At the 2018 Swedish fleece championships I bought a bronze medal winning multicoloured fleece. The shepherdess didn’t really want to part with it, but she also knew that no spinning mill would be able to show the beautiful colours as a hand spinner would. In the end she was kind enough to sell me the fleece and now I have the honour and responsibility of making something beautiful of her baby.
Meet Chanel, a multicoloured sheep
The sheep’s name is Chanel (how’s that for a superstar!). She is a 75 % Härjedal and 25 % Åsen sheep. This is her lamb’s fleece. Chanel lives with her flock and shepherdess Birgitta Lindh Andersson.
The fleece has soft undercoat and long, strong outercoat. Do I have to mention the shine? It has it. A deep and golden shine.
The depth of the colours and variations is spectacular. In the picture above she looks mostly brown, but her main colour is actually some sort of latte swirl with dark brown to light golden tips. The colour varies over the fleece. Since the short undercoat and long outercoat have different colours there is also a colour variation over the staples.
And look at those sweet lamb’s curls! The corkscrew curled tips are a sure sign that you are dealing with a lamb’s fleece.
Capturing the colours
While the fleece is truly mesmerizing, trying to capture the colours in a yarn is a challenge. Processing them together would just lead to a porridge-coloured result. Even dividing the staples by colour may give a bland result if you card or comb each colour separately. Not only is the fleece in different colours over the body of the sheep, they are also in different shades over the length of the staple. I can use my superpowers as a hand spinner, though, and create a yarn that no spinning mill would be able to achieve.
Shades of coffee
I decided to try and divide the staples according to colour. It was a challenge, since the colour varied over the staples. But I started to make a rough estimation of the different colour themes and finished with some fine-tuning.
I ended up with five different piles of fluff, that after some consideration turned into four.
- The chocolate. These staples were basically solid in their chocolatey colour and also the softest pile.
- The dark coffee swirl. Dark rose grey staples with dark brown tips. This was the biggest pile and will be the main colour yarn.
- The light coffee swirl. Medium rose grey staples with medium to dark tips. The second biggest pile and very close in colour to the dark coffee swirl. I will need to make a design that separates these variations to make each colour shine.
- The latte swirl. Light rose grey staples with soft honey tips.
- The white chocolate. This pile looked a bit sad and lonely, so I decided to let the latte swirl pile adopt it.
I don’t even drink coffee.
Letting the colours shine
So, how can I make the most of the colour variations? If I card or comb the colours separately I still won’t be able to show the variation over the staple. My solution is to flick card each staple separately with a dog comb and spin from the cut end.
By spinning each staple separately I will get as much colour variation as I can. By spinning from the cut end, undercoat and outercoat will enter the twist at the same time, making the yarn both soft and strong. I spun a fleece with a similar colour variation for a pair of twined knitted mittens a while ago. It resulted in a beautifully variegated yarn. To see the processing and spinning technique, you can have a look at my recent video Catch the light or an oldie but goldie With the sheep in the pasture.
I’m thinking of some sort of striped design. There is a risk that the colours blend into each other too much and still create a porridge-coloured result. Therefore I’m considering spinning a light yarn to use as a separator between the coloured stripes to make them all shine. Perhaps with a slipped stitch pattern to subtly play with the colours.
Oh, by the way, if I run out of fluff I can’t get any more. Chanel is still very much alive, but she has changed her mind and become more grey. Still beautiful, though, but different.
I haven’t started spinning Chanel’s fleece yet. After all, a multicoloured fleece like this comes with great responsibility. I want to give this fleece my full attention and make it shine. I am in no hurry. But I will keep you posted on how the yarn turns out!
Tomorrow I will leave for Sätergläntan, a nordic center for craft education. I’m teaching a five-day course in different spindle techniques. I call the course A spindle a day. My next post will hopefully be a review of the course. Until then, you can read about the course in supported spindle spinning I taught at Sätergläntan in October 2018.
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