiber. The different fiber types are rooed at different times. A shepherd who knows this can choose to shear the sheep at a specific time depending on which fiber type is being rooed.

Processing

I like to find the superpowers of a fleece and take advantage of these when I prepare and spin it. When I wrote the article for Spin-off I played with different preparation and spinning methods to find the best yarn for the Gute fleece I had.

Since the kemp keeps the staples open, Gute wool is light. I wanted to keep this lightness in the yarn that I spun. I could comb the fiber to make a strong yarn, but when I tried that I just enhanced the coarseness of the wool and it felt more like rope. That may have made a wonderfully strong and rustic rug yarn, but that was not what I was after.

Sampling and swatching

Since the three different fiber types are depending on each other for their respective characteristics, I wanted to keep them together. Therefore I wanted to card them and spin a woolen yarn. For extra lightness I wanted to spin with low twist and 2-ply it. This resulted in a very pleasant sample with a rustic feeling. Below are the samples I made for the Spin-off arcticle. The felted swatch comes from a 10×10 cm woven sample. I love how the yarn felted – very evenly and with a nice touch to it.

Samples and swatches of Gute wool.
Samples and swatches of Gute wool.

Flicking tips

To tease the wool before carding I flick carded the tip and cut ends. When I looked at the staples after flick carding I saw something interesting. I found a lot less kemp in the flicked staples, especially at the cut end. A lot of kemp was stuck in the flick card.

After flick carding the staples a lot of the kemp was left in the flick card.
After flick carding the staples a lot of the kemp was left in the flick card.

This means that the kemp alone had been shed. If you look at the picture above with all the staples in length order you can see the shedding point (the rise) at around 2 cm from the cut end.

In a previous blog post I used my combs to tease the locks before carding. I think using combs for teasing would take away too much of the fine undercoat. By using the flick card I only open up the staples and remove some of the kemp.

Rise and yield

So, the cut end of the kemp was now in the flick card. Left in the staple was the rooed end and the tip end, both thinly tapered rather than straight angle cut. This means that my yarn would be less itchy than a Gute yarn with the cut ends in the yarn. How come? Well, a yarn is itchy if it makes the skin yield to the fiber. If instead the fiber yields to the surface of the skin, the yarn doesn’t itch. Since the kemp ends are thinly tapered, the fibers will yield to the skin. By all means, this is still a rustic yarn that is more itchy than, say, a merino yarn, but the yarn I spun is surprisingly comfortable against my skin.

Carding

After having flicked the staples I carded rolags. Gute wool is wonderful to card, It feels light and airy, but still rustic. There is sort of a fudge-like feeling to carding Gute wool – slow but still smooth. I did use the wrong hand cards, though. Since I card mostly fine wools I have a pair of 108 tpi (teeth per square inch) cards. I contacted my supplier, but the 72 tpi cards were out of stock. The 108 tpi cards are not ideal for Gute wool, but they do a decent enough job.

I carded the flicked staples and made rolags. Photo by Isak Waltin.
I carded the flicked staples and made rolags.

There was a lot of kemp waste on the floor after I had carded the flicked staples. The kemp has quite a prominent medulla (the central core of the fiber, consisting of air-filled cells) and therefore breaks easily.

Ok, my 16-year-old just read this post over my shoulder and was convinced I had made half of the words up. He basically rofl-ed.

How I card

To load the stationary card, I just gently pull them onto the teeth of the card. I gently stroke the wool with the active card. I make 6 strokes for each pass, transfer the wool and make another two passes. I roll the carded batt off the stationary card and make a rolag with the help of the back of my hand. One final roll of between the cards and a baby rolag is born.

Newborn Gute rolags.
Newborn Gute rolags.

If you want to dive into carding, here is a video where I card rolags, start at 4:12.

Spinning

Spinning Gute wool in the morning sun. Photo by Isak Waltin.
Spinning Gute wool in the morning sun. Photo by Isak Waltin.

I wanted a yarn that had as much air as possible in it. I also wanted a yarn that would resemble the function of the wool on the sheep as much as possible – strong and durable, yet still light and airy. Therefore I spun the carded rolags with longdraw at a low ratio for a low twist yarn. The longdraw captures a lot of air between the fibers and the low twist makes sure the air isn’t squeezed out in a tight twist.

2-ply yarn of Gute wool, spun with longdraw from hand-carded rolags.
2-ply yarn of Gute wool, spun with longdraw from hand-carded rolags.

I got the result I wanted – a remarkably light and airy yarn that is still strong and has a really rustic feeling.

A quick comparison with Gotland wool

Let’s go back a few steps here. Remember I told you that Gute sheep and Gotland sheep have the same mother, the horn sheep? The breeding of Gotland sheep was aimed at pretty skins with lots of shiny outercoat and very little undercoat. This makes Gotland wool very dense. Aiming to find the superpowers of a wool, I spun the Gotland wool into a shiny, dense and thin yarn and the Gute wool into a light, strong and rustic yarn.

Below are the Gute and Gotland yarns side by side. They are the same length and the same weight. Gute wool has a lot more undercoat than Gotland wool, but still less undercoat than outercoat. The kemp helps keeping the Gute yarn open and airy.

Gute and Gotland yarn. Both are around 100 m and 45 g.
Gute and Gotland yarn. Both are around 100 m and 45 g.

Looking at these two skeins makes me wonder if the breeds have anything to do with each other at all. But they do. And the picture tells me that it is possible to find the superpowers of a fleece and make them truly shine in a yarn.

Use

I used the Gotland wool in a project that would show the shine and the drape of the yarn. With Gute wool I want to enhance the sturdiness, the lightness and the warmth.

Knitted swatch of Gute yarn.
Knitted swatch of Gute yarn.

While the Gute yarn knits up evenly and very appealing, I was really intrigued by its felting abilities.

A woven and felted swatch from Gute wool.
A woven and felted swatch from Gute wool.

The Gute fleece I bought consists of many qualities and lengths. Dividing the fleece to suit different purposes is appealing. But my plan now is to spin it all up like I have with this first skein and weave a simple tabby pattern. I want to take advantage of the splendid felting abilities and full the fabric into a vadmal material, hopefully in a fulling mill. I can’t imagine I will get enough fulled fabric for a jacket, but perhaps a vest! With handsewn buttonholes. Wouldn’t that be something?

Live webinar!

This Saturday, May 25th at 5 pm CET (world clock here) I will host a live breed study webinar about Gute wool from a spinner’s perspective. I will talk briefly about the breed in Sweden, wool characteristics and how I process, spin and use Gute wool. I will use my Gute fleece as a case study and show you glimpses of how I process the wool.

This is a chance for me to meet you (in the chat at least, I won’t be able to see you) and for you to see me live and unedited. The previous live breed study webinar I did was a great success. I can’t wait to see you again in this webinar.

You can register even if you can’t make it to the live event (I’m sorry Australia and New Zealand, I know it is in the middle of the night for you). I will send the replay link to everyone who registers for the webinar. So register now!

The event has passed


Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course! You can also check out my course page for courses in Sweden.
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!

Being a creator

Five skeins of handspun yarn from natural white through medium greys to dark grey. Three of the shades have specks of colour in them.

I love being a creator – blogging, making videos, webinaring (It is a word as of kindanowish), teaching and working with wool. The response I get from you truly warms my heart. I love that I learn so much from doing what I do and from interacting with you. I can’t imagine not doing it and not developing this work. However, it takes a lot of time, energy and money to keep my work going.

This is not a post about spinning. It is about showing you what lies behind the posts, videos, webinars and courses I make and the time it takes. It is also an invitation for you to contribute to the work I do.

The joy and hard work of being a creator

Josefin Waltin spinner is a whole bundle of services for spinners. You can read in-depth blog posts, watch spinning videos, join a webinar or take an online course. If you happen to be in Sweden you can also take face-to-face courses. Hopefully there is something for everyone. While this is something that I love doing it is not done without hard work.

Blog

My fingers itch to write. I have a physical need to write, to shape my thoughts with words. Writing helps me think and deepen my understanding of the subject. Since I know I have many readers I try to be as thorough as possible and do a lot of research, testing and sampling to prepare for a post. I learn a lot from this research process too.

While I do shape and fine tune the post during the whole week, Saturday is the day I make the final adjustments and publish the post. I get up at 7 am to get some time all to myself to finish and publish the post for you.

Average preparation time per post: 3–4 hours.

Videos

I started making videos to share my love for the craft. It still works. When I make a video I explore a technique or process to learn. I also make the video to spread knowledge and encourage you to explore and learn. It is like we are on a quest for new or deeper knowledge together. Finding new angles and ways to tell the story of a particular technique or aspect of spinning drives me to continue exploring spinning through this fascinating media.

A screen shot of a video editing process
Being a creator also requires learning the tech

It starts with an idea – a technique or tool I am curious about or have got questions from you about. I shoot the video. It can take anything from an hour to a day, depending on how much I need to prepare for the shoot. Sometimes I want to shoot a whole process and then I need to do the whole process even if I only show you glimpses of it in the video. Two examples of this is Slow fashion – from sheep to sweater and Slow fashion 2 – from sheep to shawl. After shooting the video I edit, create effects, add titles and music. If I speak in the video I also add captions. It is a subtle balance between being creator and learning and understanding tech and software.

Average preparation time for a 3 minute video: 5 hours.

Webinars

Webinars is my best way to stay connected to you. I’m live and unedited and anything can happen. But to be able to talk to you there and then gives me so much.

There seems to be a high demand on this type of service. I haven’t come across anyone in this field that does webinars and I think it is a very powerful medium that works very well with spinning and wool.

Josefin Waltin drafting wool from a comb
A webinar is a perfect medium for hand spinning

When I prepare a webinar I first make an outline and write a script. Perhaps I need to prepare fiber or spin yarn for the webinar to be able to show you a special technique. I make a promo video, set up registration, send emails and prepare the studio. I rehearse at least three times before the live event.

The studio isn’t ideal, but it’s the best I can manage at the moment. I host the webinars in our tiny study. For the best lighting possible I move all the lamps I can to the room and use a king size bed sheet as a backdrop. I am afraid to move, the room is full of cables, lamps and working material come Webinar Day.

Better lighting solutions for the webinars are a priority as well as the possibility of changing camera angles or zooming.

Average preparation time for a one hour webinar: 5 hours.

Online courses

Many of you have taken my free course How to pick a supported spindle and bowl and some of you have also taken my paid course Spin on a supported spindle or the ebook version of Spin on a supported spindle. I love making these courses and keep exploring the possibilities that an online course can give. I am happy for all the feedback I get from you, it helps me become a better course creator and teacher.

A person spinning on a supported spindle
From the online course Spin on a supported spindle

Making an online course takes a lot of time. I make an outline, write the script and create extra material like pdfs, check lists, glossaries etc. After that I shoot the A-roll (the main angle with me as a talking torso) and the B-roll (closer images to show you details of a technique). I edit, add titles, images and cut the material into lecture-size pieces. I usually make a written pdf version of the whole course. The final part is captioning the whole course. This takes a lot of time since I need to transcribe everything I say and place the text chunks in the right spot with a decent duration. An estimation is that captioning takes me around 10 minutes for every video minute.

Even though the captioning takes a lot of time and energy I will not skip this part. So many people benefit from captioning. Several students who don’t consider themselves sufficient in English have told me that they wouldn’t have been able to take my courses without the written pdfs and the captions. I have not yet found a way to create optional captioning, so for the time being I burn them in and I ask those of you who are annoyed about them to be patient.

Average working time for an online course: Several weeks or months.

Patreon

To those of you who are patrons already: Thank you, from the bottom of my heart. For believing in me enough to make monthly pledges for my creative work. For those who are not patrons: Thank you for believing in me, asking questions, giving me valuable feedback and spreading my work. It warms my heart and keeps me going.

Being a creator makes my heart sing but at the same time it is hard work.Patreon is an online membership platform that allows fans to regularly provide financial support to creators. It also enables fans to get to know the creators better and get access to exclusive material. Here is a video that explains how Patreon works.

I have made four different reward tiers my patrons can choose from. The gist of it is that the more you are able to contribute monthly the better rewards I can offer you for $1, 2, 3 or 5 a month. There is also a fifth option to choose a donation amount of your choice and without rewards.

I say it again: I love doing this work for you and I can’t imagine not doing it. But it does take a lot of my time and energy on top of a family life and a full time job. I would like to be able to spend more time with my family whilst making better content for you. If I could cut back on my day job, I would have a more balanced life and get food on the table. Concrete things I would like to get to make better quality content for you are things like software for different services that makes the job easier, equipment for better audio, video and lighting and captioning services.

The material that is free today will continue to be free – blog posts, videos, the free online courses and live webinars. But with your contributions I can keep creating for you and still live a balanced life. If you like what I do and want me to be able to continue my work sustainably, consider becoming a patron.

Thank you.

Happy spinning!

Josefin Waltin sitting with a pile of wool. Locks are flying in the air around her.

You can follow me in several social media

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. Shooting and editing a 3 minute video takes about 5 hours. Writing a blog post around 3. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!

Community

"Every revolution of the wheel spins peace, goodwill and love". Mahatma Gandhi

Community: A group of people living in the same place or having a particular characteristic in common (Oxford dictionaries)

A particular characteristic in common. Communities thrive all over the world and all over the Internet, full of creativity and passion for the particular characteristic. There is something extraordinary about the spinning community, though. I have never seen such a beautiful fellowship of people who are so eager to help and support each other. I have never seen an unkind word directed to another spinner in the spinning community. Everybody is eager to help, from beginner to expert and from all fields of the spinning spectrum. There is a true foundation of, well, actually peace, love and understanding.

Peace

Spinning doesn’t agree with unkindness. Spinning is by nature a peaceful act. With our hands we fuse fibers together in the cooperative motion of creating yarn. The hands work together to get the fibers to work together and align themselves in the draft. They may be sleek and consistent or bumpy and wild, but they are nonetheless yarn. It is like we spin our own community of fibers. We spin togetherness.

"Every revolution of the wheel spins peace, goodwill and love". Mahatma Gandhi
“Every revolution of the wheel spins peace, goodwill and love”. Mahatma Gandhi. Embroidered quote on my shopping trolley.

The spinning community is for me a safe place. I know I can ask any question and get a thoughtful answer. I embrace the new knowledge and I feel humble towards the spinner who taught me something new and valuable. The act of helping a fellow spinner, new or experienced, is and act of peace. When I help another spinner I know my reward will be more peace in the world. The more I learn about spinning the more I respect the people who make up this community. And I know that the learning and inspiration never end.

Love

In the spinning community we share our knowledge. Because knowledge of spinning is also knowledge of what spinning gives us in return. I know about the transition in my body when I sit down and spin after a busy day. I know about the feeling of flow and weightlessness when I get into the creative bubble. And I know that I can give that feeling to another spinner when I help them develop or solve a problem.

Spinning has been a cultural heritage since someone took some cellulose fiber, tied it around a rock, set it in motion and realized what it could result in. Too many crafting techniques have been lost and forgotten, even in the spinning world. I feel a responsibility to help saving endangered textile techniques. That is the reason why I wanted to learn techniques like nalbinding and twined knitting. They had almost been forgotten.

Recently one of my videos was spread in a non-spinning context. In less than two weeks it grew from 600 to over 25000 (!) views and people commented on the cultural heritage of spinning. There is obviously a surge for old techniques and natural materials. We need to cherish these old techniques, develop them and make them a thriving and natural part of our contemporary life.

Understanding

There are so many kind souls out there, sharing their knowledge, understanding the love of the craft. We share something unique. We share the understanding of what spinning gives us and the world. As spinners you know what I need without me having to necessarily tell you. And every now and then I know what you need. It is a mutual understanding of what spinning gives us.

Barbro who unprovoked gave me her long and loving list of spinning literature. Anna who offered to send me copies of rare spinning books. Kate who seems to know what the spinning part of my mind is trying to figure out and always asks the right questions at the right time. Gunilla who is the fastest book sender in the world. Jenny who cheers me on and referred me to another fiber enthusiast. Kirsten who offered to send me fiber that was new to me. Björn who makes the best supported spindles. All my Teachable colleagues who cheered me on after my course launch. Fran, Grace, Babs, Rebecca and all my students and followers who reach out and help me become a better spinner and teacher.

All these people are to varying degrees a part of the spinning and fiber world and understand the beauty of it.

Yesterday was International Women’s Day. So many women have worked so hard with textile crafts to provide warmth and shelter for their families, and so often unpaid (for an elaboration of the value of textile crafts, see my previous post on calculations). We can give something back to them by celebrating, treasuring and developing textile techniques.

To all women who have worked hard to provide for their families
To all women who have worked hard to provide for their families

Sharing

I have so many ideas I want to share with you. Because when I share, you share and when you share I share. With that we all grow as spinners and people and once again 1 + 1 = 3. The sum of the parts is greater than the whole.

Webinars

When I launched my new online course a week ago I hosted a live webinar on spindle ergonomics. I was very nervous the whole day and totally drained afterwards, but the webinar turned out a success. So many of you cheered me on before, during and after the webinar and you seem to have genuinely enjoyed it. The best comment came from my 16-year-old son, though: “Mum, it actually sounded like a real live stream!”.

It felt so good to be there live with you. Editing is a powerful tool – I can edit away any flaws in videos, courses and blog posts, but it was also a liberating feeling to be totally unedited with you. A webinar is also as close as I can get to meeting you in person.

I plan to make more webinars and I have lots of ideas. It is a medium I believe in and that I think would work very well in the spinning community. I learn a lot from making them and I hope you learn something new too by participating in them. Together we can create a forum that will work and contribute to the community. If there is a special topic you would like me to address in a webinar, just let me know. You can contact me via any of the links below or via email if you are on my email list.


Thank you for all the peace, love and understanding that make up this beautiful spinning community.

Happy spinning!


You can follow me on several social media:

  • This blog is my main channel. This is where I write posts about spinning, but also where I explain a bit more about videos I release. Sometimes I make videos that are on the blog only. Subscribe or make an rss feed to be sure not to miss any posts.
  • My youtube channel is where I release a lot of my videos. Subscribe to be sure not to miss anything!
  • I have a facebook page where I link to all my blog posts, you are welcome to follow me there.
  • I run an online spinning school, welcome to join a course!
  • On Patreon you can get early access to new videos and other Patreon only benefits. The contributions from my patrons is an important way to cover the costs, time and energy I put into the videos and blog posts I create. You can read more about my Patreon page here.
  • Follow me on Instagram.  I announce new blog posts, share images from behind the scenes and post lots of woolliness.
  • In all the social media I offer, you are more than welcome to contact me. Interacting with you helps me make better content. My private Facebook page, however, will remain private.
    If you like what I do, please tell all your fiber friends and share these links!